Arch Obolers Plays

that showcased Oboler's unique and innovative approach to radio drama, often exploring themes of fantasy, science fiction, horror, and social commentary.

History and Runs:

The series had several distinct runs:

• NBC (1939-1940): The initial run aired on NBC from March 25, 1939, to March 23, 1940. This was a significant achievement for Oboler, as it was an experimental series given to a single playwright, an almost unheard-of honor at the time. It ran without a sponsor, giving Oboler considerable creative control.
• Mutual (1945): "Arch Oboler's Plays" was revived for a summer run on the Mutual Broadcasting System from April 5, 1945, to October 11, 1945.
• Later Syndication (1964): Some twenty years after the Mutual series, Oboler attempted to bring some of his acclaimed works back to the airwaves, negotiating with NANA Radio to record thirteen new episodes of "Arch Oboler's Plays" in late 1963, which aired in 1964.

Content and Style:

Oboler was known for his "weird fiction," blending elements of fantasy, science fiction, and horror. His plays often featured:

• Psychological Depth: He frequently explored the "terrors and monsters within each of us," using stream-of-consciousness techniques to powerful effect.
• Innovative Sound Effects: Oboler was a pioneer in the use of sound effects to enhance the atmosphere and impact of his dramas.
• Social and Political Commentary: Especially during the lead-up to and during World War II, Oboler subtly wove anti-fascist messages and calls for patriotism into his plays, even when networks maintained a stance of neutrality. He aimed to "stimulate the American people to the importance of the war effort by indirection rather than by direct appeal."
• Diverse Genres: While famous for horror, "Arch Oboler's Plays" also encompassed drama, comedy, satire, and tragedy.

Notable Episodes and Performers:

The show attracted an impressive roster of talented actors, many of whom worked for minimum union fees due to the show's prestige. Some notable episodes and stars include:

• "Johnny Got His Gun" (1940): A harrowing adaptation of Dalton Trumbo's novel, starring James Cagney.
• "The Bathysphere" (1939): This episode, focusing on a dictator and a scientist in a submersible with dwindling oxygen, was inducted into the National Recording Registry in 2020 for its cultural significance.
• "Alter Ego" (1938): Starring Bette Davis, this play about a woman with split personalities was chosen as the best original air drama of the year and later inspired the film "Bewitched."
• Other stars who appeared included Ronald Colman, Alla Nazimova, Greer Garson, Edmund Gwenn, Eddie Cantor, and many established radio actors like Bea Benadaret and Raymond Edward Johnson.

Impact and Legacy:

"Arch Oboler's Plays" left a significant mark on radio drama:

• Elevating Radio as an Art Form: Oboler was instrumental in demonstrating the artistic potential of radio, moving beyond simple entertainment to explore complex ideas and challenging themes.
• Pioneering Techniques: His use of stream-of-consciousness narration and inventive sound design became absorbed into standard radio practice.
• Influence on Later Works: Oboler's socially conscious "weird tales" and his dramatic style influenced later creators, notably Rod Serling of "The Twilight Zone."
• Critical Acclaim: Oboler received a Peabody Award for radio drama for his work.

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