Why have Verdi's operas stood the test of time, while those of his contemporaries have not?

If you’ve seen the movie Amadeus, or the play it was based on, you may have gotten the impression that Wolfgang Amadeus Mozart was some sort of giggling idiot who just happened to be really good at writing music. Nothing, in fact, could be further from the truth.

Louis Spohr isn’t one of those composers who fell into complete obscurity. But for better or for worse the majority of his works remain unknown to modern audiences.

Every musician will tell you that there are some musicians who just seem to have better ears than others do.

One of the reasons Mozart’s operas seem so profound to us is because they’re so true to life, and perhaps especially true to life’s complexities and contradictions.

The tools and techniques of conducting have changed a great deal over the centuries.

One of the common dangers of studying composers’ lives is finding out that some of the people whose music we love and admire turn out to have been very unadmirable human beings.

Should we really care about the personal lives of the composers we admire?

Ears can be trained. Which is why every music school in the world offers ear-training courses. I suppose it should go without saying, but for musicians the ability to recognize fine distinctions among sounds is crucial.

Bach and Mozart died over two hundred years ago – – Is there anybody alive today whose music will be played two hundred years from now? It’s a tricky question.