And The Winner Still Is

Matt and Marisa end the season with an all-timer year: 1975. Though they're disappointed by Best Picture winner, One Flew Over the Cuckoo's Nest, they discuss fellow heavy-hitters like Robert Altman's Nashville and the blockbuster that started it all, Jaws.

Matt and Marisa return for the penultimate episode of the season to discuss what might be one of their best years yet, 1957. They scream over Peyton Place's twists, delight in the unexpected comedy of Witness for the Prosecution and marvel at just how good Best Picture winner, Bridge on the River Kwai, is.

This week, Matt, Marisa and guest Ben Murchison discuss the first year the Academy reinstated 10 Best Picture nominees, 2009. They talk about the surprise staying power of The Hurt Locker, their love for A Serious Man and remember what it was like when there was only one Avatar movie.

It's Christmas in June this week as Matt and Marisa discuss two holiday classics that also just happen to have been nominated for Best Picture: The Bishop's Wife and Miracle on 34th Street. They also lament how poorly the year's big winner, Gentleman's Agreement, has aged, watch some cartoons and praise the original Nightmare Alley adaptation.

This week, Matt and Marisa return to talk about one of Matt's favorite movies, Best Picture winner, Amadeus. Elsewhere in the episode, they marvel at how well The Karate Kid holds up, disagree on Jonathan Demme's Swing Shift and deep dive into the Best Song Score category.

This week, Matt and Marisa go back in time to discuss the 4th Oscars ceremony. In the episode, they wrestle with how Best Picture winner, Cimmaron, has aged, beg for a restored version of East Lynne and endure the trial that is Skippy.

Season 4 continues with a trip to the early '90s, when Steven Spielberg's heart-wrenching Schindler's List won Best Picture. Elsewhere in the episode, they discuss Angela Bassett's first Best Actress nomination for What's Love Got to Do with It, Rosie Perez's star turn in Fearless and bring up some all-time favorites in the For Your Consideration segment.

Matt and Marisa finally return with the long-awaited 4th season of And the Winner Still Is. This episode, they cover 1960, when The Apartment snatched the award for Best Picture. Elsewhere in the episode, they discuss Elizabeth Taylor's infamous win for BUtterfield 8, the culture-shifting influence of Alfred Hitchcock's Psycho and, as always, go to bat for a few underappreciated gems.

In the season finale, Matt and Marisa flash back two decades to the year 2000 to talk about a controversial Best Picture winner they still love, Gladiator. Elsewhere in the episode, they praise Julia Roberts's movie star performance in Erin Brockovich and cringe at how poorly Steven Soderbergh's other film that year, Traffic, has aged.

Matt and Marisa return to talk about the year Frank Capra's You Can't Take It With You won Best Picture. In the episode, Marisa once again fawns over Jean Arthur and Matt marvels at the wild ride that is Four Daughters.