This week, we head to London’s Old Vic Theatre for Glengarry Glen Ross, David Mamet’s Pulitzer Prize-winning drama of ruthless salespeople, corporate ambition, and enough fast-talking to make your estate agent blush.

We discuss the standout performances, the decision to cast the production entirely with women, and why we left feeling it was a fascinating revival that never quite fulfilled its potential.Along the way, Adrian discovers the baffling world of American real estate, Olivia revisits a play she first encountered at university, and Adrian’s Corner puts some legendary business slogans to the test.

Sell the sizzle, not the steak… separate the sheep from the goats… and when the customer gets prickly, get pricklier.

Join us to find out why the hedgehog might just be the next great business guru.

Chapters:

00:00 Introduction

01:14 Synopsis

02:21 Initial Impressions & Personal Connections

07:24 Story & Characterisation

15:01 Let’s Talk about the all-female cast

23:30 Set Design, Costume & Staging

32:37 Final Thoughts

33:53 Adrian’s Corner: Business Mantra or Drunken LinkedIn post?

This episode, Adrian & Olivia saddle up for War Horse at London’s National Theatre.

In this theatre review, they discuss the breathtaking puppetry, the emotional journey of Joey and Albert, and why this First World War epic remains one of the most celebrated productions in modern theatre. Along the way, Adrian revisits the original novel, questions just how far one should go for a horse, and discovers that some of the book’s most moving moments never made it to the stage.

Also featuring: military pigeons, a beer-drinking army bear, and a goose that may have stolen the entire show.

War Horse… or War Goose? Tune in to find out.

Chapters:

00:00 Introduction

00:48 Synopsis

01:50 Initial Impressions & Personal Connections

09:01 Story & Characterisation

15:18 Let's talk about Albert

21:01 Let's talk about the Novel

29:53 Set Design, Staging & Choreography

32:50 Puppetry, War Goose, Lighting & Costumes

38:27 Final Thoughts

39:33 Adrian's Corner: Real or Fake War Animal

Adrian & Olivia head to the Young Vic for Care, a moving and deeply human new play by Alexander Zeldinthat shines a light on life inside a care home.

In this theatre review, they discuss the powerful performances, the striking realism and the difficult questions the production raises about ageing, memory, independence, and the social care system. Drawing on their personal experiences, they also reflect on the emotional realities faced by families, professional carers, and the millions of unpaid carers who quietly support loved ones every day.

It’s not the easiest night at the theatre, but it may be one of the most important.

Warning: This episode looks at a show that deals with death, social care and mental health, as well as personal stories relating to these themes which some may find distressing.

If after the episode you feel like you need extra support, the BBC has a list of charities and organisations which may be able to help. You can find it at www.bbc.co.uk/actionline

Chapters:

00:00 Disclaimer

00:32 Introduction

01:49 Synopsis

03:04 Initial Impressions & Personal Connections

07:00 Story & Characterisation

15:30 Direction

18:47 Themes

27:13 Set & Staging

31:18 Final Thoughts

34:09 Adrian's Corner: Unsung Heroes of Unpaid Carers

Adrian & Olivia are back for London’s West End gloriously chaotic production of Avenue Q, the puppet-filled musical where adulthood is confusing, the internet is questionable, and absolutely nothing is suitable for children.

In this review, they revisit the cult musical comedy that blends Sesame Street-style puppetry with very grown-up problems, unpacking whether its outrageous humour, surprisingly heartfelt songs and existential millennial panic still hold up more than twenty years later.

From purpose and unemployment to bad decisions and very inappropriate puppets, there’s plenty to discuss — including how this West End revival has updated the show for 2026 audiences.

So the internet is for… podcasts? Tune in and watch to find out.

Chapters

00:00 Introduction & Life Updates

02:10 Updates

03:53 Avenue Q Show History

05:15 Personal Connections with the Show

08:35 Story & Characterisation

18:31 The Music

23:01 The Puppets, Set & Staging

29:29 Final Thoughts

31:27 Adrian’s Corner: Millennial Self-Help Podcast or Avenue Q Song?

Adrian & Olivia head to London’s West End for John Proctor is the Villain, the acclaimed new play inspired by The Crucible that’s been turning heads on both sides of the Atlantic.

Set in a small-town American high school, the story follows a group of teenage girls studying Arthur Miller while navigating friendship, feminism, reputation, and the uncomfortable question of who gets to be called a “good man.”

In this theatre review, Adrian & Olivia peek inside the auditorium to see why this emotionally charged production has become one of the most talked-about plays to hit the West End this year.

From classroom debates to Lorde-fuelled catharsis, there’s a lot to unpack.

John Proctor: tragic hero or walking red flag? Tune in to find out.

This week, Adrian & Olivia swap the West End for the National Theatre, stepping into the seductive and scandalous world of Les Liaisons Dangereuses where manipulation is an art form and romance is anything but innocent.

In this review, they delve into the performances, the backdrop, and discuss the themes of the show in amongst its dark games of power and persuasion at the heart of this classic drama.

From whispered schemes to full-blown betrayal, they ask who really comes out on top, and whether it's the audience.

A quick note for the visually inclined: our camera decided to stage its own dramatic exit for about 20 minutes. The video takes a brief intermission, but the audio carries on flawlessly because unlike certain characters, we remain committed to the truth.

So, consider yourself invited to the party… if you dare.

This week, Adrian & Olivia head to London’s West End for Operation Mincemeat, the wild musical turning one of Britain’s strangest wartime schemes into a brilliantly bonkers night at the theatre.

In this theatre review, they unpack the British humour with a U, the delightfully daring performances and the audacity of turning a top-secret WWII deception into a fast paced, laugh out loud musical.

From stiff upper lip absurdity to moments of genuine heart, they explore why this unlikely hit has become one of the West End’s most talked about shows.

Top-secret triumph or classified catastrophe? Tune in - your mission, should you choose to accept it, is to find out.

This week, Adrian & Olivia venture Into the Woods in London’s West End, where fairy tales collide, wishes come true… and then everything goes slightly, spectacularly wrong.

In this theatre review, they take on Stephen Sondheim’s beloved musical, unravelling the intertwining stories, the unforgettable score, and the not-so-happily-ever-afters lurking beneath the surface.

From princes in agony to consequences that really stick around, they explore whether this clever yet chaotic classic still casts its spell on a modern West End audience.

Agony… or happily ever after? Tune in to find out.

This week, Adrian & Olivia dive headfirst into the deliciously outrageous world of Mel Brooks’ The Producers. A film that got turned into a musical, that got turned into a film.

From over the top performances to jokes that absolutely should not work, they revel in chaos, comedy, and the sheer audacity of it all.

Is it a smash hit, or the most entertaining flop ever seen? And will Olivia be able to identify the fakes from the bonafide hit shows in Adrian's premiere round of Real or Fake, Flop or Not?

Adrian & Olivia head to one of the West End’s biggest stages for one of Disney’s biggest new musicals: Hercules. Bringing the beloved animated film to life on stage, it promises gods, monsters, and plenty of gospel-inspired showstoppers.

But does the latest outing from Disney truly go the distance? Adrian and Olivia dive into whether this mythological adventure lives up to the legend.

Hero… or zero? And more importantly will they say they’re in love? Listen in to find out and an introduction to Adrian's Shakespeare interpretations.