My conversation with vocalist and composer, Mandy Harvey, may be one of the most memorable we’ve done. Why? Because this incredibly talented woman with an exquisite voice has been profoundly deaf since the age of 18. We conducted the interview over Zoom with Mandy using a voice-to-text captioning program in order for her to see and reply to my questions. Her voice? Well, you’ll find out that it speaks for itself. And her story is one you’ll never forget.  

Our episode begins  with a discussion about her musical life, followed by a journey through how she was able to transcend the hardships and challenges she faced to become a successful artist and motivational inspiration for others.

If Jim Caruso’s name sounds familiar, that’s not surprising. Jim is also host of the wildly popular “Cast Party” which has been a Manhattan mainstay for more than two decades at the iconic Birdland Jazz Club.

In 2011, this irrepressible, affable, and talented singer recorded and released an album titled, “The Swing Set,” which he calls a true labor of love. It’s  a smart and sophisticated romp through the Great American Songbook. In it, Jim was joined by special musical guests including the late guitar legend Bucky Pizzarelli, jazz violin sensation Aaron Weinstein, pianist and singer Billy Stritch, music phenom Michael Feinstein and Tony Award-winning Broadway leading lady Stephanie J. Block.  

Fast forward to 2025 and this album has now been given a new life and has a new label behind it called Club 44 Records. The album has been remastered and re-released as the Swing Set-Deluxe Edition. As Caruso says about the recording..“But wait – there’s more, this Deluxe Edition comes with two surprise additions: a hilariously fun new track featuring my musical partner-in-crime Billy Stritch at the piano, and a fresh take on an old recording with the divine Jane Monheit. 

While the album released in streaming and digital formats last spring,  it took us until now to nail him down for a conversation. So on that note, enjoy my conversation with the delightful man of the hour himself...Jim Caruso. 

Jazz Vocalist Andy James has just released her eighth studio album. It’s on Le Coq Records which is an independent label started by James and her husband Piero Pata, not only as a vehicle for releasing her music but also to work with acclaimed veteran jazz musicians including John Patitucci, Nate Smith, Terell Stafford, Alex Acuna, Rick Margitza, Chico Pinheiro, and many more.  

This latest recording is a fusion of jazz and flamenco music called, “Happy People.” You might ask why the blend of jazz and flamenco?  Here’s where the story gets really interesting. 

Born in  Melbourne, Australia, Andy heard both jazz and flamenco music at home. Her mother was a jazz vocalist and her father an aficionado of Flamenco music. At a young age, she fell in love with dancing, and particularly flamenco, but instructors were scarce in Australia. In order to pursue her passion, Andy moved to Spain to study flamenco and went on to become a world acclaimed flamenco dancer. 

So, what influenced her to take a 180° career turn move to United States to become a jazz vocalist? That’s where we pick up the rest of this story in our conversation. 

There have been a number of significant changes in the life of this noteworthy singer four years after releasing her debut recording. No doubt, people will be making even more comments about Anaïs’ ability to interpret song lyrics with emotional depth, enhanced musical maturity, and style after discovering more about her latest release. She has, once again, tackled the Great American Songbook with her newest album, LADY OF THE LAVENDER MIST, the inspiration which began while taking a train ride and listening to the music of Duke Ellington.

Our mission at All That’s Jazz is to elevate the voices of the people who create, produce, present and write about all Jazz idioms by helping them tell their backstories about  why they do what they do, and what got them to this moment.  

One such person is a man named Eric Oberstein.  A young, highly educated,  New York born and raised saxophonist and drummer of Cuban American heritage, Eric has always been on a fast track to success. He has followed a path that’s taken him from being a musician to becoming a brilliant, internationally respected and trusted arts leader, and a two-time Grammy and two-time Latin Grammy winning producer, curator and educator.  

Eric collaborated for multiple years with GRAMMY-winning bandleader, pianist, composer Arturo O'Farrill, as well as forming a collaboration since 2016, with Cuban-born, GRAMMY-winning bandleader and drummer, Dafnis Prieto, who he currently manages. 

