Afterthoughts

Dixon and John have returned --with special guest Parker-- to serve up some fresh picks for the dwindling watchlists out there. Prohibition may be over, but the legends it spawned live on in The Roaring Twenties (1939), and Dixon is going to dish on all of it while somehow managing to never work in references to the Simpsons episode we're all thinking about. Parker talks about Sofia Coppola's Priscilla (2023) and we inevitably find ourselves in a compare and contrast with Baz Luhrmann's Elvis (2023). And John invites us to collectively check out the public library propaganda piece known as The Pagemaster (1994).

We're finally doing Dixon's favorite movie, the profoundly transformative Silence (2016) by the great Martin Scorsese. Join John, Dixon, and special guest Parker as we discuss our backgrounds in the church and how the film has impacted our personal beliefs. Check out Dixon's article on his journey with the film below.

https://medium.com/the-outtake/revisiting-a-forgotten-masterpiece-how-silence-changed-the-way-i-view-the-world-c805f0915400

On this episode of Recommend or Refute, Ryan brings us a feature length dose of Andrew Callaghan's gonzo journalism with the Max exclusive documentary This Place Rules (2022), John takes the Dune Part 2's success as motivation to snort a rail of spice from the studio-interfered, audience-panned interpretation Dune (1984), and Dixon rounds everything out with some choice picks from the recent film festival side of SXSW 2024. 

Thank you for listening to this episode.  There's no proof that podcasting causes cancer.  Yet.

Join the usual Afterthoughts crew as they share another sampling of drastically different films. Dixon takes us for a hike into The Eight Mountains (2022), giving just enough of a glimpse into why its one of his recent favorite films. Ryan tells us about his recent attempt to dumpster dive in the Netflix backlog and the resulting discovery of Maburoshi (2023). And John harkens back to his high school days of working in a theater as he recalls the reasons he regrets avoiding Hoyt Yeatman's Guinea Pig espionage/action adventure film G-Force (2009).

Just a very chill movie about a few Nazi housewives having a small get-together to talk about Nazi shit.

Another RoR is here and we're proud to serve up another set of eclectic offerings spanning sci-fi, horror, and something that's labeled "comedy". Dixon tells us why size does matter with his review of The Incredible Shrinking Man (1957), John shakes hands with horror trope refreshed for a new generation as he talks to us about Talk to Me (2022), and Ryan regrets letting his family decide his film fate with his recap of the Brendan Frazer comedy Furry Vengeance (2010).

This is by far our drunkest episode. You're welcome.

On this episode of Recommend or Refute, Ryan pays tribute to the late Carl Weathers by bringing Action Jackson (1985) to the episode. John finally follows up that Black Dynamite episode we posted by talking about his experience with Michael Jai White's latest homage to Black Cinema: Outlaw Johnny Black (2023). And Dixon takes a film trip to Argentina to see how they do heist films with the The Delinquents (2023). Plus a bonus tangent about streaming services that quickly devolves into old men yelling at clouds!

John picked the movie this week, so you know it's gonna be a fuckin' doozy.  We're talking about Richard Rush's batshit crazy passion project The Stunt Man (1980).  It's full of wild stunts, zany characters, and Peter O'Toole chewing the scenery like his life depends on it.  We've never seen anything quite like this.