American Song

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By the late 1960’s, folk was beginning to feel “scarred and battered”, so what came next in this tradition was less political, and much more personal. The world was changing politically, socially, and culturally. Some of the new generation of singers and songwriters felt that staying relevant meant they had to move away from folk, towards more personal themes. The ‘70s was the “Me” decade. Instead of drawing from what was happening in the outside world, one group of song-writers turned inward. Another group turned toward broader political issues, instead of the Hattie Carroll, situation-specific inspirations that had inspired writers in the early. ‘60s. 

There’s no better artist to start with than Bob Dylan, the single artist without whom, this whole series may not have even been possible, his impact is so huge. And yet, even Dylan owes his position as the Mount Everest of rock music to the people who came before him. One very important inspiration was the great Woody Guthrie.  And even Guthrie you have to put in context, amidst all of the other great artists we’ve been talking about since day one of the American Song podcast.  It’s like Pete Seeger, the great folk musician and a closer friend and collaborator of Guthrie’s, said, 

 "All songwriters are links in a chain."  

In This Episode

• Bruce Springsteen: Atlantic City
• Pete Seeger - This Land is Your Land
• Bob Dylan - The Times They are a Changing
• Jim Croce - Operator
• Bob Dylan - Song to Woody
• Bob Dylan - Big Yellow Taxi
• Buddy Holly and the Crickets - Not Fade Away
• Buddy Holly and the Crickets - Maybe Baby
• Bob Dylan - Mr. Tambourine Man
• Bob Dylan - Jokerman
• Bob Dylan - Foot of Pride
• Bob Dylan - House of the Rising Sun
• Bob Dylan - Rollin' and Tumblin'
• Bob Dylan - Arthur McBride
• Bob Dylan - Hurricane
• Bob Dylan/ Tom Petty - I've Forgot More than You'll Ever Know
• Bob Dylan - Blind Willie McTell
• Bob Dylan - Cantina Theme
• Bob Dylan - A Hard Rain's a Gonna Fall
• Bob Dylan - Sad Eyes Lady of the Lowlands
• Bob Dylan - Masters of War
• Bob Dylan - Every Grain of Sand
• Bob Dylan - I'll Be Your Baby Tonight
• Bob Dylan - High Water (for Charlie Patton)
• Bob Dylan - Meet Me in the Morning
• Bob Dylan - Sweetheart Like You
• Bob Dylan - Not Dark Yet
• Bob Dylan - False Prophet
• Bob Dylan - Murder Most Foul 

Interviews

• Pete Seeger (on Woody Guthrie)
• Bob Dylan (on 'the muse' and Hoagy Carmichael)
• Louie Kemp (Bob Dylan's childhood friend)
• Bob Dylan/ Ed Bradley (60 Minutes Interview)
• Bob Dylan (on receiving the Nobel Prize for Literature)
• Alan Ginsberg (on first hearing Bob Dylan)
• Penn Jillette (Bob Dylan is America's Shakespeare)

Links to earlier American Song Episodes

Allman Bros. - Southern Rock: Coming to Terms with a Complicated Past

Folk Revival in England - The Second Folk Revival: A Passing of the Torch

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It seems like every ten years or so, society experiences a great reset.  The end of the ‘60s was like that.  The idealism and teen-culture of the ‘60’s was ten years older and moving into adult life.  Just like everything else in life that was questioned and re-invented, some musicians began pushing the boundaries of what rock music could become. 

Across the Atlantic, and as Ian Anderson, of Jethro Tull put it, English rockers “were trying to be originators and not simply relying on American music." Some of the most ground-breaking ‘60s albums led directly to the rise of prog, most prominently, The Beatles Sgt. Pepper's Lonely Hearts Club Band .  This album set a whole new expectation for what bands could do, and for what rock could become.

In this third and final part of our Progressive Rock episode, we're rocking out with some of the greats - including Jethro Tull, and Emerson, Lake and Palmer! Life is a long song, friends.  Come sing it with us!

