Episode 73 reaches deep into the science, spaces and squids of Arrival (Denis Villeneuve, 2016), the recent science-fiction feature starring Amy Adams and Jeremy Renner, and based on Ted Chiang’s 1998 short story “Story of Your Life.” Joining Chris and Alex to discuss this atmospheric subversion of the sci-fi genre is Dr William Brown, Independent Scholar and Honorary Fellow at the University of Roehampton whose research expertise focuses on contemporary digital and new media, posthumanism, critical race theory, and film-philosophy. William is the author of numerous monographs, book chapters and articles related to popular cinema, media convergence and digital filmmaking - from eye tracking technologies to motion capture - and his latest collection is The Squid Cinema From Hell: Kinoteuthis Infernalis and the Emergence of Chthulumedia (co-authored with David H. Fleming) (2020). Listen as they chat about the earthly (squids, octopi, cuttlefish) and extraterrestrial cephalopods that have populated the history of cinema; the cephalopodan qualities of the digital and the tentacular reach of the virtual camera; the gaseous, cloudy spectacle of chromophoric display as it manifests throughout Arrival’s army of Heptapods; discourses of racial otherness and the gendering of so-called ‘squid cinema’; narrative, linearity, duration and the film’s fantastical relationship with/to time; Felix the Cat, ‘soft beings’ and the animator’s desire for control of the animated ink; how Villeneuve evokes the Rorschach stain through Arrival’s chaos of plasma, and how this feeds into the cultural and political plasticity of black bodies; and why, in the end, it all comes back to tentacles.