A Minute with Miles

A Minute with Miles

By Miles HoffmanMusic
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A Minute with Miles episodes

  • Mozart Flute Quartets
    In a famous letter to his father, Mozart once wrote, “you know I become quite powerless whenever I am obliged to write for an instrument I cannot bear.” He was talking about the flute, and the occasion of the letter was a commission Mozart had received to write several flute concertos and quartets for flute and strings. In fairness to Mozart, neither the flutes nor the flutists of his day were terribly reliable, but it’s also possible that Mozart had just been procrastinating, and inventing an
    1 min
  • Syncopation 2
    Syncopation disturbs the regular flow of rhythm and it shifts the emphasis in music from strong beats to weak beats, or to in-between beats. I’d like to stress, though, that syncopation is a general term: there’s no limit to the number or variety of possible syncopated rhythms or syncopated patterns, and no limit to the ways they may be used.
    1 min
  • Syncopation 1
    There’s an old joke about the husband who’s been out late drinking, and when his wife asks him where he’s been, he latches onto a word he saw on the cover of a book in the window of a music store, and he says that unfortunately he had come down with a case of… syncopation.
    1 min
  • Scherzo 2
    Beethoven replaced the minuet in his four-movement pieces with the scherzo . Scherzo means “joke,” in Italian, but in Beethoven’s scherzos you won’t usually find anything that qualifies as out-‘n-out funny . What you usually will find is a certain playfulness, with lots of fast notes, abrupt accents, surprises, and quick changes of musical direction.
    1 min
  • Scherzo 1
    During the time of Haydn and Mozart, the third movement of a four-movement piece such as a symphony or string quartet was invariably a stylized dance movement called a minuet. By the end of the 1700's, though, Beethoven, in one of his many innovations, had largely replaced the minuet with a movement he called a “scherzo.”
    1 min
  • Dvorak, Tchaikovsky, and Melody
    Already during their lifetimes, Antonin Dvorák and Peter Ilyich Tchaikovsky were among the most famous composers in the world. Their music is extremely sophisticated, the product of highly skilled composers, and their beautiful melodies have always been especially beloved. Some critics, though, have criticized Dvorák and Tchaikovsky as being “just” melodists. Well. First of all, they both labored long and hard at their compositions. It turns out it’s not so easy to write melodies, especially
    1 min
  • Bruch's Birthday
    Some great composers have been pioneers and musical radicals, and some have been fundamentally conservative. Max Bruch was a conservative to his bones, and it served him well. He established his musical principles early and stuck to them his whole life, regardless of whatever fads, fashions, or new developments were swirling around him.
    1 min
  • Atonality vs Dissonance
    Atonality and dissonance are often linked in listeners’ minds, but they’re not the same thing. Dissonance, from the Latin words for “sounding” and “apart,” is the simultaneous sounding of two or more notes to produce a clashing, or unpleasant effect. Its opposite is consonance , a pleasing sound, a “sounding together .”
    1 min
  • Chamber Music Rehearsals
    Chamber music rehearsals are very different from orchestra rehearsals. In an orchestra rehearsal, it’s the conductor’s job to make the overall musical decisions and to ensure that the members of the orchestra carry them out.
    1 min
  • Women's Voices
    In operatic singing, there are three principal voice types for women. From high to low, they are soprano, mezzo-soprano— mezzo meaning “middle” in Italian—and contralto.
    1 min

About A Minute with Miles

From the publisher's feed

Illuminating 60-second flights through the world of classical music with host and longtime NPR commentator Miles Hoffman. Produced by South Carolina Public Radio.You can enjoy an archive of these…