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On todays episode of the Art of the Cut Podcast Steve talks with editor Trevor Ambrose about his work on “Schitts Creek.” Trevor recently won the ACE Eddie for Best Editing Comedy Series for Commercial Television for the episode “Happy Endings.” Trevors work on the series has also garnered him an Emmy nomination, won him the Canadian Cinema Editors Award, and a DGC Team Award for Outstanding Directorial Achievement in Comedy Series. Enjoy the episode!
Art of the Cut is brought to you by Evercast. Evercast is the first real-time collaboration platform built for creatives by creatives -- with video conferencing and HD live-streaming in one web-based platform. Save $50 on your first subscription by heading to www.evercast.us/aotc
Art of the Cut is also brought to you by Frame.io. Frame.io's cloud-based platform helps you work at lightning speed, and their industry-leading security keeps your team and your assets safe. Head over to Frame.io to start your free trial today.
The Art of the Cut podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and tell an editor friend.
On this special weekend episode of the Art of the Cut Podcast, Steve talks with Pippa Ehrlich, who - as editor, writer and director - won a BAFTA, won the ACE Eddie for Best Documentary Editing AND is nominated for an Oscar for her very first production “My Octopus Teacher.” “My Octopus Teacher” follows a filmmaker who forges an unusual friendship with an octopus living in a South African kelp forest. The film was co-directed by James Reed and was also written and edited by Dan Schwalm who couldn’t join Steve for this discussion. Enjoy the episode!
Art of the Cut is brought to you by Evercast. Evercast is the first real-time collaboration platform built for creatives by creatives -- with video conferencing and HD live-streaming in one web-based platform. Save $50 on your first subscription by heading to www.evercast.us/aotc
Art of the Cut is also brought to you by Frame.io. Frame.io's cloud-based platform helps you work at lightning speed, and their industry-leading security keeps your team and your assets safe. Head over to Frame.io to start your free trial today.
The Art of the Cut podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and tell an editor friend.
On this weeks episode of the Art of the Cut Podcast, Steve talks with the editing team behind the Zach Snyder cut of “Justice League.” The team is comprised of David Brenner, ACE, Carlos Castillon and Dody Dorn, ACE. David won an Oscar for “Born on the Forth of July.” He also edited “Independence Day”, “2012”, “The Day After Tomorrow” and the 2017 cut of “Justice League.” Carlos was an assistant editor on “Spider-Man: Far from Home” and first assistant editor on “Batman v Superman: Dawn of Justice”, the 2017 cut of “Justice League” and “Aquaman.” Dody was nominated for an Oscar for editing “Memento”, he also edited films such as “Fury”, “Power Rangers” and “Kingdom of Heaven.” Enjoy the episode!
Art of the Cut is brought to you by Evercast. Evercast is the first real-time collaboration platform built for creatives by creatives -- with video conferencing and HD live-streaming in one web-based platform. Save $50 on your first subscription by heading to www.evercast.us/aotc
Art of the Cut is also brought to you by Frame.io. Frame.io's cloud-based platform helps you work at lightning speed, and their industry-leading security keeps your team and your assets safe. Head over to Frame.io to start your free trial today.
The Art of the Cut podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and tell an editor friend.
On today’s episode of the Art of the Cut Podcast, Steve talks with the editing team of the documentary "The Dissident." The documentary uncovers the shocking facts and proof of the murder of Washington Post journalist Jamal Khashoggi by the orders of the Saudi Crown Prince. "The Dissident” editing team is comprised of Scott D. Hanson, James Leche, Wyatt Rogowski, and Avner Shiloah. Scott's work includes several narrative features like "Coming 2 America" and "Dolemite is my Name." His doc credits include "Feed Evolution" and “McMillions" among others. James's previous work includes “Gilbert", "The Devil We Know" and the TV doc series "Heaven’s Gate: The Cult of Cults." Wyatt's filmography includes "Fire on the Hill", "Sweet Micky for President", and the TV series "The American West.” A partial list of Avner's filmography includes "VHYes", "Endings, Beginnings" and "The Director and the Jedi.” Enjoy the episode!
Art of the Cut is brought to you by Evercast. Evercast is the first real-time collaboration platform built for creatives by creatives -- with video conferencing and HD live-streaming in one web-based platform. Save $50 on your first subscription by heading to www.evercast.us/aotc
Art of the Cut is also brought to you by Frame.io. Frame.io's cloud-based platform helps you work at lightning speed, and their industry-leading security keeps your team and your assets safe. Head over to Frame.io to start your free trial today.
The Art of the Cut podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and tell an editor friend.
On today episode of the Art of the Cut Podcast, Steve talks with recent ACE Eddie nominated editor Nels Bangerter about the documentary "Dick Johnson is Dead." Nels already won the International Documentary Association and Cinema Eye Honors Awards for his work on this film. Previously, Nels cut director Kristen Johnson’s other award winning documentary, “Cameraperson" as well as the documentaries "Let the Fire Burn" and "You See Me" among others. Enjoy the episode!
