This week, it's two films about the vast, unknowable world of children: Petit Maman and Where Is the Friend's House.

This week, it's two films valiantly trying to capture the slippery, universal experience of ~~being online~~. It's We're All Going to the World's Fair (2022), and Unfriended (2014). 

It's 420! Zone out to two Linklater films: his latest rotoscope cartoon, the '60s nostalgia fest Apollo 10 1/2, and a film you may have seen on VHS 10,000 times, Dazed and Confused. 

This week, we're looking at two ~~erotic thrillers~~ !! A much-maligned genre making a small, tentative comeback, in part thanks to this week's movie, Deep Water (2022); we're also talking about one of the genre's foundational texts, 1981's Body Heat. 

This week, it's two extremely different movies about almost exactly the same extreme situation: being a 13-year-old girl. It's Turning Red (2022) and Eighth Grade (2018). 

This week, we're talking about two philosophical science fiction films made by critics-turned-directors: After Yang (2022, Kogonada), and Alphaville (1965, Jean-Luc Godard). 

This week, it's two films nominated for Best Documentary Feature: Summer of Soul (Amir Questlove Thompson, 2021), and Flee (Jonas Poher Rasmussen, 2021; also nominated for Best Foreign Language Film and Best International Feature, a first!). Like all great documentaries, these movies make you ask what a documentary really is, anyway. 

This week, we're looking at two films that untangle the messy web of supposedly criminal acts -- A Hero (Asghar Farhadi, 2021) and Pickpocket (Robert Bresson, 1959). 

This week, it's two transcendent European movies about Europeans makin' movies: 2021's Bergman Island and 1973's Day For Night. 

This week we're looking at a very small category: directorial debuts from actors in which they do not appear as actors. So, we've got The Lost Daughter (2022, Maggie Gyllenhaal), and Night of the Hunter (1955, Charles Laughton).