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For two decades, Bouchra Khalili’s work has articulated contemporary migratory trajectories, colonial continuum, and the politics of memory of internationalist struggles and collective emancipation. In An Audio Family Album, Bouchra Khalili continues her investigation of Al Assifa’s methodology based on the dying tradition of Al-halqa, the oldest performing art in North Africa. Collaborating with a younger generation of members of the same communities living nowadays in Europe, she proposes an online archive of voices, bringing together stories of emancipation that have helped shape the memories and contemporary strategies of diaspora struggles and that, through this process, are passed on from one generation to the next.
Episode #6: Notes for an Introduction to an Amazigh Epistemology with Radouan Mriziga
EN - Radouan is a Moroccan-born, Brussels-based choreographer. Tafukt (2020) is a dance solo and the first part of a trilogy focused on epistemologies and mythologies of the Tamazigh – the indigenous population of North Africa. For his contribution to An Audio Family Album, Radouan interrogates new forms of Amazigh epistemology and its potential for diasporic communities.
FR - Radouan Mriziga est un chorégraphe marocain vivant et travaillant à Bruxelles. Tafukt (2020) est un solo de danse créé par Radouan, il constitue le premier volet d’une trilogie dans laquelle le chorégraphe explore les mythologies et épistémologies de la culture Tamazigh (une population indigène de l’Afrique du Nord). Pour sa participation à An Audio Family Album, Radouan aborde de nouvelles formes d’épistémologies Amazigh et questionne leur potentiel pour les communautés diasporiques.
NL - Radouan is een in Marokko geboren en in Brussel gevestigde choreograaf. Tafukt (2020) is een danssolo en het eerste deel van een trilogie die de epistemologieën en mythologieën van de Tamazigh – een autochtone bevolking in Noord-Afrika - behandelt. Voor zijn bijdrage aan An Audio Family Album, bevraagt Radouan nieuwe vormen van Amazighepistemologie en de mogelijkheden die het gemeenschappen in diaspora kan bieden.
A project by Bouchra Khalili, initiated and coproduced by Kunstenfestivaldesarts 2020 in the context of The Diasporic Schools.
More info: https://kfda.be/en/festivals/2020-edition/programme/an-audio-family-album/
For two decades, Bouchra Khalili’s work has articulated contemporary migratory trajectories, colonial continuum, and the politics of memory of internationalist struggles and collective emancipation. In An Audio Family Album, Bouchra Khalili continues her investigation of Al Assifa’s methodology based on the dying tradition of Al-halqa, the oldest performing art in North Africa. Collaborating with a younger generation of members of the same communities living nowadays in Europe, she proposes an online archive of voices, bringing together stories of emancipation that have helped shape the memories and contemporary strategies of diaspora struggles and that, through this process, are passed on from one generation to the next.
Episode #6: Notes for an Introduction to an Amazigh Epistemology with Radouan Mriziga
EN - Radouan is a Moroccan-born, Brussels-based choreographer. Tafukt (2020) is a dance solo and the first part of a trilogy focused on epistemologies and mythologies of the Tamazigh – the indigenous population of North Africa. For his contribution to An Audio Family Album, Radouan interrogates new forms of Amazigh epistemology and its potential for diasporic communities.
FR - Radouan Mriziga est un chorégraphe marocain vivant et travaillant à Bruxelles. Tafukt (2020) est un solo de danse créé par Radouan, il constitue le premier volet d’une trilogie dans laquelle le chorégraphe explore les mythologies et épistémologies de la culture Tamazigh (une population indigène de l’Afrique du Nord). Pour sa participation à An Audio Family Album, Radouan aborde de nouvelles formes d’épistémologies Amazigh et questionne leur potentiel pour les communautés diasporiques.
NL - Radouan is een in Marokko geboren en in Brussel gevestigde choreograaf. Tafukt (2020) is een danssolo en het eerste deel van een trilogie die de epistemologieën en mythologieën van de Tamazigh – een autochtone bevolking in Noord-Afrika - behandelt. Voor zijn bijdrage aan An Audio Family Album, bevraagt Radouan nieuwe vormen van Amazighepistemologie en de mogelijkheden die het gemeenschappen in diaspora kan bieden.
A project by Bouchra Khalili, initiated and coproduced by Kunstenfestivaldesarts 2020 in the context of The Diasporic Schools.
More info: https://kfda.be/en/festivals/2020-edition/programme/an-audio-family-album/
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