
Sign up to save your podcasts
Or


The Cincinnati May Festival one of America’s oldest music festivals, with roots going back to the 1840s, and a formal launch dating from the 1870s. Over the course of its history, the Festival has performed great choral works of both European and American composers and commissioned and premiered many new works.
On today’s date in 1998, for example, James Conlon conducted the premiere performance of PraiseMaker, a new work for chorus and orchestra setting texts by poet and screenwriter Susan Kougell to music by American composer Alvin Singleton.
The title was inspired by the “praise singers” of Africa, who serve as the oral historians and celebrants of their community’s history and traditions. Susan Kougell’s text is a celebration of memory, expressed in simple, almost minimalist poetry.
“Her poetry is so straightforward; you don’t have to work to figure it out,” said Singleton. For his part, Singleton scored PraiseMaker for chorus and orchestra, with a percussion section that includes temple bells, tubular bells and vibraphone.
Reviewing a recording of PraiseMaker made by the Atlanta Symphony Orchestra and Chorus, one critic wrote, “The score surprises you with its range of mood and even, in places, with its tenderness.”
Alvin Singleton (b. 1940): PraiseMaker; Atlanta Symphony Orchestra and Chorus; Robert Spano; Telarc 32630
By American Public Media4.7
176176 ratings
The Cincinnati May Festival one of America’s oldest music festivals, with roots going back to the 1840s, and a formal launch dating from the 1870s. Over the course of its history, the Festival has performed great choral works of both European and American composers and commissioned and premiered many new works.
On today’s date in 1998, for example, James Conlon conducted the premiere performance of PraiseMaker, a new work for chorus and orchestra setting texts by poet and screenwriter Susan Kougell to music by American composer Alvin Singleton.
The title was inspired by the “praise singers” of Africa, who serve as the oral historians and celebrants of their community’s history and traditions. Susan Kougell’s text is a celebration of memory, expressed in simple, almost minimalist poetry.
“Her poetry is so straightforward; you don’t have to work to figure it out,” said Singleton. For his part, Singleton scored PraiseMaker for chorus and orchestra, with a percussion section that includes temple bells, tubular bells and vibraphone.
Reviewing a recording of PraiseMaker made by the Atlanta Symphony Orchestra and Chorus, one critic wrote, “The score surprises you with its range of mood and even, in places, with its tenderness.”
Alvin Singleton (b. 1940): PraiseMaker; Atlanta Symphony Orchestra and Chorus; Robert Spano; Telarc 32630

6,789 Listeners

38,788 Listeners

8,765 Listeners

9,192 Listeners

5,744 Listeners

926 Listeners

1,389 Listeners

1,275 Listeners

3,146 Listeners

1,977 Listeners

520 Listeners

182 Listeners

13,695 Listeners

3,075 Listeners

247 Listeners

28,214 Listeners

435 Listeners

5,490 Listeners

2,178 Listeners

14,109 Listeners

6,355 Listeners

2,515 Listeners

4,874 Listeners

568 Listeners

204 Listeners