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On today’s date in 1875, one of the greatest musical match-makers of all time died in Spartanburg, South Carolina. His name was William Walker, an American Baptist shape-note-singing master who published several collections of traditional shape note tunes.
Now, “shape note” refers to a simple musical notation designed for communal singing. In his 1835 collection, Southern Harmony, Walker married a shape-note tune known as “New Britain” to a hymn text titled “Amazing Grace,” written by an Anglican clergyman and abolitionist named John Newton.
Walker’s collection was a bestseller in the 19th century, and two centuries later, “Amazing Grace” has become one of the best-known and best-loved hymns of our time.
In 2011, a new orchestral fanfare based on “Amazing Grace,” by African-American composer Adolphus Hailstork, was published and subsequently recorded by the Virginia Symphony — appropriately enough, since Hailstork has served as professor of music and composer-in-residence at Virginia's Norfolk State and Old Dominion universities, and in 1992 was named a cultural laureate of Virginia. In addition to this Fanfare, Hailstork’s works range from choral and chamber pieces to symphonies and operas.
Adolphus Hailstork (b. 1941) Fanfare on “Amazing Grace” Virginia Symphony; JoAnne Faletta, cond. Naxos 8559722
By American Public Media4.7
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On today’s date in 1875, one of the greatest musical match-makers of all time died in Spartanburg, South Carolina. His name was William Walker, an American Baptist shape-note-singing master who published several collections of traditional shape note tunes.
Now, “shape note” refers to a simple musical notation designed for communal singing. In his 1835 collection, Southern Harmony, Walker married a shape-note tune known as “New Britain” to a hymn text titled “Amazing Grace,” written by an Anglican clergyman and abolitionist named John Newton.
Walker’s collection was a bestseller in the 19th century, and two centuries later, “Amazing Grace” has become one of the best-known and best-loved hymns of our time.
In 2011, a new orchestral fanfare based on “Amazing Grace,” by African-American composer Adolphus Hailstork, was published and subsequently recorded by the Virginia Symphony — appropriately enough, since Hailstork has served as professor of music and composer-in-residence at Virginia's Norfolk State and Old Dominion universities, and in 1992 was named a cultural laureate of Virginia. In addition to this Fanfare, Hailstork’s works range from choral and chamber pieces to symphonies and operas.
Adolphus Hailstork (b. 1941) Fanfare on “Amazing Grace” Virginia Symphony; JoAnne Faletta, cond. Naxos 8559722

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