New Books in German Studies

Over 150 years ago, Marx published the first volume of Capital, a systematic and voluminous account of capitalism, from the economic bedrock all the way up to the social and political consequences. The book itself would stand as one of the most influential and decisive texts of all time, proving to be a wildly fruitful foundation for further research into everything it touched, and also becoming a cornerstone text for various political movements that would try and develop the critical analysis into a workable theory of action and social transformation.

Even after its 1867 publication, the text remained a fluid, dynamic object, with a 2nd edition being put out in Marx’s own lifetime and a 3rd and 4th edition being published posthumously under the stewardship of Friedrich Engels. These later editions would be the foundations for the first two translations of the text into English, first by Edward Aveling and Sam Moore in 1887, and then by Ben Fowkes in 1976. Now in 2024, we can add a third version of the text in English.

Translated by Paul Reitter and edited by both Paul Reitter and Paul North, Marx has been given a fresh voice with a new edition of the text that includes a foreword by Wendy Brown and an afterword by William Clare Roberts. The introduction by Paul North helps situate the text in Marx’s larger output, showing how it was the culmination of an early political radicalization that took time to develop into a more systematic critique. Paul Reitter’s preface explains some of the difficulties of translating such a large and complex text, and will help readers appreciate the care Marx chose his words with. Substantial editorial endnotes will help contextualize obscure phrases and terms, helping readers keep up with the massive scope of Marx’s vision as he pulls information, inspiration and ideas from economics, philosophy, literature and history into a cohesive yet dynamic vision of what the ceaseless pursuit of value was doing to our world, and what might be done about it.

For this interview, there are two parts. For the first hour, Paul Reitter and Paul North sat together and discussed the main ideas of the text, the various ways it tries to develop its critical perspective and its continued importance. For the second hour, Paul Reitter stayed to discuss some passages in detail, explaining the various choices made and roads not traveled, and how he tried to bring various aspects of Marx’s voice into English.

Translation is at least as much an art as a science, one that demands hermeneutic sensitivity as much as a knowledge of which words correspond to which. Reitter is a humble practitioner of what is often thankless work and makes no claim to being the final word on how best to translate Marx, but his contribution will absolutely raise the bar and give readers who’ve never read Marx an excellent place to start, and will give those familiar with the text a chance to see it in new light. To borrow a phrase from Marx himself, this new translation is as royal a road to science as we could ask for.

Paul Reitter is a professor of Germanic languages at Ohio State University.

Paul North is the Maurice Natanson professor of Germanic languages and literature at Yale University.

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Writing in the 1920s, Winston Churchill argued that the First World War on the Eastern Front was "incomparably the greatest war in history. In its scale, in its slaughter, in the exertions of the combatants, in its military kaleidoscope, it far surpasses by magnitude and intensity all similar human episodes." It was, he concluded, "the most frightful misfortune" to fall upon mankind "since the collapse of the Roman Empire before the Barbarians." Yet Churchill was an exception, and the war in the east has long been seen as a sideshow to the brutal combat on the Western Front. Finally, with The Eastern Front: A History of the Great War, 1914-1918 (Norton, 2024)--the first major history of that arena in fifty years--the acclaimed historian Nick Lloyd corrects the record.

Drawing on the latest scholarship as well as eyewitness reports, diary entries, and memoirs, Lloyd moves from the great battles of 1914 to the final collapse of the Central Powers in 1918, showing how a local struggle between Austria-Hungary and Serbia spiraled into a massive conflagration that pulled in Germany, Russia, Italy, Romania, and Bulgaria. The Eastern Front was a vast theater of war that brought about the collapse of three empires and produced almost endless suffering. As many as sixteen million soldiers and two million civilians were killed or wounded in enormous battles that took place across as much as one hundred kilometers. Unlike in the west, where stalemate ruled the day, the war in the east was fluid, with armies embarking on penetrating advances. Lloyd narrates the repeated invasions of Serbia as well as the great battles between Russian, German, and Austrian forces at Tannenberg, Komarów, Gorlice-Tarnów, and the Masurian Lakes. All along, he takes us into the strategy of the generals who decided the war's course, from the Germans Ludendorff and Hindenburg to the Austro-Hungarian chief, Conrad von Hötzendorf, to the brilliant Russian Brusilov.

