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There is a house at the end of a lane. You have seen it before — or something like it. Palladian, still, its pale stone holding the last of the May light as if reluctant to let the evening come. The chestnut trees stand tall around it. The air is warm and gold and very quiet.
Charles Dash stops his car. He is trespassing, he knows, but the house is empty, surely? And it is such a beautiful house. Worth seeing, if only for a few minutes.
And then the car key goes missing. He cannot find it anywhere. And the owner appears — such a welcoming man, such a pressing, generous, will-not-take-no-for-an-answer kind of man. Do come in. Stay for dinner. The night is drawing in. Why not stay?
Why not?
A Recluse was first published in 1926 and collected in On the Edge, Faber and Gwyer, 1930.
Walter de la Mare (1873–1956) was an English poet, novelist and short story writer, regarded as one of the supreme masters of the uncanny in the English language. His ghost stories occupy a singular place in the tradition — atmospheric, oblique, and finally inexplicable.
Learn more about your ad choices. Visit megaphone.fm/adchoices
By Tony Walker4.9
548548 ratings
There is a house at the end of a lane. You have seen it before — or something like it. Palladian, still, its pale stone holding the last of the May light as if reluctant to let the evening come. The chestnut trees stand tall around it. The air is warm and gold and very quiet.
Charles Dash stops his car. He is trespassing, he knows, but the house is empty, surely? And it is such a beautiful house. Worth seeing, if only for a few minutes.
And then the car key goes missing. He cannot find it anywhere. And the owner appears — such a welcoming man, such a pressing, generous, will-not-take-no-for-an-answer kind of man. Do come in. Stay for dinner. The night is drawing in. Why not stay?
Why not?
A Recluse was first published in 1926 and collected in On the Edge, Faber and Gwyer, 1930.
Walter de la Mare (1873–1956) was an English poet, novelist and short story writer, regarded as one of the supreme masters of the uncanny in the English language. His ghost stories occupy a singular place in the tradition — atmospheric, oblique, and finally inexplicable.
Learn more about your ad choices. Visit megaphone.fm/adchoices

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