Academy Vs Audience

While Erin and Claire are busy on a stage, Dan succumbs to his ongoing Titanic brainrot, and drags his Recovered co-host Keith along for the ride by asking: did Titanic need or warrant a remake? Not the movie... the BOAT. Dan and Keith walk through how a replica Titanic is not equipped to compete in the modern cruise market, something it was never designed or priced for, and why one right-wing Australian politician has spent the last 13 years telling the press he's gonna do it, he gonna make a new Titanic any day now. Can a modern-day Titanic replica charge Fabrizio prices for a Cal Hockley experience? Can they fill the ship if they don't? Come down the rabbit hole and find out.

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The day Erin's been waiting for arrives as she, Claire, and Dan dig into the third of three Joint Champion Juggernauts, James Cameron's Titanic. A star crossed romance between Jack and Rose is plagued by class differences, a cruel fiancé, and oh yes the boat they're on plowing into an iceberg. Records are smashed, feelings are felt, Dan's only a little bitter about one of the other nominees being defeated, and the AVA team unpacks it all. Grab your ticket and come aboard for the ride!

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Another year, another Oscars has come and gone, and returning guest Olav Rokne of the Hugo Book Club blog is back to help Erin, Claire, and Dan break down how each nominee did, and how they should have done. What does everything think should have won? What won too much? Can Claire, cursed by witches to watch no movies outside of this podcast, tell us anything about them? Also someone even manages to cape for Emilia Perez. Someone named Olav. Tune in for the breakdown!

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It's 1996, and Dan is yelling "Elaine was right" as Claire, Erin, and he dissect Harvey Weinstein's first big Oscar win, The English Patient. Was this an early example of the current hip category fraud, where a co-lead ran as a supporting actress for an easier Oscar? Does cheating on young, hot Colin Firth make sense? Those questions answered, the far less clever but far more fun Independence Day claims the box office, which gives our hosts way more emotions in a surprisingly close amount of time. Ralph Fiennes vs Will Smith, join us for the fight!

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1995 wasn't the best year for Hollywood. The Oscars (and only the Oscars) decided to go with Mel Gibson cosplaying a biopic in the epic of Braveheart, loved by dudes and hated by the Scottish ever since. At the box office, audiences were split, with the domestic crown going to rookie studio Pixar's story of toys come to life, while international audiences flocked to John McLane's third outing, which managed to re-discover the magic of Die Hard while discarding what is often seen as the key ingredient. Chaos reigns as Claire, Erin, and Dan dig into all three. Who will triumph?

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One year after Schindler's List, the Academy chose to take it easy, and go with a heartwarming crowd-pleaser, in fact the biggest hit of the year, Forrest Gump. A film beloved by millions right until it beat Pulp Fiction at the Oscars. But while the USA enjoyed this streak of boomer nostalgia, international audiences were here for Peak Disney in the form of The Lion King, a simple story buoyed by iconic songs and incredible animation, that would one day find new fans through the same songs and much worse animation. Forrest vs Simba, find out how Erin, Claire, and Dan vote by listening in now.

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In 1993, everything was coming up Steven Spielberg! The king of blockbusters won his first Oscars for Best Director and Best Picture with his look at the Holocaust and those who survived because of two men's efforts to save who they could, teaching us that when times are dark, you do what you can and save who you can, even if it never feels like enough. But on the lighter side, Spielberg also smashed box office records with the simple formula of Jeff Goldblum getting chased by dinosaurs in Jurassic Park. One director, one composer, two very different movies that are great in different ways, and we're breaking them down for you. Listen in!

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Erin, Claire, and Dan look back at the films they watched over 2024, both new releases, old classics first seen, or the stuff they watched for this, for you, the listeners. Claire visits classic horror, Dan breaks down some possible Best Picture nominees and what they have going for and against them, Erin reflects on franchises she's seen for the first time, and as a bonus nobody talks about Megalopolis. This time. Join us in looking back on 2024 in film, and what a future episode may be!

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Season's greetings from your Academy Vs Audience film historians! While turkey was eaten and presents unwrapped and schedules attempted to align, Erin went deep into Non-Christmas Christmas Movies, movies that might not seem to be about Christmas until you realize they (sometimes) are. Erin presents a tier ranking, and neither the top nor bottom may be what you expect.

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It's Clint Eastwood vs the Disney Renaissance as we reach 1992. Clint returns to the western genre in order to deconstruct its myths and tropes with a story of the west, violence, and how the stories we tell grow beyond the truth in Unforgiven, which Dan thinks would have fit right into the Legacy Sequel Era but it's probably for the best it isn't one. Then after four years, the Disney Renaissance finally claims the box office crown with Aladdin, probably thanks to Robin Williams' iconic performance as the Genie, but Claire and Erin still have a lot of childhood love for it. One film we grew up on, one that grows on us, join us for the breakdowns.

Find all of our episodes and the rest of Writing Therapy Productions' various entertainments at www.writingtherapyproductions.com