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This week, Tripp and Ross battle through some late summer colds (sorry for the stuffy voices) and come face to face with Dr. Evil, Mini-Me, and Austin Powers: The Spy Who Shagged Me. And along with some mini-tangents about obscure Broadway musicals and HBO movies, they have finally found the movie that makes Tripp really angry!
Intro and Outro Music: So Alive (Instrumental) by Jon Worthy
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This week, Tripp and Ross go long for one of their favorites: Julia Roberts. 1999 was the summer of Julia, and they discuss both Notting Hill and Runaway Bride, along with throwing some shade at USA Today and Ross trying to give a "Tripp-esque" recommendation.
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This week, Tripp and Ross go deep into post-Columbine America and the controversial release of Idle Hands. Along the way, they talk a lot about the career path of Jessica Alba, the various influences on this film, Disney Channel Original Movies, and Ross shames Tripp about a few classic movies that he hasn't caught up with yet.
The original ending of Idle Hands.
Tasha Robinson's interview with Seth Green in The AV Club.
Best. Movie. Year. Ever. by Brian Raftery.
Intro and Outro Music: So Alive (Instrumental) by Jon Worthy
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This week, Tripp and Ross tackle some uncomfortable pre-9/11 imagery when they hit the friendly skies with Pushing Tin. Along the way, Tripp rambles on about classic sitcoms, while Ross gets overly excited about Cate Blanchett's 1999 filmography and making sound effects noises.
"Somethings Got to Give" by Darcy Frey (the article Pushing Tin is based on)
Intro and Outro Music: So Alive (Instrumental) by Jon Worthy
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This week, Tripp and Ross share their anti-dognapping sentiments in regards to David Spade's "Lost and Found." Somehow, this movie also brings out Tripp's love of both Nick-at-Nite and French cinema, the size of dressing rooms at strip clubs, and the question of how low you can fate a film on Letterboxd.
Intro and Outro Music: So Alive (Instrumental) by Jon Worthy
Tripp and Ross go to prison for the Eddie Murphy/Martin Lawrence comedy "Life." They are both shocked by the poignancy and drama of the film, but also have time to also discuss the amazing Rick Baker, a slew of great character actors, and the ups and downs of Eddie Murphy's 1990s output. Plus, Tripp's first documentary recommendation!
Intro and Outro Music: So Alive (Instrumental) by Jon Worthy
This week, Ross takes Tripp back to his high school dating life and Never Been Kissed. Along the way, they discuss the authenticity of high school movies, Drew Barrymore's ever changing career, the Barbie movie, late 70s Robert Altman, the Scream franchise, and Tripp's most unhinged double feature suggestion yet. Plus, a shocking confession from Ross as to a seminal movie that he has never seen!
Drew Barrymore CRIES After Finding Hidden Window Video.
Intro and Outro Music: So Alive (Instrumental) by Jon Worthy
This week, Tripp and Ross head to New York City with Goldie Hawn and Steve Martin with The Out-of-Towners. Was Tripp's 25 year wait to see his first movie set come to life worth it? Along the way, they also discuss Broadway composers, Monty Python, the Disneyfication of New York City, legendary character actors, and whether this movie would have been better with Kermit and Miss Piggy instead of the two leads.
Intro and Outro Music: So Alive (Instrumental) by Jon Worthy
In another double-header, Ross and Tripp tackle two largely forgotten 1999 high concept comedies. Spoiler alert: it is also the most contentious episode yet, and some of their opinions might be surprising! They also touch on the recent Brendan Fraser renaissance, late career Christopher Walken, the Jersey Shore, misogyny, and Tripp's high school choir tour. Plus, a new feature where Tripp tries to figure out what he was seeing instead of these films in 1999.
Intro and Outro Music: So Alive (Instrumental) by Jon Worthy
Tripp and Ross set sail on the journey that is Forces of Nature and very young Sandra Bullock and Ben Affleck. Along the way, they discuss marriage, Seinfeld character actors, Captain Sully Sullenberger, the trend of orcas attacking yachts, and Justice for Maura Tierney. It also might be the first time they actually agree on a movie!
Intro and Outro Music: So Alive (Instrumental) by Jon Worthy
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