My conversation with this highly accomplished and interesting man begins with a discussion about the often misunderstood role of a music producer. We also explore his career that was serendipitously launched by a questionnaire in a performance program, and all the experiences leading up his new business,  Eric Oberstein Productions. 

In this episode, I go behind the pages with author/historian Elizabeth J. Rosenthal, to discover what led her to write ‘The Master Of The Drums’ and unravel the complicated and tumultuous story of the man who was indisputably the most controversial, influential, and famous drummer of his time. 

In this episode, I sit down with pianist/vocalist Champian Fulton and saxophonist/clarinetist/composer Klas Lindquist to discuss their latest release, “At Home,” the concept for which began with an event held in a home owned by Turtle Bay Records founder Scott Asen, who suggested they actually record in in his living room. 

Oklahoma native and New York based Champian Fulton is the daughter of trumpeter and flugel hornist Stephen Fulton. She began her career at the age of 10, performing for Jazz legend and family friend Clark Terry’s 75th Birthday Party. A Jazz pianist and vocalist for more than 20 years, Champian has now released 19 albums as a leader and has performed in more than 25 countries, both in concert and on TV. She has been recognized with numerous awards, including Album of the Year in the NYC Jazz Record (2018, 2020, 2023) and Pianist and Vocalist of the Year (2019) by Hot House Magazine, among other prestigious accolades.

A world-renowned ambassador of Jazz excellence, alto saxophonist, clarinetist and composer, Klas Lindquist, was born  in Göteborg, Sweden. 

Klas is considered one of Sweden’s most exciting Jazz musicians. He is the recipient of the “The Golden Sax” award, “The Alice Babs Award,” “The Stockholm Stads Kulturstipendium”, and the “Gavatin Foundation Prize for Jazz Music.” Recognized for his technical brilliance, imagination and style, Klas is in demand as a recording artist, and has appeared on over 40 albums as a featured soloist and five albums as a leader. 

These two seasoned artists with impressive resumes are very fond of the duo format, which is what led them to develop their latest release. And this is where we start our conversation. 

This episode is about a story that needs to be heard. It’s the tale of an amazing individual and jazz artist named René Marie.  Her story has been portrayed in an award - winning short documentary by Rachel Kessler, a Brooklyn-based director, screenwriter, and producer with over a decade of experience deeply rooted in her artistic and creative beliefs. 

The beauty and soul of René Marie has been captured in this film called, ‘Tuning René Marie’, that weaves you through the early life of this GRAMMY-nominated jazz vocalist. It premiered at the Oscar-qualifying Woodstock Film Festival in 2022 where it was nominated for Best Short Documentary;  it’s now available for all to see on the prestigious short film channel, Omeleto. 

It’s an extraordinary story that we’re honored to share as we speak to both women about how it came to be, and the impact it’s had on them, and on everyone who’s seen it.

Fado is a powerful and poignant musical expression of the Portuguese soul, often associated with the hardships of everyday life and characterized by melancholy, expressive vocal performances with a strong emphasis on emotional, poetic storytelling.

The unique sound of Fado is highlighted by the guitarra portuguesa, or Portuguese guitar - a pear-shaped cittern with 12 wire strings - and is usually accompanied by a wire-strung acoustic guitar. In many ways, its’ free-form style is reminiscent of early Blues and Jazz. 

Intrigued by what we learned from our research, we sought out a specific Fado performance while visiting the city of Porto.  This turned out to be a serendipitous experience.  We were the only two audience members in what ended up being a private concert. This allowed us to dig deeper into the history and soul of this music deeply rooted in Portuguese tradition. The session featured the outstanding talents of noted Fado vocalist, Ana Margarida, and her two musicians, Artur on Portuguese guitar, and Antonio on classical acoustic guitar. 

With apologies in advance for the less-than-perfect audio, we couldn’t pass up the chance to record this unexpected, once-in-a- lifetime session with a cell phone since we were without our professional audio equipment. 

By sharing our experience, we hope to give you an insight into this extraordinary musical genre through our conversation recorded in the majestic Grand Salon of Porto City Hall.