Themes In this Episode: 

• Classical touches in progressive rock
• Early Jethro Tull
• Martin Barre joins the band
• Tull's themes - a more relatable sort of prog
• Ian Anderson - An Extraordinary Minstrel
• Why the flute?
• What made Tull so unique
• Early Emerson, Lake and Palmer
• ELP put their unique stamp on classical music
• A dystopian future: Tarkus
• Food For Thought or Thoughtful Food? Brain Salad Surgery

Tracks

• Genesis - The Lamb Lies Down on Broadway
• Genesis - Blood on the Rooftops
• Jethro Tull - Bouree
• The John Evan Smash - Blues for the 18th
• Jethro Tull - Locomotive Breath
• Jethro Tull - Wind Up
• Jethro Tull - Cup of Wonder
• Jethro Tull - Songs from the Wood
• Jethro Tull - Thick as a Brick Part 1
• Jethro Tull - My Sunday Feeling
• Jethro Tull - Excerpt; Thick as a Brick Part 2
• The Nice - The Thoughts of Emerlist Davjack
• The Crazy World of Arthur Brown - Fire
• ELP - The Nutcracker
• ELP - Still You Turn Me On
• ELP - From the Beginning
• ELP - The Barbarian
• ELP - Tarkus
• ELP - Still... You Turn Me On
• ELP - Karn Evil #9 (first impression)
• Genesis - Duke's Travels/ Duke's End

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It seems like every ten years or so, society experiences a great reset.  The end of the ‘60s was like that.  The idealism and teen-culture of the ‘60’s was ten years older and moving into adult life.  Just like everything else in life that was questioned and re-invented.  Some musicians began pushing the boundaries of what rock music could become. 

Across the Atlantic, and as Ian Anderson, of Jethro Tull put it, English rockers “were trying to be originators and not simply relying on American music." Some of the most ground-breaking ‘60s albums led directly to the rise of prog, most prominently, The Beatles Sgt. Pepper's Lonely Hearts Club Band.  This album set a whole new expectation for what bands could do, and for what rock could become.

In this second episode on Progressive Rock, we're going deep into 'prog rock'. So, "Welcome back, my friends to the show that never ends!"  Come explore progressive rock with me!

Themes In this Episode: 

• Some of the concepts in the biggest prog rock "Concept Albums"
• The roots of Yes
• Some of Yes' greatest work: Close to the Edge, Tales from Topographic Oceans
• Time and a Word: The lyrics in progressive rock songs
• Having dinner with the band: Genesis - Supper's Ready
• The classic Genesis line-up: Steve Hackett and Phil Collins join the band

Tracks

• Rush - 2112
• Yes - The Revealing Science of God
• The Beatles - Within You Without You
• Jon Anderson and the Band Geeks - True Messenger
• The Syn - Flowerman
• Yes - Giants Under the Sun
• David Bowie - Life on Mars
• Yes - Excerpts; Roundabout, South Side of the Sky
• Yes - Close to the Edge
• Yes - Ritual; Nous Sommes du Soleil
• The Beatles - Golden Slumbers
• Jethro Tull - My God
• Genesis - Excerpt; Watcher of the Skies
• Genesis - Supper's Ready 
• Genesis - Excerpt; Firth of Fifth
• Genesis - Los Endos
• Genesis - Phil Collins & Chester Thompson drum duet from Mama Tour (1984)

Get in touch!

It seems like every ten years or so, society experiences a great reset.  The end of the ‘60s was like that.  The idealism and teen-culture of the ‘60’s was ten years older and moving into adult life.  Just like everything else in life that was questioned and re-invented, some musicians began pushing the boundaries of what rock music could become. 

 Across the Atlantic, and as Ian Anderson, of Jethro Tull put it, English rockers  "were trying to be originators and not simply relying on American music." Some of the most ground-breaking ‘60s albums led directly to the rise of prog, most prominently, The Beatles Sgt. Pepper's Lonely Hearts Club Band.  This album set a whole new expectation for what bands could do, and for what rock could become.

In this first of a three-part episode on Progressive Rock, we'll take a deep dive into the fascinating world of 'prog rock'.  It's time to 'set your controls for the heart of the sun', everybody!  Come explore progressive rock with me!

Themes In this Episode: 

• Progressive rock in the context of the late 1960's and 1970's; flower power, and the counter-culture.
• Musical context - Classical music and Jazz as foundations
• Influenced by The Beatles and  Sgt. Peppers Lonely Hearts Club Band
• The Beatles and The Beach Boys rivalry 
• Social unrest - Kent State, Bobby Kennedy, Martiin Luther King
• Concept albums
• Harnessing new technology

