Siddhi-lālasā, Song 5 - Ecstasy at Rādhā-kuṇḍa
Mañjarīs just living on the banks of Rādhā-kuṇḍa
Govinda-līlāmṛta gives the names of all the kuñjas
Gvinda-līlāmṛta, Kṛṣṇa-bhavanāmṛta-mahākāvya and Kṛṣṇāhnika-kaumudī describe aṣṭakāliya-līlā
One cannot just walk into Kṛṣṇa’s pastime even as a new mañjarī
Memories of times when bhajanas were regularly sang
1973 Janmāṣṭamī in New Vṛndāvana
Siddhi-lālasā, Song 6 - The first chance for sevā
Siddhi-lālasā, Song 7 - The glories of Rādhā-kuṇḍa
Who is speaking in Song 7, Rūpa-mañjarī or Bhaktivinoda?
Siddhi-lālasā, Song 8 - Siddha-deha
Are gopīs visiting Rādhā-kuṇḍa or living there?
Parākāṣṭha is the firm conviction a mañjarī has
Forgetting previous memories
Siddhi-lālasā, Song 9 - The mood of a mañjarī
Siddhi-lālasā, Song 10 - The ultimate perfection
Bhaktivinoda Ṭhākura’s consciousness shifts between Bhaktivinoda and Kamala-mañjarī
Reading from Navadvīpa-bhāva-taraṅga 144-168 – going further into the development by getting darśana of the rāsa-dance
Interesting how in Vraja they are talking about Gaurāṅga
The two descriptions of sequential developments of mañjarī-bhāva
The transition on the level of bhāva – without prema the svarūpa is not specific just general