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For most of the 20th century, women’s history was almost totally ignored in American schools. To address this situation, an education task force in Sonoma County, California, initiated a women’s history celebration in March 1978. What began as an annual Women’s History Week grew over the years into a national celebration, and in 1987, Congress declared the whole of March to be Women's History Month.
Appropriately enough, 1987 also saw the premiere performance of Joan Tower’s Fanfare for the Uncommon Woman — music written for the same instrumentation as Aaron Copland’s famous Fanfare for the Common Man.
Originally, Tower chose to let the title of her Fanfare for the Uncommon Woman serve as a generic, built-in dedication to all the unsung heroes of women’s struggles past and present. But eventually, Tower added a specific dedication to conductor Marin Alsop, a champion of new music.
“I don’t think you can play a piece of music and say whether it’s written by a man or a woman,” Tower says. “I think music is genderless.”
But festivals and celebrations of women in music remain important, in Tower’s view, in helping to get the word out about their accomplishments.
Joan Tower (b. 1938): ‘Fanfare for the Uncommon Woman’; Colorado Symphony; Marin Alsop, cond. Koch International 7469
By American Public Media4.7
176176 ratings
For most of the 20th century, women’s history was almost totally ignored in American schools. To address this situation, an education task force in Sonoma County, California, initiated a women’s history celebration in March 1978. What began as an annual Women’s History Week grew over the years into a national celebration, and in 1987, Congress declared the whole of March to be Women's History Month.
Appropriately enough, 1987 also saw the premiere performance of Joan Tower’s Fanfare for the Uncommon Woman — music written for the same instrumentation as Aaron Copland’s famous Fanfare for the Common Man.
Originally, Tower chose to let the title of her Fanfare for the Uncommon Woman serve as a generic, built-in dedication to all the unsung heroes of women’s struggles past and present. But eventually, Tower added a specific dedication to conductor Marin Alsop, a champion of new music.
“I don’t think you can play a piece of music and say whether it’s written by a man or a woman,” Tower says. “I think music is genderless.”
But festivals and celebrations of women in music remain important, in Tower’s view, in helping to get the word out about their accomplishments.
Joan Tower (b. 1938): ‘Fanfare for the Uncommon Woman’; Colorado Symphony; Marin Alsop, cond. Koch International 7469

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