
Sign up to save your podcasts
Or


Few 19th-century composers chose their parents as wisely as Felix and Fanny Mendelssohn. Papa was a wealthy banker in Berlin who held Sunday afternoon chamber concerts for his musically gifted children at their home. The kids could perform their own pieces, and if young Felix had composed a little symphony for strings, Papa would just hire the necessary musicians to have it performed.
In July of 1826, when he was 17, Mendelssohn wrote to a friend, “I have grown accustomed to composing in our garden. Today or tomorrow I am going to dream there A Midsummer Night’s Dream.”
Mendelssohn had been reading a German translation of Shakespeare’s comedy, and on today’s date in 1826, completed a concert overture for the play. Felix and Fanny gave the first performance in a two-piano version at one of the family concerts, and a private home orchestral reading followed later.
Mendelssohn intended his piece to represent the whole of the drama in miniature. He wrote, “At the end, after everything has been satisfactorily settled and the principal players have joyously left the stage, the elves and fairies bless the house, and disappear with the dawn. So the play ends, and my overture, too.”
Felix Mendelssohn (1809-1847): A Midsummer Night’s Dream Overture; Leipzig Gewandhaus Orchestra; Kurt Masur, conductor; Teldec 46323
By American Public Media4.7
176176 ratings
Few 19th-century composers chose their parents as wisely as Felix and Fanny Mendelssohn. Papa was a wealthy banker in Berlin who held Sunday afternoon chamber concerts for his musically gifted children at their home. The kids could perform their own pieces, and if young Felix had composed a little symphony for strings, Papa would just hire the necessary musicians to have it performed.
In July of 1826, when he was 17, Mendelssohn wrote to a friend, “I have grown accustomed to composing in our garden. Today or tomorrow I am going to dream there A Midsummer Night’s Dream.”
Mendelssohn had been reading a German translation of Shakespeare’s comedy, and on today’s date in 1826, completed a concert overture for the play. Felix and Fanny gave the first performance in a two-piano version at one of the family concerts, and a private home orchestral reading followed later.
Mendelssohn intended his piece to represent the whole of the drama in miniature. He wrote, “At the end, after everything has been satisfactorily settled and the principal players have joyously left the stage, the elves and fairies bless the house, and disappear with the dawn. So the play ends, and my overture, too.”
Felix Mendelssohn (1809-1847): A Midsummer Night’s Dream Overture; Leipzig Gewandhaus Orchestra; Kurt Masur, conductor; Teldec 46323

6,881 Listeners

38,950 Listeners

8,801 Listeners

9,238 Listeners

5,825 Listeners

941 Listeners

1,390 Listeners

1,290 Listeners

3,152 Listeners

1,973 Listeners

526 Listeners

182 Listeners

13,784 Listeners

3,091 Listeners

246 Listeners

28,143 Listeners

433 Listeners

5,480 Listeners

2,191 Listeners

14,152 Listeners

6,432 Listeners

2,525 Listeners

4,832 Listeners

574 Listeners

246 Listeners