Nina Hartstone AMPS talks with the Post Production Sound team from 'The Brutalist' - Re-recording Mixer Steve Single, and Sound Designer Andy Neil.

Thanks to Kate Davis AMPS and Azimuth https://azimuth.tv/ for recording and mixing this episode.

This episode is sponsored by URSA straps https://ursastraps.com/

In this episode we hear what our AMPS colleague Simon Hayes wants in his Christmas cracker! He tells us about what inspired him to seek out a career in sound and about his love of recording live performances especially in his latest film - Wicked.

This episode is sponsored by URSA straps https://ursastraps.com/

In this episode multi Oscar winning British Re-recording mixer Andy Nelson talks with Andrew Wilson about his career, his amazing body of work, in particular his work on Wicked. He reveals “the one that got away” and how he and Stephen react on their first day of a mix.

This episode is sponsored by URSA Straps https://ursastraps.com/

Martyn Harries talks with BAFTA and Oscar nominee (No Time to Die - 2021) James Harrison about his work on Steve McQueen's film Blitz (2024)

This episode is sponsored by URSA Straps https://ursastraps.com/

Martyn Harries AMPS talks with Gemma Nicholson about her interesting journey from Sound Editor to Post-Production Supervisor and why she started Post Super https://post-super.com/ as a hub for training and knowledge in High end TV and Film Post Production. We hear her views on training and up-skilling and about the state of the industry

This episode is sponsored by URSA Straps https://ursastraps.com/

We Join AMPS Chair Andrew Wilson for a Q&A with Walter Murch and Director Howard Berry after a private AMPS viewing of their film Her Name Was Moviola

This episode is sponsored by URSA Straps https://ursastraps.com/

"So there's no sound in space - What are you going to do?" - Alfonso Cuarón, GRAVITY

As it turned out Chris Munro did a hell of a lot!

Martyn Harries talks with AMPS Fellow Chris Munro about his amazing career and the technical challenges he faced in films ranging from United 93 to The Muppet Christmas Carol.

https://www.imdb.com/name/nm0613101/

This episode is sponsored by URSA Straps https://ursastraps.com/

"I took a day to record a chainsaw in the middle of the Kent countryside" .....

In this episode Martyn Harries (@martynthemixer) talks all things gore with the Supervising Sound Editor Ryan Hatton (@ryanhattonn) and the Re-Recording mixer Rob Ackerman (@ackerman.rob) behind Winnie-the-Pooh: Blood and Honey 2

This episode is sponsored by URSA Straps https://ursastraps.com/

In this Special AMPS Podcast celebrating nominees in the 11th AMPS Film Awards, Sound Designer / Supervising Sound Editor Richard King talk to Ian Haydn Smith about the role of sound on OPPENHEIMER.

The podcast discusses working with director Christopher Nolan and creating the sound for the Trinity explosion.

In this Special AMPS Podcast celebrating nominees in the 11th AMPS Film Awards, Production Sound Mixer Chris Munro and Supervising Sound Editor James Mather talk to Luke Reed AMPS about their work on the sound for MISSION IMPOSSIBLE: DEAD RECKONING.

The podcast discusses working with star and producer Tom Cruise and the challenges of producing sound on huge stunts.