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Previously I addressed this movie as a Korean horror film, it's in fact a Chinese one. With that said this found footage jump fest hits all the right notes.
Lock and Key from Joe Hill who brought us Black Phone earlier in this year 31 Days of Dread delivers a horror fantasy deeply influenced by HP Lovecraft. Lock and Key has an arc and a solid ending, something, missed in many shows today.
The Watcher production-wise is everything we would want, performance everything we would want, idea wise everything we would want. BUT.....this Netflix mini-series goes on for a little too long.
Maika Monroe again sells a concept with a byline that would make anyone roll their eyes. WATCHER is a pivotal movie in horror and storytelling.
Don't get this flick mixed up with 2022'S Barbarian, that is something completely different.
Not since Blade have we gotten a vampire movie as cool as Day Shift, Netflix delivers again and it's 100 million smackers well spent.
The Texas Chainsaw Massacre franchise has not had a sequel this good since its inception. We have something special here, it's also something special that the entire world seems to have ignored.
A true of true tension and suspense is rare, it's even better when it is a great starting point. Goodnight Mommy makes you question everything you've seen within the story to the very end. Paired with expert filmmaking we have some truly special.
Torn Hearts is by far the best title we've seen for this year's 31 Days of Dread, the film starts rocky but swerves enough by the end to leave us satisfied.
From the publisher's feed