5 5MAHMP: March on with John Philip Sousa and The Stars and Stripes Forever
This is Dr. Susan Rempel. Welcome to another edition of 5 Minutes of American History for the Modern Patriot
What is a national symbol? How does it come to pass that something becomes a national symbol? What is our national march? How did the song receive it’s designation? What can we learn about the amazing life of its composer, John Philip Sousa?
A national symbol is somewhat different from a patriotic symbol because it has been officially designated as such after legislation has been passed by the Congress and signed by the President. The history behind the movement and passage of each of our national symbols is rich with interesting details and stories. The patriotic symbols that are frequently associated with our country, such as the Liberty Bell or the Statue of Liberty, have interesting stories associated with them as well.
After the President signs the legislation which designates something as a national symbol, that designation is incorporated into the US Code. What is the US Code?
It is an organization of the general and permanent laws of the United States into groups based upon subject matter. There are currently 54 chapter headings, or titles, and 5 appendices of the code.
Title 36 of the US Code is specifically devoted to “Patriotic and National Observances, Ceremonies and Organizations.” Specifically, Title 36, Subtitle 1, Part 1, Chapter 3 of the US Code includes the sections which designate our national anthem, motto, floral emblem, march, and tree. In this episode, we will focus on our national march. Section 304 of Title 36, Chapter 3, of the US Code states: “The composition by John Philip Sousa entitled The Stars and Stripes Forever is the national march.” Before we learn about the song itself, let’s focus on one of America’s most famous composers: John Philip Sousa.
John Philip Sousa was born on November 6th, 1854. He grew up in Washington, D.C. where his father played trombone for the U.S. Marine Band. Sousa dreamed of playing in a circus band. That idea did not go over well with his parents. His father enlisted him in the Marines, at the ripe old age of 13, and Sousa became an apprentice musician with the Marine Band. Sousa began writing his own music, and published his first composition, Moonlight on the Potomac Waltzes when, he was only 18 years of age.
In 1875, he was discharged from the Marines. He began performing as a first violinist, but quickly moved on to conducting. It was during rehearsals for an on Broadway production of the H.M.S. Pinafore that he met his future wife Jan van Middlesworth Bellis. They eventually married on December 30, 1879 and had three children.
Sousa returned to the Marine Band in 1880 as its leader and remained in that role until 1892. He and his band entertained many Presidents and their families. He took great care to know the preferences of those for whom he performed. During that time, he composed many of his best known pieces, including Semper Fidelis.
the United States Marine Band, which Sousa led, has an interesting background in and of itself. It is also known as “The President’s Own” band. It was founded in 1789 by an Act of Congress and charged with the purpose of providing music for the President and the Commandant of the Marine Corps. Sousa was the Band’s 17th Director, and he is credited with raising its performance level to that of a world class band. The Band currently performs an average of 200 times each year.
In 1892, Sousa was convinced by David Blakely to resign from the Marines, and form his own band. It was to be the first of two life changing inspirations that Blakely would provide for Sousa.
Sousa’s own band first performed on September 26, 1892 at the Stillman Music Hall in Plainfield,