It's a weird week of pseudo-biopic films and as award season heats up, these two films are getting attention that you couldn't have predicted six months ago. Both The Disaster Artist and I, Tonya are not only managing a lot of attention for their performances, but they are avoiding a lot of attention you might have expected when it comes to the odd treatment of their respective subjects.

We'll let you know if these need to make it to your list of films you need to see and offer up some more general opinions on the award season this year.

You could hardly have two movies getting award attention that are more different than The Shape of Water and Three Billboards Outside Ebbing, Missouri. A wild, sci-fi fairy tale about a mute who befriends a mer-creature, and the story of a woman who is tortured by her daughter's murder and the inability of the local police to provide her with any closure.

Both films are making serious plays as awards season approaches, and both are deserving.

But, are they as good as everyone says, and do you need to get to them as fast as you can? We'll let you know.

Justice League managed to bounce back in its intro in a way that few movies can, but it doesn't seem like it's enough to truly turn the sentiment of the public at large. Wonder Woman won over audiences tremendously, but it seems as though DC still has a problem with where it left Batman and Superman.

Does it up the game, or has much the DC comic effort become the lost wanderings aiming at piles of money that much of the public seems to suspect? We'll let you know, but you probably won't be very surprised.

We're also covering Wonder, a film that turns out to be quite a surprise, even if only in the extent to which it isn't a giant pile of syrup.

Apart from avoiding news at all costs, we're reviewing Murder on the Orient Express this week, and it's a more interesting adventure than you might imagine. The review, that is.

Not simply a time-honored classic, but also a film that seems to defy being remade, Orient Express is a film that has to make you wonder what exactly Branagh has in his bonnet. Of course, we all know that he just wanted to get the money to do Death on the Nile.

At any rate, the movie is a strange feature for many reasons, not least of which is the curious case of no one talking about it for awards. What happened here? We'll let you know.

In a year that has ultimately been rather disappointing, a comic-book hero film that doesn't take itself seriously won over audiences, but is it really any good, or is it just better than the last few months of offerings?

We'll let you in on everything you need to know about Thor: Ragnarok, and the huge surprises that came from Suburbicon and The Foreigner. Two films would be hard-pressed to have a wider gap of expectations and the results probably shocked us more than anything else this year.

Blade Runner 2049 was nerve-wracking for us, and not just because at least one of us love the original. The box-office doesn't reflect the cult status of a film that was truly a game-changer for the sci-fi genre, but the critical response was pretty positive leading up to this one.

Listen in and we'll let you know where this one falls compared to the original, and whether or not it's going to ultimately achieve the same kind of zeitgeist success.

American Made had so much going for it that we found ourselves chomping at the bit, which is somewhat unusual for this kind of "true story" effort, and a lot of what the film delivers should have won us over. Unfortunately, it didn't quite come together in the way we expected and it ultimately left us wanting something more to show up.

We'll let you know if this is the right film for you and whether or not you need to add it to your list, and we'll give you the scoop on industry news and more.

Kingsman: The Golden Circle didn't live up to expectations of the original, and while that one was a lot of fun, it had problems of its own.

There's certainly a fair amount of fun to be had, but Millar doesn't seem to have sequels nailed down. 

We'll also cover a lot of the latest new shows you should be checking out from Kevin Probably Saves The World to, surprisingly, Young Sheldon.

It was a very special episode for us this week because while we had some reservations about Aronofsky's latest, we weren't expecting to find a new low in film. We've both been to some low places in the world of cinema, and few of those spaces are occupied by writers and/or directors that also produced films that we loved.

It's certainly a conversation piece, though we have some thoughts on Aronofsky's claim that it is metaphoric/allegoric in nature.

Along with the many reasons to avoid this film, we'll give you some industry news and a look at some more shows head to the small screen this fall.

It would be hard to jam up a week more than this, and in addition to three movies, we're also giving you the scoop on some new TV, including The Orville.

We're overly tied to It, just as we were with The Dark Tower, but this time around our proximity to Derry didn't lead to a disappointment pitfall. Leap! looks like the sleeper animated hit we're rooting for, and Goon just didn't need a sequel.

Tune in to get all the info on these films and find out why you too should love or hate them.