Tracks

• The Who - Underture
• The Beatles - Tomorrow Never Knows
• Jim Ladd/ KMET; Headsets
• The Beatles - A Day in the Life
• The Beach Boys - God Only Knows
• Frank Zappa and the Mothers of Invention - Invocation & Ritual Dance Of The Young Pumpkin
• Soft Machine - A Certain Kind
• Igor Stravinsky - The Firebird Suite
• Pink Floyd - Suite from Atom Heart Mother
• Genesis - The Revenge of the Giant Hogweed
• Rush - 2112
• The Beach Boys - Good Vibrations
• The Beatles - Strawberry Fields Forever
• Switched On Bach
• The Who - Baba O'Riley
• Alan Holdsworth - Non-brewed Condiment
• The Giles Brothers - Boyfriends & Girlfriends
• King Crimson - 21st Century Schizoid Man
• King Crimson - Epitaph
• Emerson Lake & Palmer - Pictures at an Exhibition
• The Beatles - Lucy in the Sky with Diamonds
• Pink Floyd - The Trial

Dig deeper by checking out these reference episodes from previous American Song seasons:

• Electric Walls of Sound: Jazz Fusion Part 1
• Electric Walls of Sound: Jazz Fusion Part 2
• Musique Contrete: A Radical Rethinking of Sound and Performance
• Action: Reaction - American Bands and American Society Respond to the English Invasion

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Punk may have been born in America, but it had many homes around the world.  In every place it went, punk became part of the struggle for social change.

Punk's roots are in the blues, music made for expressing struggles and refusing to accept things the way they are.  With heritage like this, it should be no surprise that it moved people and shook things up in the powerful ways it did!

Join us, as we see how punk expressed the real lives of the people making and listening to the music in far away places like the UK, the USSR, South Africa and East Germany.  Witness the remarkable impact the music had on the social fabric of the times - showing that music really can change the world!

This is an inspiring story of people pushed into a corner, and battling their way out, armed with guitars, drums, and a pen.

Warning:  This episode includes quotes of song lyrics, including some "f-bombs".  If you have young children around, you may want to choose an appropriate time to listen. 

In This Episode:

Robert Johnson
Iggy Pop

English Punk

• The Sex Pistols
• The Clash
• Malcolm McLaren
• Richard Hell and the Voidoids
• The Jam
• Bono
• Elvis Costello
• The Alarm

• Grazhdanskaya Oborona 
• Avtomaticheskie Udovletvoriteli 

South African Punk

• Fokofpolisiekar 
• Kalahari Surfers
• National Wake

East German Punk

• Namenlos
• Schleim Keim
• Wutanfall

Related Episodes

The Duality of the Blues
R&B Was Born on the American Song River
Musique Concrete: A Radical Rethinking of Sound and Performance

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America's Punk movement was started on both coasts.  Early proto-punks like the MC5 and the New York Dolls were followed by a number of other early iconic acts who played at several New York clubs, including CBGB's (Country Blue Grass and Blues), such as the The Ramones, the Talking Heads, Blondie, and Patti Smith.  Meanwhile, LA and San Francisco had a decidedly more political movement propelled by bands like X, The Dead Kennedy's, and Black Flag.  These bands had more in common musically with UK groups like the Sex Pistols and the Clash. 

In this episode, you'll see how the Punk Movement on both coasts continued to develop in the early 1980s, and you'll see what made these bands so utterly unique. 

You won't want to miss a minute!

In This Episode

• The Ramones – Beat on the Brat
• The Ramones – Rock and Roll High School
• U2 – The Miracle of Joey Ramone
• The Ramones Family – Grammy Awards
• The Talking Heads – Psycho Killer
• The Talking Heads – Once in a Lifetime
• The Talking Heads – Burning Down the House
• David Byrne Interview – David Letterman
• Blondie – Hanging on the Telephone
• Blondie – One Way or Another
• Patti Smith – Gloria
• Patti Smith – Interview
• Patti Smith – Piss Factory
• The Dead Kennedy’s – Holiday in Cambodia
• The Dead Kennedy’s – Kill the Poor
• Jello Biafra – PMRC Interview (Parent’s Music Resources Council)
• Black Flag – Rise Above
• Blag Flag – Depression
• X – Los Angeles
• X – Johnny Hit and Run Pauline
• The Violent Femmes – Gone Daddy Gone
• The Pogues – If I Should Fall From Grace with God
• Gogol Bordello – Immigradiada
• Green Day – American Idiot
• Flush the Orange Turd

Links to related show content from prior episodes
This episode refers back to a few topics covered in prior episodes.
We invite you to learn more about these ideas!
Use the links, below.

