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A Conversation With Corinne Winters
Backstage at English National Opera, Edward Seckerson meets Corinne Winters – Violetta in Verdi’s La Traviata.
Peter Konwitschny’s highly filmic new staging of Verdi’s La Traviata is now an opera in four “pictures”: no interval, no grandstanding finales – not even Violetta’s show-stopping “Sempre libera” – but an intense, immediate, fast unfolding, and highly … [Read More]
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By Edward SeckersonBackstage at English National Opera, Edward Seckerson meets Corinne Winters – Violetta in Verdi’s La Traviata.
Peter Konwitschny’s highly filmic new staging of Verdi’s La Traviata is now an opera in four “pictures”: no interval, no grandstanding finales – not even Violetta’s show-stopping “Sempre libera” – but an intense, immediate, fast unfolding, and highly … [Read More]
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