After The Scream with Chris & Jess

Is Eli Roth’s Ice Cream Man a killer horror movie—or a great idea that never quite comes together?

On this episode of After the Scream, Chris & Jess review Eli Roth’s Ice Cream Man and break down what worked, what didn’t, and why this one ultimately missed the mark for us.

We talk about the movie’s gory kills, bright and colorful visual style, acting, the young characters, dialogue, story structure, suspense, and why some of the scenes felt disconnected. There are definitely some things to enjoy here, but for us, the kills and concept weren't enough to overcome the problems with the story and characters.

Is Ice Cream Man worth checking out for horror fans? Does the gore make up for the lack of character development? And did Eli Roth focus too much on the kills and not enough on the movie surrounding them?

Watch the review and let us know what YOU thought of Ice Cream Man!

🎬 AFTER THE SCREAM — Chris & Jess talk horror, horror comedy, new releases, classics, and everything that goes bump in the night.

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Is Buddy one of the strangest horror movies of the year? We think so — and that's exactly why we had a lot to talk about!

In this episode of After the Scream with Chris & Jess, we review Buddy, the new horror comedy that takes the innocent world of classic ’90s children’s television and turns it into something seriously disturbing.

We talk about what makes Buddy different, including the fascinating idea that the children don't simply WATCH the Buddy show — they believe they actually LIVE in it. What happens when a child's favorite TV character isn't just a character, but their entire reality?

We also dive into Buddy himself, why he needs children to love him, the movie's themes of childhood innocence, control, forced happiness, and the disturbing relationship between children and the entertainment they trust.

Plus, we discuss what worked, what didn't, the horror and comedy, the performances, and whether Buddy may have been better as a shorter film.

Was Buddy a fresh and crazy take on children's TV horror, or did the concept simply run too long?

Watch our full review and let us know what you think!

#Buddy #BuddyMovie #HorrorMovie #HorrorReview #MovieReview #HorrorComedy #AfterTheScream #HorrorMovies

In this episode of After the Scream, Chris takes on Evil Dead Burn and asks a bigger question: Can a horror movie survive on horror alone?

The kills are brutal. The gore is fantastic. The practical effects deliver. And the movie's fast, chaotic editing and camera work bring a kinetic energy that feels right at home in the Evil Dead franchise.

But there's a problem: I didn't really care about the characters.

The family drama and backstory didn't connect with me the way the horror did. So does that actually matter? If we're having a great time watching the characters get ripped apart, do we really need to care about them?

We'll talk about what Evil Dead Burn gets right, what doesn't work, how it connects to the Evil Dead franchise, and whether great kills and relentless horror can make up for underdeveloped characters and an average story.

The big question: Can a movie be great horror if you don't care about the people in it?

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Nightborn (2026) is a dark and disturbing Finnish horror film that takes the fears of new motherhood and turns them into something truly terrifying.

In this episode, we talk about Nightborn—what we liked, what worked for us, and some of the things that really stood out. We dive into the film’s themes of motherhood, postpartum depression, maternal anxiety, accepting your child, Mother Nature, folklore, isolation, and the pressure to be the “perfect” parent.

We also talk about whether the real horror is the baby… or what motherhood does to Saga.

We also get into the film’s creepy atmosphere, body horror, performances, practical effects, and the way Nightborn blends Finnish folklore with psychological horror.

Nightborn is directed by Hanna Bergholm and stars Seidi Haarla, Rupert Grint, Pamela Tola, Pirkko Saisio, Rebecca Lacey, and John Thomson.

It is a Finnish-led international horror production from Finland, Lithuania, France, and the UK.

So… is the baby really a monster, or is there something much deeper going on?

After the Scream with Chris & Jess
Horror • Horror Comedy • Reviews • Interviews

#Nightborn #Nightborn2026 #HorrorMovie #HorrorReview #FinnishHorror #AfterTheScream #RupertGrint #HannaBergholm #PostpartumHorror #MotherhoodHorror

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Take a ride into the darkness with us as we review Passenger (2026), the latest supernatural horror film from André Øvredal (The Autopsy of Jane Doe, Scary Stories to Tell in the Dark).

A light spoiler review, Chris and Jess discuss what the film gets right—from its creepy atmosphere, haunting visuals, and strong direction—to where it falls short with a script that doesn't quite live up to its intriguing premise.

Is Passenger worth the trip, or should you leave this one on the side of the road?

In this episode:

• 
  
• What worked (and what didn't)
• Performances and direction
• The Passenger folklore and mythology
• Final rating and whether it's worth watching.

 After the Scream is your destination for horror movie reviews, horror news, interviews, and everything creepy.

If you enjoyed the review, please like, subscribe, and let us know your thoughts on Passenger in the comments. We'd love to hear whether you were along for the ride or left wanting more!

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Leviticus might be one of the boldest horror films of the year—but is it actually scary?

In this spoiler-free review, I break down why Leviticus is much more than a traditional horror movie. Directed by Adrian Chiarella, this slow-burn psychological horror explores love, desire, religion, repression, and identity through one of the most original horror concepts in recent years.

