Arroe Collins Like Its Live Unplugged And Totally Uncut

The definitive exploration-told in revelatory detail-of the writing, recording, and release of John Lennon's celebrated and magical fourth solo album Mind Games, and the era that inspired it.

Described by Yoko Ono as "ahead of its time," Mind Games is a breakthrough album from John Lennon in which he employs a Plastic Ono Band comprising the cream of the crop of New York session musicians-a fan favorite that remains a cult classic ever since its first release on October 29, 1973. This insightful and beautiful book presents handwritten lyrics, letters, artworks by Lennon and Ono, and previously unseen photography alongside their firsthand commentary about the lyrics, songs, and album artwork, as well as contributions from the musicians, friends, engineers, and key figures involved in the making of this landmark album.

Mind Games was the product of an exceptionally turbulent time for the Lennons. While Nixon and Hoover were attempting to have Lennon deported, John and Yoko endured endless litigations and as the popular press turned on them once again, they bravely rose above it all, continuing their campaigns for non-violent peaceful protest to end the war in Vietnam and for equal rights for women. It was also an exciting time when they both re-embraced mysticism and magical thinking. In this sumptuous volume, text and images from the key players are woven together to reveal not only the details behind the creation, recording, and release of this groundbreaking commercial and skillfully crafted recording, but also to shed new light on a period of transformation and experimentation for Lennon and Ono.

The original album will be re-released to coincide with the book, a completely remixed and reissued 6 x CD / 2 x BluRay digital edition of Mind Games, together with two deluxe Mind Games boxsets, bringing the album to a new generation of listeners.

"Lavishly illustrated. The most interesting aspect of the book to students of Lennon's music is undoubtedly the inclusion of lyrics from his songs of the era, usually accompanied on facing pages by the former Beatle's handwritten drafts, with guitar chords indicated and his comments on the song's inspiration. A detailed look at an important chapter in the life of one of the iconic artists of the late 20th century.- Kirkus Reviews

WrestleMania is the WWE’s most anticipated event of the year, and this time, WrestleMania 41 comes to the entertainment capital of the world, Allegiant Stadium in Las Vegas, on April 19 and 20. Tickets for Wrestlemania 41 will be available at Ticketmaster.com beginning Friday, October 25.

Over the last four decades, WrestleMania has evolved from a made-for-television spectacle to a cultural phenomenon complete with stadium and arena events, fan festivities and premium experiences. In addition to the two-night stadium event, WWE will bring Raw, SmackDown, NXT Stand & Deliver, WWE World (with Fanatics) and the 2025 WWE Hall of Fame ceremony to Las Vegas, as well as a variety of local outreach events designed to give back to the Las Vegas community.

Court TV's newest project "Interview with a Killer," is a limited-edition series set to debut on Sunday, October 20 at 8 pm ET.

Airing Sunday nights at 8pm, the series takes viewers into high-security prisons across the country and directly inside the minds of convicted murderers.

The show engages and confronts the killers themselves with in-depth interviews that allow the audience to look into the eyes of men and women who have committed the ultimate betrayal of humanity: murder.

The show's first episode will feature Brian Steven Smith, a soft-spoken husband turned serial killer at night hunted and killed vulnerable Alaskan women.

Future episodes include "Honor" killer Yaser Said, "Catfish" killer Denali Brehmer, "Blackout" killer Bo Pete Jeffrey and Tyler Hadley, who killed his parents before throwing a rave in their living house.

In many instances this is the first time these convicted killers have ever openly discussed these cases and in the process unveiled never-before-heard details.

Film lovers have long heard of the legendary names that built Hollywood into a global entertainment empire - Goldwyn, Mankiewicz, Laemmle, Mayer, Loews. But it was The Schenck Brothers, a ruthless pair of Bowery boys, who worked their way up to launch the Hollywood studio system, creating a lasting legacy of 'star maker machinery" while simultaneously breaking all the business rules.

MOGULS: The Lives and Times of Film Pioneers Nicholas and Joseph Schenck (Sept. 24, 2024) is co-authored by Producers Guild of America member and film director Craig Singer, and Brooklyn-based writer Michael Benson (Gangsters vs. Nazis).

MOGULS is a noirish, incredible Hollywood history. The Schenck brothers held controlling interests in three major studios: Metro-Goldwyn-Mayer (MGM), Twentieth Century-Fox, and United Artists (UA). But chances are you've never heard of them because they preferred to run their global empire behind closed doors. Nick was Louis B. Mayer's boss. Think Mank meets Chinatown and LA Confidential, with a heaping dose of Hail, Caesar! and The Godfather II (of course).

Twice as powerful as the Warner Brothers, the Schencks were immigrants who quietly ran Hollywood out of the spotlight, bringing film into a world of blazing color. They were as American as jazz and baseball, as flashy as Gatsby, as cunning as gangsters, who controlled a third of the motion picture industry at their height - and were some of the richest men in America.

Grammy-nominated singer-songwriter and producer, JC Chasez, and Golden Globe winning songwriter, producer and composer Jimmy Harry announce their groundbreaking new musical theater concept album, Playing With Fire. Inspired by Mary Shelly's timeless novel Frankenstein, Playing with Fire marks Chasez's first major musical theater recording project. Chasez is also featured as a vocalist alongside singers Cardamon Rozzi and Lily Elise. The project comes on the heels of an exciting year for both Chasez and Harry respectively, following the highly anticipated *NSYNC reunion on the Trolls Band Together soundtrack where Chasez lent his vocals on the group's first song in two decades, "Better Place," and Harry's recent work writing and producing "Take Me Back To The Party," the latest single from B-52's founding member Kate Pierson. Harry has previously worked with legends such as Madonna, Pink, Britney Spears, Diplo, Kelly Clarkson, Weezer and more. Chasez made a surprise appearance at this year's Elsie Fest and joined festival host creator Darren Criss on stage where the project was announced.

Featuring a collection of 16 original new tracks, Playing With Fire first came to fruition when Harry presented Chasez the script of his late mother's (Barbara Field) theatrical adaptation of Shelley's prescient sci-fi story. Chasez was immediately intrigued with the play, and work on it immediately began, creating a heartfelt story of timely technological issues, love, responsibility, revenge, loss, and the human condition.

This reimagining of the classic tale constructs a conversation between Frankenstein and his creation, The Creature, at the grave of Frankenstein's wife, Elizabeth, ten years after her death. Through dynamic interplay of dialogue and shared flashbacks of key events in both their lives, the concept album plunges into the heart of their intertwined destinies. As they confront their past actions and the devastating impact they've had on one another, Frankenstein and The Creature gradually find understanding, sympathy, and forgiveness.

Chasez and Harry were drawn not only to the thought-provoking technological themes in Shelly's novel, but also to the emotional depth that Field's adaptation brought to the story. It was as if they discovered an untapped perspective on a literary classic that they could illustrate with music. This gripping story is accompanied by dark brooding songs that blend Electronic pop juxtaposed against classical music from the romantic era, forming a captivating symphony of contrasts that reflect the characters own internal conflicts.

"When we first discussed creating a musical inspired by Frankenstein, obvious topics such as technology, A.G.I., monsters, immortality and death came up. However, when we began the process of writing the songs, we couldn't help but lean into topics dealing with familial relationships, love, deceit, and denial. In the end, we flipped the technological beast on its side to reveal that, in spite of all its benefits and horrors it creates, it changes nothing about our basic humanity."

I’m CT…  When I’m not

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