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Two journalists with a multilingual background – Anna Aslanyan, the author of Dancing on Ropes: Translators and the Balance of History, and Daniel Trilling, the author of Lights in the Distance: Exile and Refuge at the Borders of Europe – examine the role translation plays in reportage.
News is an international commodity, subject to constant translation and retranslation as journalists frame, adapt and contextualise their source material to match their target audience. There is a curious contradiction between the right to information and the disinformation that results from it, precipitated by time pressure. Most journalism is done in a hurry, but is being the first to bring your readers a story from a distant part of the world worth the risk of spreading fake news?
Find our upcoming events, online and in-person, here: lrb.me/upcomingevents
Hosted on Acast. See acast.com/privacy for more information.
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112112 ratings
Two journalists with a multilingual background – Anna Aslanyan, the author of Dancing on Ropes: Translators and the Balance of History, and Daniel Trilling, the author of Lights in the Distance: Exile and Refuge at the Borders of Europe – examine the role translation plays in reportage.
News is an international commodity, subject to constant translation and retranslation as journalists frame, adapt and contextualise their source material to match their target audience. There is a curious contradiction between the right to information and the disinformation that results from it, precipitated by time pressure. Most journalism is done in a hurry, but is being the first to bring your readers a story from a distant part of the world worth the risk of spreading fake news?
Find our upcoming events, online and in-person, here: lrb.me/upcomingevents
Hosted on Acast. See acast.com/privacy for more information.
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