I discuss what worked, what didn't, the incredible performances by Joe Bird and Stacy Clausen, the film's bleak industrial atmosphere, its powerful themes, and why I think it feels like a mix of It Follows and Obsession. I also explain why the central monster is one of the most fascinating horror metaphors I've seen in a long time.

If you enjoy elevated horror, psychological horror, A24-style films, coming-of-age horror, or character-driven stories that stay with you long after the credits roll, this review is for you.

What I cover:

• Spoiler-free review
• Story and themes
• Performances
• Cinematography and atmosphere
• The horror concept explained
• What worked
• What didn't
• Final rating

What did you think of Leviticus? Did the slow-burn approach work for you? Let me know your thoughts in the comments!

If you enjoy horror reviews, movie discussions, and deep dives into the genre, don't forget to Like, Subscribe, and hit the notification bell for more videos from After the Scream with Chris & Jess.

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Eli Roth's Ice Cream Man has finally dropped its first trailer, and this thing looks absolutely insane.

In this reaction and breakdown, we take a look at the new trailer for Ice Cream Man, Eli Roth's upcoming horror film that turns a childhood staple into pure nightmare fuel. Between the creepy ice cream truck, the over-the-top violence, and an army of murderous kids, this might be one of the wildest horror trailers we've seen all year.

Is this Eli Roth's craziest movie yet? Does the trailer show too much? And can a concept this outrageous actually work as a full movie?

Let's talk about it.

What did you think of the trailer? Let me know in the comments!

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In this episode of After the Scream, we're reviewing The Backrooms, the feature film debut from Kane Parsons. Based on the viral internet phenomenon, The Backrooms takes viewers into a surreal labyrinth of liminal spaces, distorted memories, psychological horror, and nightmare-like imagery.

While some viewers may love its unsettling atmosphere, dreamlike storytelling, and emotional themes, others may struggle with its ambiguity, slow-burn approach, and lack of concrete answers. Jess almost walked out, while Chris loved it, making this one of our most interesting horror discussions yet.

We break down:
• Kane Parsons' feature film debut
• The Backrooms as psychological horror
• Liminal spaces and nightmare logic
• The film's themes of memory, trauma, regret, and identity
• Clark, Mary, Pirate Clark, and the Still Lifes
• The sound design, production design, and cinematography
• What worked, what didn't, and who this movie is really for

Did you love The Backrooms, hate it, or fall somewhere in between? Let us know your thoughts in the comments.

#TheBackrooms #BackroomsMovie #HorrorMovies #MovieReview #AfterTheScream #KaneParsons #PsychologicalHorror #A24 #LiminalSpaces #HorrorPodcast

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Chris from After the Scream reviews Exit 8, the new psychological horror film based on the viral Japanese indie horror game. This isn’t your traditional horror movie filled with jump scares and nonstop gore.

Exit 8 is a slow, tense, atmospheric horror that forces you to pay attention to every detail.

In this review, Chris breaks down why Exit 8 feels almost interactive, how the repetitive liminal hallway creates claustrophobic anxiety, and why the film’s anomaly-based horror works so well. From the disturbing sound design to the Groundhog Day-style repetition, Exit 8 turns ordinary spaces into something deeply unsettling.

Chris also dives into the deeper themes of the film, including fear of fatherhood, anxiety, isolation, repetition, and modern elevated horror storytelling. While many horror fans may hate the film’s minimalist approach, others may find it one of the most unique psychological horror experiences in recent years.

If you enjoy slow burn horror, liminal space horror, psychological thrillers, analog horror vibes, indie horror films, or movies that make you think instead of relying on cheap jump scares, Exit 8 may be worth checking out.

#Exit8 #HorrorReview #PsychologicalHorror #AfterTheScream #LiminalHorror #MovieReview #JapaneseHorror #ElevatedHorror #IndieHorror #SlowBurnHorror

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Curry Barker’s Obsession completely caught us off guard. This is easily one of our favorite horror films of the year and one of the most intense indie horror experiences we’ve had in a long time.

From the unpredictable jump scares, disturbing atmosphere, incredible sound design, and raw emotional tension, this movie kept us uncomfortable from beginning to end. Curry Barker delivers insanely confident filmmaking for a first feature, blending modern loneliness and toxic relationships with old-school horror filmmaking.

Inde Navarrette gives an unforgettable performance as Nikki — shifting from vulnerable and sweet to terrifying and deeply unsettling in seconds. Her performance genuinely got under our skin.

In this review, we break down:
• The disturbing relationship dynamics
• Why the jump scares work so well
• The incredible sound design
• Nikki’s terrifying performance
• Curry Barker’s direction and future in horror
• Why this film feels fresh compared to modern horror

If you love psychological horror, relationship horror, uncomfortable tension, and unpredictable indie films, this is one you need to see.

#Obsession #CurryBarker #HorrorMovies #MovieReview #IndieHorror #AfterTheScream

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Thanks for hanging with us at the Horror Comedy Hangout—where the scares are real, but the laughs might kill you! See you next time... if you survive