Akbar's Chamber - Experts Talk Islam

Meaning ‘language of the coasts’ in Arabic, Swahili emerged in East Africa many centuries ago through contact with the wider Muslim world. Although the language is most often linked with Kenya and Tanzania, Swahili was also used as a lingua franca as far north as Somalia and as far south as Mozambique—a country whose name derives from that of a fifteenth century Muslim ruler, Musa Bin Mbiki. In this episode, we explore the little-known history of Swahili in Mozambique, where the language became a rich poetic vehicle of religious teachings. After an overview of Swahili under the Portuguese rulers and the sultans of Angoche, we take a closer look at performances of the Nazajina, an epic poem recounting the last days of the Prophet. Finally, we zoom back out to the big picture by asking how Mozambiquan Swahili helps us rethink the notion of ‘world literature.’ Nile Green talks to Clarissa Vierke, author of On the Poetics of the Utendi: A Critical Edition of the Nineteenth-Century Swahili Poem “Utendi wa Haudaji” (Lit, 2011).

How would a medieval Sufi Muslim view the Jewish and Christian scriptures? In this episode, we explore this question through the teachings of Abd al-Karim al-Jili. Born on the Malabar coast of India in 1365, Jili studied throughout the Middle East before settling in the town of Zabid in Yemen. It was there that he wrote his most famous work, al-Insan al-Kamil fi Ma‘rifat al-Awakhir wa-al-Awa’il (The Perfect Human in the Knowledge of the Last and First Things).  In that book, Jili drew on the terminology of the Quran and the Sufi teachings of Ibn Arabi to summarize his vision of the relationship between God and humanity. Consequently, he was centrally concerned with scriptural revelation: how God reveals Himself to humankind through the holy books. This led Jili to write a mystical comparison of the Quran with the Hebrew Bible and New Testament (known in Arabic as the Tawrah and the Injil). Nile Green talks to Fitzroy Morrissey, the author of Sufism and the Scriptures: Metaphysics and Sacred History in the Thought of ‘Abd al-Karim al-Jili (I.B. Tauris, 2021).

In 1632, the University Library at Cambridge was transformed by the arrival of an extraordinary collection of manuscripts in Arabic, Persian, Turkish, Hebrew, and Malay. They were collected by an early Dutch orientalist, Thomas Van Erpe, better known by his Latinized name Erpinius. To mark the four hundredth anniversary of his death in 1624, Cambridge University Library has mounted a major exhibition of Erpinius's manuscript. 

For a brief tour of the exhibition, see: https://www.youtube.com/watch?v=0kCe865F7Ek

Even today, the collection continues to teach researchers important new insights into not only the Islamic past, but also into the origins of European orientalism. In this episode, we trace the background of Erpinius’s interest in Islam, before following his career as a linguist and manuscript collector that took him from his native Holland to the university cities of Europe, then Venice, before being appointed Professor of Arabic at Leiden University in 1613. Together with his writings and manuscript collection, this made him a key—but altogether complex—founder of orientalism.  Nile Green talks to Majid Daneshgar, the curator of the exhibition at Cambridge and the author of Studying the Quran in the Muslim Academy (Oxford, 2020).

For more than four centuries, Muslims, Christians and Jews dwelt side by side on the Mediterranean island of Sicily. For around half of that time—from 827 to 1091—they lived under the rule of Arab Muslims, and for the other half under Norman then Swabian Christian kings, before the Muslims were finally expelled in 1245. Since Sicily had been part of the Byzantine Empire, its Arab conquerors inherited a population who spoke Greek, prompting centuries of linguistic, literary, and wider cultural exchanges that became richer still when the Normans introduced Latin. After sketching the historical background, this episode explores the complex society that developed on Sicily, along with the literature and architecture that emerged from the collusion and shifting hierarchy of cultures. Through the Arabic geographical manual patronized by King Roger II, the translation of classical Greek works to Latin via Arabic, and the Arab-Norman churches of Palermo and Cefalù, Sicily was the lesser-known counterpart to al-Andalus. Nile Green talks to Alex Metcalfe, author of The Muslims of Medieval Italy (Edinburgh, 2009).

In a famous hadith, the Prophet Muhammad told his followers, “Be different!” He also warned them about the potential dangers of imitating non-Muslim communities. Over the next fourteen centuries, various Muslim scholars pondered and elaborated the possible meanings of this prophetic advice. In what ways should Muslims be different? Were all forms of imitation bad, or were the good and bad forms of imitation? How much did social and political circumstances affect whether a Muslim should visibly mark his or her difference from non-Muslims around them? And so, long before Western societies began theorizing ‘assimilation’ and ‘diversity,’ Muslim scholars were writing multi-volume studies devoted to the question of what it meant to live in a multiethnic and multireligious society. Nile Green talks to Youshaa Patel, author of The Muslim Difference: Defining the Line between Believers and Unbelievers from Early Islam to the Present (Yale, 2023).