Perhaps the most radical aspect of the struggle in the east was that the violence was not confined to combatants. The Eastern Front witnessed calculated attacks against civilians that ripped the ethnic and religious fabric of numerous societies, paving the way for the horrors of the Holocaust. Lloyd's magisterial, definitive account of the war in the east will fundamentally alter our understanding of the cataclysmic events that reshaped Europe and the world.

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When scholars and policymakers consider how technological advances affect the rise and fall of great powers, they draw on theories that center the moment of innovation—the eureka moment that sparks astonishing technological feats. In Technology and the Rise of Great Powers: How Diffusion Shapes Economic Competition (Princeton UP, 2024), Jeffrey Ding offers a different explanation of how technological revolutions affect competition among great powers. Rather than focusing on which state first introduced major innovations, he investigates why some states were more successful than others at adapting and embracing new technologies at scale. Drawing on historical case studies of past industrial revolutions as well as statistical analysis, Ding develops a theory that emphasizes institutional adaptations oriented around diffusing technological advances throughout the entire economy.

Examining Britain’s rise to preeminence in the First Industrial Revolution, America and Germany’s overtaking of Britain in the Second Industrial Revolution, and Japan’s challenge to America’s technological dominance in the Third Industrial Revolution (also known as the “information revolution”), Ding illuminates the pathway by which these technological revolutions influenced the global distribution of power and explores the generalizability of his theory beyond the given set of great powers. His findings bear directly on current concerns about how emerging technologies such as AI could influence the US-China power balance.

Our guest today is: Jeffrey Ding, an Assistant Professor of Political Science at Georgetown University.

Our host is Eleonora Mattiacci, an Associate Professor of Political Science at Amherst College. She is the author of "Volatile States in International Politics" (Oxford University Press, 2023).

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The Holocaust and New World Slavery: A Comparative History (Cambridge UP, 2019) offers the first, in-depth comparison of the Holocaust and new world slavery. Providing a reliable view of the relevant issues, and based on a broad and comprehensive set of data and evidence, Steven Katz analyzes the fundamental differences between the two systems and re-evaluates our understanding of the Nazi agenda. 

Among the subjects he examines are: the use of black slaves as workers compared to the Nazi use of Jewish labor; the causes of slave demographic decline and growth in different New World locations; the main features of Jewish life during the Holocaust relative to slave life with regard to such topics as diet, physical punishment, medical care, and the role of religion; the treatment of slave women and children as compared to the treatment of Jewish women and children in the Holocaust. Katz shows that slave women were valued as workers, as reproducers of future slaves, and as sexual objects, and that slave children were valued as commodities. For these reasons, neither slave women nor children were intentionally murdered. By comparison, Jewish slave women and children were viewed as the ultimate racial enemy and therefore had to be exterminated. These and other findings conclusively demonstrate the uniqueness of the Holocaust compared with other historical instances of slavery.

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Enlightenment studies are currently in a state of flux, with unresolved arguments among its adherents about its dates, its locations, and the contents of the 'movement'. This book cuts the Gordian knot. There are many books claiming to explain the Enlightenment, but most assume that it was a thing. J. C. D. Clark shows what it actually was, namely a historiographical concept. Currently 'the Enlightenment' is a term widely accepted across popular culture and in a variety of academic disciplines, notably history, philosophy, political theory, political science, literary studies, and theology; Clark calls for a fundamental reconsideration in each. 

The Enlightenment: An Idea and Its History (Oxford UP, 2024) provides a critical historical analysis of the Enlightenment in England, Scotland, France, Germany, and the United States from c. 1650 to the present. It argues that the degree of commonality between social and intellectual movements in each--and, more broadly, between the five societies--has been overstated for polemical purposes. Clark shows that the concept of 'the Enlightenment' was not widely adopted in those societies until the mid-twentieth century; indeed, that it was unknown in the eighteenth. Without the concept, people at the time were unable to act in ways that would have created the Enlightenment as a coherent movement. Since the conventional account has held that the Enlightenment was a phenomenon, the idea could be used as a component of what has been called a 'civil religion': a summing up of the myths of origin, aims, and essential values of a society from which dissent is not permitted. An appreciation that it was instead a historiographical concept undermines, in turn, the idea that there was any great transition to what came to be called 'modernity'.

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Waitman Wade Beorn's book Between the Wires: The Janowska Camp and the Holocaust in Lviv (University of Nebraska Press, 2024) tells for the first time the history of the Janowska camp in Lviv, Ukraine. Located in a city with the third-largest ghetto in Nazi-occupied Europe, Janowska remains one of the least-known sites of the Holocaust, despite being one of the deadliest. Simultaneously a prison, a slave labor camp, a transit camp to the gas chambers, and an extermination site, this hybrid camp played a complex role in the Holocaust.

