DC takes another stab at the general idea with "The Suicide Squad," and the results are a mixed bag of brilliant moments, charismatic efforts, and nonsense. Does it amount to something worth watching, or just a frustrating mess?

Tune in and we'll let you know if this one is worth your time.

It's Disney again this week with Jungle Cruise and though we may have had a strange mix of expectations, this one both did and didn't live up to them.

Do you need to rush out to catch this one? We'll let you know. We'll also give some impressions on Pig, the Nicolas Cage effort that has been winning over critics. Can a truffle pig adventure about a hermit living in the woods really be one of the best films of the year?

This week we're looking at a female lead double feature, one of which may or not be a bit camp, the other perhaps could have been more clear on how serious it wants it to be.

Black Widow kicked theaters back into gear and still caused some drama on that front, while Gunpowder Milkshake released streaming and caused its own stir.

Tune in and we'll let you know if you need to catch either of these, even if Shane and I disagree wildly about one of them.

This week action and mayhem square off as we look at F9 and The Tomorrow War, two films that are sure to polarize, as well as cause a lot of forgiving in service to "popcorn" fun.

We also go back to Luca and The Conjuring: The Devil Made Me Do It, and talk about some TV series that are on our radar.

Theater traffic is still running rough but The Hitman's Wife's Bodyguard is technically the weekend winner. Is it worth checking out, and is it worth a trip to the theater? Does it live up to the first?

We'll let you know, and we'll also give a special shout out to a few shows you don't want to miss, including "Kevin Can F**k Himself."

The Conjuring: The Devil Made Me Do It passed A Quiet Place 2 at the box office this week, and we'll give you a rundown on both. We'll also give you a quick take on Loki.

Two "horror" movies in one week and they couldn't be more different, but they are both getting people to theaters. Are they worth your time?

We're trying to get you as caught up with things as we can this week, and we cover Army of the Dead, Wrath of Man, Cruella, and Those Who Wish Me Dead.

It's a strange mix of heist movies, zombies, action, and live-action look at a cartoon world, and it all adds up to a front-runner for best of the year, horrible nonsense, and things that should have been better.

Tune in and we'll let you know which is which.

This week we take another look at The Mitchells vs the Machines, which is a lot of fun, and we review Without Remorse, the latest Tom Clancy effort. Ultimately, Without Remorse isn't particularly bad, but it could have been a lot better.

We also keep looking back at award winners of years past, a project that started out as an idea to give people some ideas of what to look for via streaming services in these theater poor times. Since I turned out that several years didn't have very inspiring nominees, we take a look at some of the best of 2005.

This week we take a look at Mortal Kombat, Stowaway, and The Mitchells vs. the Machines, and we take another look at some old Oscar winners by way of listener questions.

Is it possible that Mortal Kombat is actually a decent effort? We wouldn't have expected to even entertain the question, but the trailer made us curious. Do things work out? We'll let you know, and if you haven't heard of The Mitchells vs. the Machines yet, you really want to check it out.

Going into the Oscars has thrown everything sideways in this movie season that can't stop trying to tear the industry apart. This week, we talk briefly about Mortal Kombat, which is as weird as you expect, and we catch up on Promising Young Woman.

We also start taking a look back at Oscars past to see just how much these awards mean, especially several years later. Are any of the winners actually good, or still watched? Should any of them have won over the other nominees? The answers may surprise you.