Muslims lived in the Iberian Peninsula for best part of a millennium before their final expulsion of the early 1600s. During those nine centuries, there flourished a rich literary culture, not only in Arabic but also in Aljamiado—a version of Castilian Spanish that was written with the Arabic script. In this episode, we explore the fascinating Quran manuscripts—in Arabic and especially Aljamiado—written in the last few centuries of Moorish life in Iberia. We’ll learn how these rare manuscripts survived—sometimes hidden for centuries in the walls of old houses—and what they tell us about the people who wrote them, and the form of Islam they followed. In so doing, we’ll learn about a long-forgotten chapter in European literary as much as religious history: the only surviving complete Quran in Aljamiado Spanish was written at exactly the same time as Cervantes’ Don Quixote. Nile Green talks to Nuria de Castilla, author of “The Qur’an: Production, Transmission, and Reception in the Mudejar and Morisco Communities,” in The Qur’an and its Handwritten Transmission (Brill, 2024).

The past few decades—since 9/11 in particular—have seen the increasing prominence of ‘moderate Islam’ in the public sphere. But who gets to define what this term means? How are these different definitions projected to wider Muslim, and non-Muslim, audiences? And what are the political implications of these varied versions of ‘moderate Islam,’ whether locally or internationally? In this episode, we focus on three major players in the geopolitical competition to define ‘moderate Islam,’ namely Saudi Arabia, the United Arab Emirates, and Indonesia, while also bringing in Qatar, Turkey, and Iran. By paying special attention to Indonesia—and its huge civil society organization called Nahdlatul Ulama—we see how Asian Muslims are becoming increasingly important arbiters of Islam for the twenty-first century.  Nile Green talks to James M. Dorsey, author of The Battle for the Soul of Islam: Defining the Muslim Faith in the 21st Century (Palgrave Macmillan, 2024).

The mid-twentieth century was not only a time when some of the greatest jazz music was created. It was also a period when many African American musicians converted to Islam. By the 1940s, there was a variety of different versions of the faith from which to choose in America. The Ahmadiyya movement had arrived in the United States around 1920; the Nation of Islam had emerged out of Moorish Science a decade later; and by the 1940s different currents of Sunni Islam had been introduced to port cities like Philadelphia, New York, and Boston. By the 1950s and 60s, those ports became gateways to a wider world—to the Middle East and Africa—as African American Muslims set out on musical, religious, and political pilgrimages among their coreligionists overseas. In this episode, we’ll be following those journeys by the likes of Art Blakey, Ahmed Abdul-Malik, and Yusuf Lateef, as well as Malcolm X and the great John Coltrane.  Nile Green talks to Richard Brent Turner, author of Soundtrack to a Movement: African American Islam, Jazz, and Black Internationalism (New York University Press, 2021).

Album Links:

Ahmed Abdul-Malik, East Meets West https://www.youtube.com/watch?v=VmMR8J7yUEI

Yusuf Lateef, Eastern Sounds https://www.youtube.com/watch?v=YMTHsK3MlzA

John Coltrane, ‘Naima’ https://www.youtube.com/watch?v=bPAC6zt_1ZM

John Coltrane, A Love Supreme https://www.youtube.com/watch?v=ll3CMgiUPuU

Just how much does Islam vary in different places around the world? And how have local forms of Islam evolved in rural regions where Muslims have lived side-by-side with Hindus for centuries? In this episode, we tackle these questions by looking at local religious practices in the south Indian village called Gugudu. Turning away from theoretical abstractions, we see how religion is practiced on the ground through sacred spaces and rituals that are shared by Hindu and Muslim devotees of a local Sufi saint called Pir Kullyapa. We also learn how the people of Gugudu use the Telugu language to conceptualize their religious practices— and how they creatively adapt and combine religious terms from Arabic and Sanskrit to formulate their own ‘village theology.’ But in the twenty-first century, Indian villages have become increasingly connected to the outside world, not least through cellphones and the internet. So, we’ll also ask how reformist global Islam is affecting the local Islam of Gugudu. Nile Green talks to Afsar Mohammad, author of The Festival of Pirs: Popular Islam and Shared Devotion in South India (Oxford University Press, 2013).