This research paper analyzes Mahmoud Darwish's poem "Farewell Edward Said" through a postcolonial lens. The paper examines the poem's themes of identity and exile, exploring Darwish's experiences of displacement and the impact of colonialism on Palestinian identity. It connects Darwish's life and work to Edward Said'sthat of Edward Said, highlighting their shared experiences and perspectives on the Israeli-Palestinian conflict. The analysis incorporates concepts of Orientalism, mythology, binary oppositions, and symbolism to understand how the poem reflects a lost collective identity. The paper ultimately argues that Darwish's poetry offers a message of hope and resilience in the face of oppression.

The provided texts are excerpts from an unpublished article, "Art, identity, and AI: A Modern Reflection," by Meryem Chagraoui. The author explores the decline in human creativity and critical thinking, linking it to over-reliance on technology and a decreased capacity for nuanced understanding, drawing parallels to the cognitive differences between Homo sapiens and Neanderthals. She uses René Magritte's "Ceci n'est pas une pipe" as a metaphor for the misinterpretations arising from the increasing use of AI, particularly in the context of online identity verification. Chagraoui argues that superficial assessments fail to capture true human potential, highlighting the limitations of relying on quick evaluations of creativity. The author's reflections combine artistic expression, philosophical inquiry, and observations on the impact of technological advancement on human cognitive abilities

• Uluslararası VI. Sivil Strateji Sempozyumu Bildiri Kitabı; Virtualization in Non-profit Organizations: The Effects of Social Media on the NGOS Leadership Path and Management Vision: 
  
  

• Art, pain, suffering: the masterpieces of Vincent Van Gogh

Delving into the intersection of the great artist's anguish and inspiration: https://www.meer.com/en/80385-art-pain-suf... published Meer Magazine , article explores the connection between Vincent van Gogh's suffering and his artistic masterpieces. The author argues that Van Gogh's pain, amplified by societal rejection and existential struggles, fueled his unique creative style, exemplified by his expressive use of color and impasto technique in paintings like The Starry Night and Irises. The article analyzes how Van Gogh's emotional turmoil translates into the vivid, almost tangible emotions portrayed in his work, proposing a possible link to Sufism in his artistic process. Ultimately, the piece celebrates Van Gogh's enduring legacy, emphasizing the power of art to transcend personal struggles and connect deeply with viewers.

The article explores the relationship between reality and imagination in Surrealism, focusing on how Surrealist artists, particularly Salvador Dalí, use real-world elements as a foundation for their fantastical creations. It distinguishes between "blunt" and "fresh" imagination within the movement, arguing that the most impactful Surrealist works achieve a delicate balance between the familiar and the extraordinary. The author emphasizes the importance of grounding surreal imagery in reality to create meaning and resonance. Examples from both visual art and poetry illustrate the concept. Finally, the author's personal reflections and several other related Surrealist artworks are listed.

The article explores the relationship between reality and imagination in Surrealism, focusing on how Surrealist artists, particularly Salvador Dalí, use real-world elements as a foundation for their fantastical creations. It distinguishes between "blunt" and "fresh" imagination within the movement, arguing that the most impactful Surrealist works achieve a delicate balance between the familiar and the extraordinary. The author emphasizes the importance of grounding surreal imagery in reality to create meaning and resonance. Examples from both visual art and poetry illustrate the concept. Finally, the author's personal reflections and several other related Surrealist artworks are listed.

The Arabic text explores the complex interplay between identity, time, and cultural heritage. It examines how rapid societal changes challenge traditional beliefs and values, leading to a sense of disorientation and the fragmentation of identity. The author reflects on the tension between modernity and tradition, questioning the impact of globalization and the search for a stable cultural identity in a constantly evolving world. The text further considers the role of cultural memory and its transmission across generations, ultimately raising questions about belonging and the meaning of cultural preservation in a diverse society.