
Sign up to save your podcasts
Or


Of all the works of Richard Strauss, the one that premiered in Dresden on today’s date in 1925 ranks amount the least-known.
For starters, it has an odd title, Parergon to the Symphonia Domestica. “Parergon” means “an ornamental accessory or embellishment,” and Strauss meant his new work, written for piano left-hand and orchestra, as a follow-up to his Symphonia Domestica tone-poem of 1903, which depicted one day in the Strauss family household, complete with baby’s bath.
The baby in question was Strauss’ son Franz, who by 1925 was a young man setting up his own household, and recently recovered from a near-fatal case of typhus contracted while on his honeymoon in Egypt. For Strauss, this Parergon was a private celebration of his son’s survival.
For Paul Wittgenstein, the wealthy one-handed concert pianist who commissioned the new work, this was one of several he had requested from leading composers of his day, all designed to showcase his talent. Wittgenstein’s contract with Strauss stipulated that Wittgenstein alone would have exclusive rights to the Parergon as long as he wished, and so it wasn’t until 1950 that any other pianist could perform it.
Richard Strauss (1864 - 1949) Parergon to the Symphonia Domestica
By American Public Media4.7
176176 ratings
Of all the works of Richard Strauss, the one that premiered in Dresden on today’s date in 1925 ranks amount the least-known.
For starters, it has an odd title, Parergon to the Symphonia Domestica. “Parergon” means “an ornamental accessory or embellishment,” and Strauss meant his new work, written for piano left-hand and orchestra, as a follow-up to his Symphonia Domestica tone-poem of 1903, which depicted one day in the Strauss family household, complete with baby’s bath.
The baby in question was Strauss’ son Franz, who by 1925 was a young man setting up his own household, and recently recovered from a near-fatal case of typhus contracted while on his honeymoon in Egypt. For Strauss, this Parergon was a private celebration of his son’s survival.
For Paul Wittgenstein, the wealthy one-handed concert pianist who commissioned the new work, this was one of several he had requested from leading composers of his day, all designed to showcase his talent. Wittgenstein’s contract with Strauss stipulated that Wittgenstein alone would have exclusive rights to the Parergon as long as he wished, and so it wasn’t until 1950 that any other pianist could perform it.
Richard Strauss (1864 - 1949) Parergon to the Symphonia Domestica

6,806 Listeners

38,831 Listeners

8,765 Listeners

9,228 Listeners

5,794 Listeners

927 Listeners

1,384 Listeners

1,277 Listeners

3,158 Listeners

1,974 Listeners

529 Listeners

182 Listeners

13,716 Listeners

3,070 Listeners

246 Listeners

28,203 Listeners

437 Listeners

5,492 Listeners

2,183 Listeners

14,121 Listeners

6,385 Listeners

2,515 Listeners

4,853 Listeners

572 Listeners

207 Listeners