Special guest Dr Omar Sayfo joins Chris and Alex for Episode 119 of the podcast, which features a rundown of Arab Animation covering a range of cartoons from Egypt, Iraq, and the United Arab Emirates, alongside a discussion of Omar’s recent book Arab Animation: Images of Identity (2021). Omar is an Affiliated Researcher in the Institute for Cultural Inquiry (ICON) at Utrecht University, and a researcher at the Avicenna Institute of Middle Eastern Studies, who has published articles in animation: an interdisciplinary journal, Media Industries Journal and The Journal of Popular Culture, as well as chapters in a number of edited collections. His monograph Arab Animation: Images of Identity looks at Arab animation from the 1930s to the present, offering an in-depth study of the “institutional and infrastructural background of animation production in the Arab world,” but also how Arab producers and artists have used animation to “mediate national, pan-Arab, Islamic and revolutionary identities.” Listen as the trio discuss a cross-section of animated examples that negotiate national culture and the mediation of political and religious messages, but also invite questions of local audiences vs. transnational flow; humour, allegory, and censorship; and the broader Arab political environment into which animation and fantasy has repeatedly entered. The case studies up for examination include Mish Mish Effendi (Frenkel Brothers, 1937) featuring the first Arab cartoon star; the fantasy film The Princess and the River (Faisal Al Yasiri, 1982) animated in East Germany; television series Freej (Mohammed Saeed Harib, 2006-2007) on the importance of tradition and custom; the parable Animal Stories from Qur'an (Sabbah Brothers, 2011) that demonstrates animation’s ability for educational entertainment; and the computer-animated feature Bilal: A New Breed of Hero (Khurram H. Alavi & Ayman Jamal, 2015) that depicts the life of Bilal ibn Rabah.

**Fantasy/Animation theme tune composed by Francisca Araujo**