Minimalism
https://americansong.buzzsprout.com/1622638/9672982-the-celestial-pulse-of-minimalism

The Blues
https://americansong.buzzsprout.com/1622638/8276409-the-duality-of-the-blues-episode-7-of-american-song

 Call and Response
https://americansong.buzzsprout.com/1622638/8532047-the-rising-of-gospel-music-and-how-it-inspired-the-world

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When the dreams and promises you’ve placed your hopes in end up being a mirage, its only human to feel angry.  In the mid 1970’s, a lot of teens and young adults found themselves in this camp.  The nation’s shift toward a decidedly more cynical era could be heard in anti-war statements such as "War is not healthy for children and other living things"  On the equal rights agenda, the demand for black civil rights encouraged a louder beating of the drum as seen in the rise of feminism.  At the same time, both movements continued receiving backlash from the country’s conservatives, especially The "Silent Majority" campaign, responding to the ‘liberal excesses’ of the counterculture.

Running through everything, there was a feeling that the social changes that the ‘60s had promised were as far away as ever.  America’s kids were caught in the cross-hairs.  America was experiencing an epidemic of frustration, anxiety and anger.  

With nothing to do, and a sense that the walls were closing in, teens living in places like New York, Detroit and Los Angeles, swam in an ocean of boredom and alienation that needed venting.  Punk’s rawness and DIY attitude made it easy for anyone who had the need to hit back, or at least spit into the audience, to become an anti-hero. 

 In this first of two episodes on the origins of American Punk, we draw a through line from early New York proto-punk bands like the Velvet Underground, the MC5 and the New York Dolls through to California bands like X, Black Flag and the Dead Kennedy's.  You'll come away understanding how the idealism of the 1960's gave way to the cynicism and anger of the 1970's punk movement.  And yet, through it all, America's kids were still demanding change and even in the cynicism, holding out for something better.

In This Episode

• John Lennon - Give Me Some Truth
• Scene from Fear and Loathing in Las Vegas
• the Rolling Stones - Gimme Shelter
• TV News – End of Vietnam War
• Scene from “Network”
• Scene from the Godfather
• The Clash – Police on My Back
• Pink Floyd – Have a Cigar
• The MC5 – Kick Out the Jams
• The Stooges – I Wanna Be Your Dog
• Iggy Pop – Interview
• The Velvet Underground – Venus in Furs
• The New York Dolls – Jet Boy
• David Bowie – Suffragette
• David Bowie – Interview
• Davie Bowie – Ziggy Stardust and the Spiders from Mars
• David Bowie – Rock and Roll Suicide
• The Ramones – Blitzkrieg Bop
• The Ramones - Interview

Links to related show content from prior episodes
This episode refers back to a few topics covered in prior episodes.
We invite you to learn more about these ideas!
Use the links, below.

Minimalism
https://americansong.buzzsprout.com/1622638/9672982-the-celestial-pulse-of-minimalism

The Blues
https://americansong.buzzsprout.com/1622638/8276409-the-duality-of-the-blues-episode-7-of-american-song

 Call and Response
https://americansong.buzzsprout.com/1622638/8532047-the-rising-of-gospel-music-and-how-it-inspired-the-world

Get in touch!

This is the second half of a two-part episode

In the late 1960's and early 1970's, Southern rock, a rebellious fusion of blues, rock and roll, and country music, emerged as the defiant cry from the heart of the South. Lynyrd Skynyrd's guitars wailed like banshees, their lyrics echoing the region's resistance to outside finger-pointing and strengthened a determination to preserve their own cultural identity.  Never mind the warts and blemishes.  The Allman Brothers Band played with improvisations like soaring eagles.  Their music captured the untamed spirit, passion and raw energy of the South.

The intensity of Lynyrd Skynyrd and the Outlaws was a force of nature, their music was a raw and unfiltered expression of southern pride. Their guitars roared like thunder, their drums pounded like a heartbeat, and their lyrics spoke of rebellion, and the indomitable spirit of the South. 

John Fogerty and Creedence Clearwater Revival's showed that Southern music extended past Southern borders.  Their music, infused with idealism and earthiness, captured the hopes and dreams of ordinary people. Their melodies were catchy and memorable, their lyrics were simple yet profound, and their art spoke directly to the hearts of their listeners.  CCR offered a sense of hope and possibility in a world often filled with uncertainty.

Robbie Robertson and the Band's music was a tapestry of Americana, woven from the threads of blues, country, rock and roll, and folk. With songs written by a member of America’s first people, who crafted melodies that were both familiar and fresh, The Band captured the essence of the American experience.  All its triumphs and tragedies, from the pinnacle of joy to the depths of sorrow, Robertson helped reveal a nation in search of an identity.

