It's time to revisit The Kinks Kanon and do "All Day & All of the Night." Have you ever noticed how weird the title is? Probably not, because of the Riff! It's dirty and has that "Louie Louie" fairy dust which produces misty brain fog where you can't remember how many duh duhs are in it.  And Ray Davies savors syllables - apeman poet! The song travelled across the puddle and New York's Knickerbockers were one of the first to kover it. Their version adds sax and has a great sproing-y solo, but it's no slam dunk. The third kulprits are Kenny & the Kasuals from Dallas - they add a kool organ, a RAW vocal performance, & a loosy goosy guitar solo. The final Kountdown goes to The Remains, who leave us with a very rockin', snotty version. Oh kome on! (and send Weldon to Bulgaria!!)

It's time to revisit The Kinks Kanon and do "All Day & All of the Night." Have you ever noticed how weird the title is? Probably not, because of the Riff! It's dirty and has that "Louie Louie" fairy dust which produces misty brain fog where you can't remember how many duh duhs are in it. And Ray Davies savors syllables - apeman poet! The song travelled across the puddle and New York's Knickerbockers were one of the first to kover it. Their version adds sax and has a great sproing-y solo, but it's no slam dunk. The third kulprits are Kenny & the Kasuals from Dallas - they add a kool organ, a RAW vocal performance, & a loosy goosy guitar solo. The final Kountdown goes to The Remains, who leave us with a very rockin', snotty version. Oh kome on! (and send Weldon to Bulgaria!!)

It's time to revisit The Kinks Kanon and do "All Day &amp; All of the Night." Have you ever noticed how weird the title is? Probably not, because of the Riff! It's dirty and has that "Louie Louie" fairy dust which produces misty brain fog where you can't remember how many duh duhs are in it. &nbsp;And Ray Davies savors syllables - apeman poet! The song travelled across the puddle and New York's Knickerbockers were one of the first to kover it. Their version adds sax and has a great sproing-y solo, but it's no slam dunk. The third kulprits are Kenny &amp; the Kasuals from Dallas - they add a kool organ, a RAW vocal performance, &amp; a loosy goosy guitar solo. The final Kountdown goes to The Remains, who leave us with a very rockin', snotty version. Oh kome on! (and send Weldon to Bulgaria!!)

All Day And All Of The Night

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&amp;B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

Music

Music Commentary

Music History

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

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All Day And All Of The Night

All Day And All Of The Night

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