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Now, here is a wild thought. How about we watch something deep, interesting, and complex- let it sit for a few months - watch it again then give our thoughts about it. How wild of a concept is that?
Disney +s WandaVision is a show with a mystery as good as Lost. However, like Lost we are lost on the ending.
We live in a wildly odd world where a movie journalist/critic spends more time reporting on a movie rating than looking at the movie itself.
Film criticism is over.
We know the truth Batman is the only character popular enough where anyone can step into the role. So what the hell is Disney thinking when they remove Emilio Estevez from Mighty Ducks season 2?
The article referenced in this broadcast:
Peter A Deluca AKAPAD rambles, vents on the hard life of a podcaster while giving you his thoughts on all the films featured in this year's 31 Days of Dread.
Midnight Mass looks at the human condition as all great horror does. It's an unexpected take on vampires and a great addition of the overall field of Vampire fiction.
The Fear Street Trilogy is a long-form deconstruction of the slasher genre. How exactly do you explain the existence of a crazy slasher in three horror movies while going all the back to 1666? This is what modern horror is all about.
Squid Game is a part of the long-form storytelling experiment is seems to be working pretty well for Netflix's horror category.
To fully understand the conversation about the Nightmare on Elm Street Franchise you have to include this documentary.
There is a market to comment and to build fast reaction opinions and in so have an enemy. Yet, again we are reminded that the enemy is a movie. Black Widow is here, does it matter where it falls in the MCU timeline?
From the publisher's feed