Based on extensive archival research, Between the Wires explores the evolution and the connection to Lviv of this rare urban camp. Waitman Wade Beorn reveals the exceptional brutality of the SS staff alongside an almost unimaginable will to survive among prisoners facing horrendous suffering, whose resistance included an armed uprising. This integrated chronicle of perpetrators, victims, and bystanders follows the history of the camp into the postwar era, including attempts to bring its criminals to justice

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In April 1945, Soviet forces descended on Berlin in the final phase of the war in Europe. The fighting was fierce as soldiers fanatically loyal to the Nazi party - and those afraid of the vengeance their opponents might enact - sought to stave off the end of the regime as long as possible.

Even as it became clear that defeat was inevitable, Hitler and his subordinates determined to fight to the bitter end, resulting in a bitter, brutal end to the war. As the Russian tanks crushed the remaining pockets of resistance, the city was turned into a nightmarish dystopia. Pillage, plunder, mass rape and unceasing destruction followed.

Anthony Tucker-Jones in The Fall of Berlin: The Final Days of Hitler's Evil Regime (‎Sirius, 2024) provides a vivid account with contemporary photographs, the author covers both German and allied viewpoints, exploring explores the strategies, the battles, the civilian experiences and the personalities involved in this fateful the final days of the Third Reich.

Anthony Tucker-Jones, a former intelligence officer, is an author, commentator and writer who specializes in military history. He has over fifty books to his name as well as several hundred features online and in print. His latest study provides a fascinating account of the last days of Nazi rule in Berlin and its subsequent liberation by Allied forces.

Stephen Satkiewicz is an independent scholar whose research areas are related to Civilizational Sciences, Social Complexity, Big History, Historical Sociology, military history, War studies, International Relations, Geopolitics, as well as Russian and East European history.

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Scores sewn into coat linings, instruments hidden in suitcases, sheet music stashed among dirty laundry, concertos written on discarded food wrappers - these are just some of the ingenious ways prisoners in civilian, political and military captivity from 1933 to 1953 protected their music in the darkest of times.

Italian pianist and composer Francesco Lotoro has been on a lifelong quest to find this remarkable music. He has painstakingly salvaged and performed symphonies, operas and songs written by the incarcerated musicians, many of whom died in the camps. He has travelled the globe to meet with families and survivors whose harrowing testimonies bear witness to the most devastating experiences in twentieth-century history.

Movingly piecing together the human stories of those who wrote and performed whilst imprisoned, The Lost Music of the Holocaust: Bringing the Music of the Camps to the Ears of the World at Last (Headline, 2024) takes readers on a journey into their extraordinary lives and music, shining a light on a unique beauty that somehow prevailed against all odds.

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The recent elections in eastern Germany, where the Alternative for Germany (AfD) became the first far-right party to win a parliamentary election at the state level in postwar Germany, raised significant concern internationally about what’s happening in Germany. Should we be concerned? 

In this episode of International Horizons, RBI Director John Torpey talks with Marcus Böick, assistant professor of history at the University of Cambridge, on the difficulties that have attended the process of unification in Germany since 1989 and their consequences for German politics. Böick addresses the reasons behind the AfD's success and how those in eastern Germany have experienced the process, their dissatisfaction with traditional parties and their migration policies, and their sense of being ignored by the country’s political elites. Böick delves into AfD's radicalization and the charisma of Björn Höcke as a factor in AfD's victory, and the prospects for the election in Brandenburg this weekend, which could further complicate Germany's political landscape at both the state and national levels.

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Can self-harm be art? In Performance, Masculinity, and Self-Injury (Routledge, 2024), Lucy Weir, a Reader in History of Art at the University of Edinburgh rethinks the recent history of performance to understand the ‘injurious turn’ in contemporary live art. The book challenges the usual associations between self-harm and gender by exploring the work of a diverse range of artists. 

Taking Viennese Actionism as its starting point, the book then offers detailed case studies of, amongst others, André Stitt, Ron Athey, Wafaa Bilal and Pyotr Pavlensky. Each artist is considered in relation to their context, as well as how their work relates to the more general question of how masculinity itself relates to extreme performance in challenging and censorious settings. As well as being theoretically and empirically rich, the book offers an engaging route into art theory and art history for non-specialists. It will be of interest widely in humanities, medicine and the social sciences.

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