Chris Eliopoulos finishes out the week by joining John and Jason to discuss donuts, the tactical capabilities of smart guns in close quarters, and to talk about how much freedom Cameron gave to the actors in developing their characters.

Jason and Chris are back to talk with John about the amazing Sgt. Apone, whether Ash is the father of the motion tracker, and we try to decipher one of Chris' illegible notes.

Jason Heck and Chris Eliopoulos join us to talk about marine professionalism, suspense, and damaged corridors. (There were a lot of technical and mental issues with this one. We apologize. Please come back for the next one.

Today, John is joined again by Jason Heck and Chris Eliopoulos to further explore Gorman's incompetence, discuss whether suspense is deemed a necessary element in today's movies, and go in-depth about who has true blockbuster vision.

This week John is joined by Jason Heck and cartoonist Chris Eliopoulos to talk about dropship landings, space tractors, and why they'd need a bar on Hadley's Hope.

It's the end of the week, and Marya E. Gates and Aja Romano return one last time to talk about locating beacons, closing storm doors, and bragging about atmospheric processor production.

Today, Marya and Aja are back to continue gushing over practical effects, share our feelings about Gorman's fluctuating sweat level, and discuss whether Burke is cinema's greatest weasel.

Aja and Marya join John again to talk about gravity issues, when we think CGI effects are most effective, and what motivates Ripley to question Gorman about his drop experience.

Aja Romano joins John and Marya for day two to discuss how cool and competent Ferro is, heap praise on editor Ray Lovejoy, and speculate on James Cameron's personal life.