All of this and more await you in this latest episode!  Hope you enjoy it!

Featured Artists
Alabama
The Allman Bros.
The Band
Black Oak Arkansas
Carl Perkins
The Charlie Daniels Band
Creedence Clearwater Revival
Graham Parker
Hank Williams
John Lee Hooker
Lonnie Mack
Lynyrd Skynyrd
Molly Hatchett
Muddy Waters
Neil Young
The Outlaws
Rossington Collins Band
Tom Petty and the Heartbreakers

Links to Supporting Episodes

Season One Episode Four
Season One Episode Seven
Season One Episode Eight
Season Two Episode Eight

Get in touch!

In the late 1960's and early 1970's, Southern rock, a rebellious fusion of blues, rock and roll, and country music, emerged as the defiant cry from the heart of the South. Lynyrd Skynyrd's guitars wailed like banshees, their lyrics echoing the region's resistance to outside fingerpointing and strengthened a determination to preserve their own cultural identity.  Never mind the warts and blemishes.  The Allman Brothers Band played with improvisations like soaring eagles.  Their music captured the untamed spirit, passion and raw energy of the South.

The intensity of Lynyrd Skynyrd and the Outlaws was a force of nature, their music was a raw and unfiltered expression of southern pride. Their guitars roared like thunder, their drums pounded like a heartbeat, and their lyrics spoke of rebellion, and the indomitable spirit of the South. 

John Fogerty and Creedence Clearwater Revival's showed that Southern music extended past Southern borders.  Their music, infused with idealism and earthiness, captured the hopes and dreams of ordinary people. Their melodies were catchy and memorable, their lyrics were simple yet profound, and their art spoke directly to the hearts of their listeners.  CCR offered a sense of hope and possibility in a world often filled with uncertainty.

Robbie Robertson and the Band's music was a tapestry of Americana, woven from the threads of blues, country, rock and roll, and folk. With songs written by a member of America’s first people, who crafted melodies that were both familiar and fresh, The Band captured the essence of the American experience.  All its triumphs and tragedies, from the pinnacle of joy to the depths of sorrow, Robertson helped reveal a nation in search of an identity.

All of this and more await you in this latest episode!  Hope you enjoy it!

Featured Artists
Alabama
The Allman Bros.
The Band
Black Oak Arkansas
Carl Perkins
The Charlie Daniels Band
Creedence Clearwater Revival
Graham Parker
Hank Williams
John Lee Hooker
Lonnie Mack
Lynyrd Skynyrd
Molly Hatchett
Muddy Waters
Neil Young
The Outlaws
Rossington Collins Band
Tom Petty and the Heartbreakers

Links to Supporting Episodes

Season One Episode Four
Season One Episode Seven
Season One Episode Eight
Season Two Episode Eight

Get in touch!

This is part two of a two-part focus on Reggae music.

The heart of Reggae music has always been politics and spirituality.

In this two part episode, you'll learn about some of the musical and political forces in Jamaica's colorful past that all contributed to the music that we celebrate as reggae today.   From Marcus Garvey, the modern-day prophet who  had a vision for the black people living in the new world, and Ethiopia's Emperor Hailie Salassie, whose formal title included "Lord of Lord, King of Kings, and Conquering Lion of Judah", and claimed to be a direct descendant of King Solomon and the Queen of Shebah, to great early reggae musicians like Derrick Morgan, and Desmond Dekker, to the firey Peter Tosh, and the brilliant reggae, who brought reggae to the rest of the world, Bob Marley - they're all here and you'll learn their stories, hear their music, and understand the major forces that fused to create a brand new genre.

In this latest episode, learn the inside story of how Bob Marley came from crippling poverty in one of Jamaica's poorest neighborhoods to became reggae's greatest musical luminary, and how he then faced off against the brutality of systemic Jamaican racism to permanently change his country and the rest of the world. 

In This Episode

Bob Marley and the Wailers
1.  Trench Town Rock
2.  Simmer Down
3.  400 Years
4.  I Shot the Sheriff
5.  Rebel Music (3 0'Clock Road Block)
6.  War
7.  Exodus
8.  Is This Love
9.  Survival
10.  Could You Be Loved

Also in this episode:

Interview with Bunny Wailer, formerly with the Wailers
Interview with Marlon James, Jamaican author of A Brief History of Seven Killings

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