A Tripp Through Comedy

Our exit today has us trying to find the right statue for our wedding. This week, we are talking aboutThe Wedding Planner, written by Pamela Falk and Michael Ellis and directed by Adam Shankman.Of course, we spend a lot of time talking about Jennifer Lopez and Matthew McConaughey (and their chemistry?). But we also get into the joys of Fred Willard, Scrabble movies, casting problems, Jennifer Lopez as Italian, Ben Stiller's eyes, more Judy Greer, and country-western songs. And, of course, Massimo!

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Our exit today has us robbing a bank with our best friends. This week, we are discussingSugar & Spice, written by Mandy Nelson and directed by Francine McDougall. Along the way, as Tripp tries to avoid relitigating theDrop Dead Gorgeous battle, they discussBring It On,The Usual Suspects, other cheerleader movies, female crime movies, Abe Lincoln, Madonna lyrics, and of course, Conan O'Brien.

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Our exit today has us fighting drug cartels and rapidly evolving aliens. This week, we are talking about a pair of features starring one of our first ever best supporting performance winners, Orlando Jones. First, we will be talking about Double Take, written and directed by George Gallo. Next, we will talk about Evolution, written by Don Jakoby, David Diamond and David Weissman and directed by Ivan Reitman. While Double Take has Orlando Jones as more of a straight man to Eddie Griffin’s character, Evolution allows Jones to be more of the comedic center.

Along the way, we discuss Julianne Moore, Ghostbusters, Midnight Run, David Duchovny, Michael J. Fox, MadTV, alien creatures, lame action, Gilmore Girls, and plot twists galore!

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Our exit today has us trying to get our hands on a diamond the size of our fist. This week, we are talking about Snatch, written and directed by Guy Ritchie.

Along the way, we of course spend a lot of time discussing Brad Pitt and that accent. But also the forgotten TV show Jericho, a surprisingly deep ensemble, Daniel Craig as James Bond, heist films, Jack Nicholson, Jason Statham, Vinnie Jones, Dennis Farina's schtick, and British crime dramas.

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Our exit this week has Tripp taking over the steering wheel and taking us to France. It's our traditional season finale "Tripp's Pick," and this year it is Patrice Leconte's The Girl on the Bridge.

In addition to having to endure Ross butchering the French language, we also get conversations about Anora, black-and-white, fairy tales, The Ballad of Buster Scruggs, and all the different versions we could have had of this movie.

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⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies We've Covered on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.

Today we taking a detour from our normal programming and looking back at the films we have watched from 2000! It's the Stapler Awards, where we celebrate the funniest stuff we have watched and try to forget the painful movies.

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Our exit today has us thinking about what is the perfect date. This week, we are talking about Miss Congeniality, written by Marc Lawrence, Katie Ford and Caryn Lucas and directed by Donald Petrie.

And Ross makes a very bizarre recommendation.

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⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies We've Covered on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.

Our exit today has us listening to Meredith Brooks and getting in touch with our feminine side. This week, we are talking about What Women Want, written by Josh Goldsmith, Cathy Yuspa, and Diane Drake and directed by Nancy Myers.

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⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CFF Films⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with Ross and friends.

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies We've Covered on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.

Our exit today has us pouring ourselves a glass of Courvoisier and doling out some relationship advice. This week, we are talking about the grammatically incorrect SNL title The Ladies Man, written by Tim Meadows, Dennis McNicholas and Harper Steele and directed by Reginald Hudlin. And, much to his own chagrin, we are taking our friend Aaron Neuwirth along for the ride.

Along the way, we spend a lot of time discussing SNL movies and what makes them work, the careers of Tim Meadows and Helen Hunt (?), our love of The Fresh Prince of Bel-Air, song and dance numbers, Chicago locations, and the seemingly huge budget of this film.

And then Tripp unlocks a childhood memory that suddenly makes sense!

Aaron's writing on We Live Entertainment.

Aaron's writing on Why So Blu?

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⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CFF Films⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with Ross and friends.

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies We've Covered on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.

Our exit today has us trying to fix the Pennsylvania lottery. This week, we are talking about Lucky Numbers, written by Adam Resnick and directed by Nora Ephron.

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⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CFF Films⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with Ross and friends.

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies We've Covered on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.