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Primary source readers represent an unusual historical genre. Unlike editions, their aim is not to enable the reader to hear, as clearly as possible, the voice of a single historical personage or institution. Nor are they purely interpretive works in which the author’s voice is foregrounded. In this conversation with Princeton University historian Anson Rabinbach, we learn what methodological, but also what moral challenges faced him and coeditor Sander Gilman in crafting The Third Reich Sourcebook (University of California Press, 2013). We learn how they selected and how they decided to preface the voices of Nazi ideologues, politicians, fellow travellers and victims.
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By Marshall Poe4.5
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Primary source readers represent an unusual historical genre. Unlike editions, their aim is not to enable the reader to hear, as clearly as possible, the voice of a single historical personage or institution. Nor are they purely interpretive works in which the author’s voice is foregrounded. In this conversation with Princeton University historian Anson Rabinbach, we learn what methodological, but also what moral challenges faced him and coeditor Sander Gilman in crafting The Third Reich Sourcebook (University of California Press, 2013). We learn how they selected and how they decided to preface the voices of Nazi ideologues, politicians, fellow travellers and victims.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

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