Do you enjoy a good ghost story? The American novelist Henry James did, but liked to give the ones he wrote an extra twist – another “turn of the screw” you might say. In fact, one of his classic ghost stories from 1898 is titled just that: “The Turn of the Screw.”

In it, a young British governess is entrusted with the care of two orphaned children, who may – or may not – have been abused by their previous governess and her lover, both now dead, who may – or may not – have returned as ghosts to continue their torment of the children. The manner in which Henry James tells the story leaves open the question whether the ghosts are real or just figments of the young governess’s lurid imagination.

“The Turn of the Screw” has been adapted for both stage and screen, and, on today’s date in 1954, an operatic version by the British composer Benjamin Britten received its premiere performance at the Teatro La Fenice in Venice. Each of the 16 scenes in Britten’s chamber opera is preceded by a variation on a ghostly 12-note theme, a “tone row” in the style of the Austrian composer Arnold Schoenberg, and since we see and hear the ghosts on stage, it’s pretty clear Britten is suggesting the ghosts and the evil in the tale are disturbingly real.

Benjamin Britten (1913–1976) –The Turn of the Screw (Sir Peter Pears, tenor; English Opera Group, Benjamin Britten, cond.) London/Decca 4256722