Dangerous. Mad. Devil. These are the labels that bury men alive.

As the inspector’s visit to the Château d’If continues, we meet two prisoners: one feared, one mocked. The first—unnamed—is considered so violent that his descent into madness is seen as a mercy. The second, a laughing priest, is introduced as comic relief. But behind the farce lies a grim truth: this is a system where identity is imposed from above, and madness is the only way out. In this passage, Dumas sharpens his satire, showing us how bureaucracy weaponizes detachment.

Topics Covered:

•Bureaucracy as performance and survival

•The inspector’s shallow “philanthropy”

•Carceral labels and the politics of identity

•First reference to Abbé Faria

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