<p>This is a bleak, brutish tale of dark suspense related by a narrator condemned to Hell's wintry plain. The Grip, the Speaking Stones, the Far Mountains, the Perimeter, the Lie: In describing Hell's harsh geography and customs, Nicholas Strait also describes the events and people that brought him to damnation. His search for a way out must navigate madness, addiction, and the immutable hand of death.</p> <p>Music by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/</p>

This is a bleak, brutish tale of dark suspense related by a narrator condemned to Hell's wintry plain. The Grip, the Speaking Stones, the Far Mountains, the Perimeter, the Lie: In describing Hell's harsh geography and customs, Nicholas Strait also describes the events and people that brought him to damnation. His search for a way out must navigate madness, addiction, and the immutable hand of death. Music by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

An Oral History of Hell

Works written and produced by Soren Narnia. The text of these stories is licensed under Creative Commons Attribution-NonCommercial-ShareAlike CC BY-NC-SA.  Email: songofsadbirds@aol.com      --     When I was in the fourth grade, my teacher asked me to sit next to a handicapped kid named Sean and help him along a little if I could. It wasn't easy, because he was quite slow, but I tried. When Sean got especially excited about something, or if he was told he had done something well, he would smile and shout out nonsense words. One of them I remember, which he used to shout many times over the few months I sat beside him, was "Sorinarneeya!" Again and again, it was a harmless word he used when he was happy, and seeing my puzzled expression would just make him say it once more, even more pleased than the first time: "Sorinarneeya!" For some reason that word stuck with me for years, until one day as an adult I realized how neatly and curiously it cut in half. And I thought that was so perfect, how this little gem of a thing had sprung from a bit of the absurd and a bit of the tragic. That seemed like all of life to me: momentary bits of perfection out of all the absurdity and tragedy. And amazingly, they just keep on coming. - SN

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Works written and produced by Soren Narnia. The text of these stories is licensed under Creative Commons Attribution-NonCommercial-ShareAlike CC BY-NC-SA. Email: songofsadbirds@aol.com -- When I was in the fourth grade, my teacher asked me to sit next to a handicapped kid named Sean and help him along a little if I could. It wasn't easy, because he was quite slow, but I tried. When Sean got especially excited about something, or if he was told he had done something well, he would smile and shout out nonsense words. One of them I remember, which he used to shout many times over the few months I sat beside him, was "Sorinarneeya!" Again and again, it was a harmless word he used when he was happy, and seeing my puzzled expression would just make him say it once more, even more pleased than the first time: "Sorinarneeya!" For some reason that word stuck with me for years, until one day as an adult I realized how neatly and curiously it cut in half. And I thought that was so perfect, how this little gem of a thing had sprung from a bit of the absurd and a bit of the tragic. That seemed like all of life to me: momentary bits of perfection out of all the absurdity and tragedy. And amazingly, they just keep on coming. - SN

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An Oral History of Hell

An Oral History of Hell

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