Paula and Justin watch Mary Shelley's Frankenstein after entering into marital discord over Blacula. This overwrought melodrama starring and directed by Kenneth Branagh glosses over the real story and motivation of Frankenstein's monster in order to spotlight its lead and director.

This movie is a classic case of when bad films happen to good people. Were it not for Robert De Niro, Frankenstein would be an absolute waste of space.

Paula and Justin continue their bloodsucking madness with Only Lovers Left Alive, a melodic, artful film that provides an intimate look at a relationship of two people who also happen to be vampires.

Vampirism, through the eyes of Director Jim Jarmusch, is more a way of being and less a character flaw for Adam and Eve, our two leads who, over centuries, have tamed their baser impulses in favor of more rarefied pursuits. Their one constant and raison d'etre is their love for each other which sustains them against all odds and leads to a very satisfying conclusion.

Happy Halloween! For this spook-tacular day, Paula and Justin watch Bram Stoker's Dracula, the 1992 gothic classic that took Dracula out of the cape and into the kimono.

There's a lot to be creeped out by in a sexy way here, and that's the point. Through its high powered cast and rich, artfully crafted imagery, Dracula avoids camp and pulls off a love story where we actively root for the dude with a harem of undead concubines to get the girl of his dreams.

Paula and Justin watch Bridget Jones's Diary, an early 2000's rom com based on the highly successful book of the same name. Inspired by Pride and Prejudice, Bridget Jones chronicles the hot mess that is the dating life of an unmarried British early 30 something.

This film is effortlessly endearing, from Bridget's logging her weight fluctuations and units of alcohol to the unchoreographed, snow-drenched fight scene between Bridget's two suitors. It's charm is as strong today as it was in 2001. You'll smile, laugh profusely, and wish you could move to the UK so you could learn a whole new slew of adorable English insults.

SPOILER ALERT - Paula and Justin interrupt the regularly scheduled programming to watch A Star is Born, the fourth remake of the classic Hollywood tale of the fading icon and rising star. Like Barbara Streisand before him, Bradley Cooper co-wrote, stars, and directs this intimate look at the beginning and end of an ill-fated relationship.

This heart-wrenching movie is a credit to its strong leads who prove that, under the right circumstances, casting an actor to sing and a singer to act can hit all the right notes.

It's 1990's time and Justin and Paula sit down to watch one of the decade's romantic comedy gems, As Good as It Gets. Jack Nicholson, Helen Hunt and Jill the dog star in a film about an obsessive compulsive misanthrope opening his heart to love and to people for the first time.

If you go agog over adorable dogs, long to hear old school slurs, and can stomach the idea of an attractive, good hearted, thirty-something waitress falling for Jack Nicholson (but worse), then this is the film for you.

Paula and Justin review When Harry Met Sally, regarded by many to be the quintessential American romantic comedy.

The film is beloved for a reason. Its two main characters, drawn from the real-life personalities of director Rob Reiner and screenwriter Norah Ephron, are well-developed and get nearly equal screen time. We route for them because we know that, ultimately, the basis of every good, long-lasting relationship is friendship. Even if the ending is predictable, the journey of these two friends is what is worth watching.

Paula and Justin watch 1977's Annie Hall on their way to rom com bliss (or misery). Annie Hall tells the story of one man's neuroses through his on again, off again relationship with a girl who was loveably off type.

Understandably this review turns into a broader discussion about whether we, the viewers, can enjoy this film in light of Woody Allen's history. The answer is probably no, but maybe time will be a gentler critic?

Paula and Justin celebrate the demise of the production code by watching 1968's Sweet November. This strange, heartfelt rom com chronicles the month-long romance of Charlie, the box company exec, and Sara, a self proclaimed therapist. After Sara meets Charlie at the DMV, she is intent on fixing his hurry, hurry ding, ding problem and insists he move in with her to be cured.

The plot of this film is hard to believe, but a perfect fit for the shifting culture of the late 1960s. This film makes no mention of marriage or divorce, just a woman choosing to live her life one month and one man at a time.

Paula and Justin move along the rom com timeline to 1960's The Apartment, an Oscar award winning film whose themes of adultery and suicide were a direct rebuke to the Hollywood Production Code.

In what could be the first dark rom com, Shirley MacLaine and Jack Lemmon find themselves driven together(and apart) by their morally questionable decision making. In the end, they must choose between their ill gotten rewards and dignity.

Through the genius of good writing, these dark themes somehow fit with the rom com genre, making the film an interesting and provocative watch to this day.