
Sign up to save your podcasts
Or


The Cincinnati May Festival one of America’s oldest music festivals, with roots going back to the 1840s, and a formal launch dating from the 1870s. Over the course of its history, the Festival has performed great choral works of both European and American composers and commissioned and premiered many new works.
On today’s date in 1998, for example, James Conlon conducted the premiere performance of PraiseMaker, a new work for chorus and orchestra setting texts by poet and screenwriter Susan Kougell to music by American composer Alvin Singleton.
The title was inspired by the “praise singers” of Africa, who serve as the oral historians and celebrants of their community’s history and traditions. Susan Kougell’s text is a celebration of memory, expressed in simple, almost minimalist poetry.
“Her poetry is so straightforward; you don’t have to work to figure it out,” said Singleton. For his part, Singleton scored PraiseMaker for chorus and orchestra, with a percussion section that includes temple bells, tubular bells and vibraphone.
Reviewing a recording of PraiseMaker made by the Atlanta Symphony Orchestra and Chorus, one critic wrote, “The score surprises you with its range of mood and even, in places, with its tenderness.”
Alvin Singleton (b. 1940): PraiseMaker; Atlanta Symphony Orchestra and Chorus; Robert Spano; Telarc 32630
By American Public Media4.7
176176 ratings
The Cincinnati May Festival one of America’s oldest music festivals, with roots going back to the 1840s, and a formal launch dating from the 1870s. Over the course of its history, the Festival has performed great choral works of both European and American composers and commissioned and premiered many new works.
On today’s date in 1998, for example, James Conlon conducted the premiere performance of PraiseMaker, a new work for chorus and orchestra setting texts by poet and screenwriter Susan Kougell to music by American composer Alvin Singleton.
The title was inspired by the “praise singers” of Africa, who serve as the oral historians and celebrants of their community’s history and traditions. Susan Kougell’s text is a celebration of memory, expressed in simple, almost minimalist poetry.
“Her poetry is so straightforward; you don’t have to work to figure it out,” said Singleton. For his part, Singleton scored PraiseMaker for chorus and orchestra, with a percussion section that includes temple bells, tubular bells and vibraphone.
Reviewing a recording of PraiseMaker made by the Atlanta Symphony Orchestra and Chorus, one critic wrote, “The score surprises you with its range of mood and even, in places, with its tenderness.”
Alvin Singleton (b. 1940): PraiseMaker; Atlanta Symphony Orchestra and Chorus; Robert Spano; Telarc 32630

6,736 Listeners

38,841 Listeners

8,770 Listeners

9,195 Listeners

5,778 Listeners

926 Listeners

1,390 Listeners

1,285 Listeners

3,156 Listeners

1,974 Listeners

523 Listeners

183 Listeners

13,764 Listeners

3,086 Listeners

248 Listeners

28,129 Listeners

430 Listeners

5,467 Listeners

2,196 Listeners

14,142 Listeners

6,416 Listeners

2,514 Listeners

4,837 Listeners

575 Listeners

243 Listeners