This week on End Credits, there’s a chill in the air. No, it’s not the weather, because it’s finally fairly warm outside, but in the movie theatre, that’s not just the air conditioning you’re feeling. For the review we will finally check out the Backrooms, which is currently making bank, and we will also go back to 1976, and high school, for a lesson in kindness.
This Wednesday, June 10, at 3 pm, Adam A. Donaldson and Peter Salmon will discuss:
6 For ’76: Carrie. Returning to our series about the movies from 1976 we arrive at what might be the scariest. Brian De Palma, still looking for his first hit, took a gamble on the first novel from a new author named Stephen King about a mousy high school student who is pranked one time too many by her classmates. We will talk about the enduring appeal of Carrie, De Palma’s trademark style, and the repeated efforts to try and remake perfection.
REVIEW: Backrooms (2006). This may be the story of the year: A 20-year-old first-time filmmaker, Kane Parsons, turned the YouTube series he made in high school into a movie starring two Oscar nominees that’s presently outstripping a new Star Wars movie at the box office. Not too shabby, so let’s talk about the movie itself, which finds a strung out man played by Chiwetel Ejiofor discovering a vast, magical enclosed space beyond the wall of his furniture store. Why does Backrooms work for audiences, and does it work for these reviewers?
End Credits is on CFRU 93.3 fm and cfru.ca Wednesday at 3 pm.
https://mcdn.podbean.com/mf/web/ada8753dr764v9u3/endcredits_jun10_2026podcast.mp3
Photo courtesy of Elevation Pictures/A24.