Art of the Cut is brought to you by Evercast. Evercast is the first real-time collaboration platform built for creatives by creatives -- with video conferencing and HD live-streaming in one web-based platform. Save $50 on your first subscription by heading to www.evercast.us/aotc
Art of the Cut is also brought to you by Frame.io. Frame.io's cloud-based platform helps you work at lightning speed, and their industry-leading security keeps your team and your assets safe. Head over to Frame.io to start your free trial today.
The Art of the Cut podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and tell an editor friend.
On todays episode of the Art of the Cut Podcast, Steve talks with Yorgos Lamprinos about the Oscar nominated film "The Father." Yorgos is an editor of Greek origin living and working in Paris. In addition to "The Father" being nominated for the Best Picture Oscar, Yorgos is nominated for Best Editing for the film. He has already won The British Independent Film Award for Best Editing for "The Father." In his 14 years in the editor's chair, he has won several French SeeZar and Greek Iris Awards for Best Editing. Enjoy the episode!
Art of the Cut is brought to you by Evercast. Evercast is the first real-time collaboration platform built for creatives by creatives -- with video conferencing and HD live-streaming in one web-based platform. Save $50 on your first subscription by heading to www.evercast.us/aotc
Art of the Cut is also brought to you by Frame.io. Frame.io's cloud-based platform helps you work at lightning speed, and their industry-leading security keeps your team and your assets safe. Head over to Frame.io to start your free trial today.
The Art of the Cut podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and tell an editor friend.
On today’s episode of the Art of the Cut podcast, Steve talks with Kristan Sprague about editing Shaka King's Oscar nominated film "Judas and the Black Messiah.” Kristan also edited Shaka King’s previous film, “Newlyweeds." Other features edited by Kristan include "The Salt in Our Waters", "When I Get Home", and "The Turn Out.” Enjoy the episode!
Art of the Cut is brought to you by Evercast. Evercast is the first real-time collaboration platform built for creatives by creatives -- with video conferencing and HD live-streaming in one web-based platform. Save $50 on your first subscription by heading to www.evercast.us/aotc
Art of the Cut is also brought to you by Frame.io. Frame.io's cloud-based platform helps you work at lightning speed, and their industry-leading security keeps your team and your assets safe. Head over to Frame.io to start your free trial today.
The Art of the Cut podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and tell an editor friend.
On today episode of the Art of the Cut Podcast, Steve talks with Frédéric Thoraval, editor of Oscar contender "Promising Young Woman." Steve last talked to Frederic when he edited the film "Peppermint" back in 2018. He’s also edited the films "Taken", "From Paris with Love", "Safe", "Dead Man Down" and "The Gunman." "Promising Young Woman" is now available to watch on demand now through Amazon Prime and others. Enjoy!
Art of the Cut is brought to you by Evercast. Evercast is the first real-time collaboration platform built for creatives by creatives -- with video conferencing and HD live-streaming in one web-based platform. Save $50 on your first subscription by heading to www.evercast.us/aotc
The Art of the Cut podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and tell an editor friend.
On todays episode of the Art of the Cut Podcast, Steve talks with editor Robert Grigsby Wilson about editing “The Forty-Year-Old Version.” Robert was an additional editor on “Miss Juneteenth” a assistant/ additional editor on multiple episodes of “Mr. Robot” and a visual effects editor on “The Lighthouse.” He also edited the documentary "Alone Together" which is premiering at SXSW as the closing night film. Enjoy the episode!
Art of the Cut is brought to you by Evercast. Evercast is the first real-time collaboration platform built for creatives by creatives -- with video conferencing and HD live-streaming in one web-based platform. Save $50 on your first subscription by heading to www.evercast.us/aotc
The Art of the Cut podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and tell an editor friend.
On this weeks episode of the Art of the Cut Podcast, Steve talks with Oscar nominated editor Tariq Anwar about working with director Regina King on her film, “One Night in Miami” based on the stage play of the same name. The film is about a fictionalized meeting of civil rights leader Malcolm X, boxing legend Muhammad Ali, NFL Football great Jim Brown, and the King of Soul - singer/songwriter Sam Cooke. His feature film work includes "American Beauty", for which he was nominated for an Oscar for editing and an ACE Eddie. He also cut "The King’s Speech", which was similarly nominated for an Oscar, a BAFTA and an Eddie for best editing. Enjoy the episode!
Art of the Cut is brought to you by Evercast. Evercast is the first real-time collaboration platform built for creatives by creatives -- with video conferencing and HD live-streaming in one web-based platform. Save $50 on your first subscription by heading to www.evercast.us/aotc
The Art of the Cut podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and tell an editor friend.
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