Artelligence Podcast

Lock Kresler is a Senior Director at Helly Nahmad Gallery in London. He's deeply involved in the private market but also spent a decade working at Christie's. In this conversation with George O'Dell of LiveArt, Kresler comments on the success of Paul G. Allen Collection, the uneven nature of this season's sales and how that will influence both the public and private markets going forward.

The Day sales are where the art market does its business. These marathon marts are where dealers, art advisors and the occasional brave collector chase the works they believe in. Collecting trends, price movements and discoveries all take place in the day sales. LiveArt's George O'Dell, Arina Novak and Sophie Coco discuss a broad range of artists on offer in the Day sales from a wide array of Abstract Expressionists to recent market mainstays like Scott Kahn. Join us for a preview of what to watch for during next week's action.

In 2022, artist Lynne Drexler's work exploded on the art market. An artist who had briefly shown in the early 1960s in New York, she continued to work on a remote island in Maine until her death in 1999. Two decades later, she became the artist of the moment. Sukanya Rajaratnam and Christine Berry have collaborated on a dual-gallery show of Drexler's work from her first decade, 1959-1969, The shows at Berry Campbell and Mnuchin have drawn in new audiences and further burnished Drexler's reputation. In this podcast, Christie's Julian Ehrlich joins Berry and Rajaratnam to tell the story of Lynne Drexler's extraordinary year.

LiveArt's sales team discussed the Paul Allen collection at Christie's, Alex Katz's market in light of his retrospective at the Guggenheim Museum, and the new record prices set for Alighiero Boetti's work in Paris and the expectation of an even bigger record in New York this month.

Christie's Chairman Marc Porter talks about Paul Allen as a collector and the role philanthropy now plays in the sale of the major art collections of our time. Max Carter discusses the challenge of estimating a wide array of artists in a collection that ranges over hundreds of years. Led by works from Cézanne, Seurat, Gauguin, Klimt, van Gogh, Boticelli, Manet, Jasper Johns, Lucian Freud, David Hockney and many more artists.

LiveArt's George O'Dell and Sophie Coco discuss the mood in the market. George is just back from Paris Plus, the new Art Basel fair in Paris. He gives his impressions on the difference between the Paris and London markets. Can the two fairs survive side-by-side as they have for years or will one win out? Sophie and George also assess the Fondation Louis Vuitton Monet Mitchell show that brings together late works by both artists who lived in similar landscapes outside Paris but at different times. How does the pairing of two giants from different eras influence collectors? And what about the Joan Mitchell retrospective also on view at the same time? Finally, with so much interest in women abstract painters, in general, and such market curiosity surrounding the work of Alice Baber, in particular, Sophie talks through the decision tree collectors must consider when seeking out the next hot name.

Fresh off Sotheby's strongest Frieze-week sales ever, James Sevier discusses the state of the Contemporary art market. London was filled with eager buyers who packed the fairs and auctions. More than $257 million was spent at auction and there's no telling how much more changed hands at the various fairs and galleries in London. In this conversation, Sevier talks about the mood in the market, the effect of the cheaper pound on how consignors behave and the strong demand for artists like David Hockney, Frank Auerbach and Caroline Walker.

LiveArt's sales team of George O'Dell, Adam Rutledge, Sophie Coco and Arina Novak discuss Sotheby's Hong Kong Contemporary art sale where $81m in art was sold but the bidding was lackluster overall. Still, there were strong sales for Emily Mae Smith, Maria Berrio, Lynne Drexler, Lucy Bull and Louise Bonnet. Then the discussion shifts to what the sales team wants to see at Frieze London—especially the presentations of prominent galleries and the special presentation of AWARE (Archives of Women Artists, Research and Exhibitions.)

Isa Lorenzo founded Silverlens Galleries in Manila in 2004. She was joined three years later by co-Director Rachel Rillo. Together they built an innovative gallery program in Manila and on the global art fair circuit. After partnering with galleries around the world for several years, Lorenzo and Rillo discovered they were seeing significant traffic to their website and social media from the United States. There was also serious interest from curators about their artists. The team opened in the heart of New York's Chelsea this autumn a space where they hope to show their international stable of artists and use the gallery as a site of collaborations.

George O'Dell, Sophie Coco and Arina Novak discuss the results from New York's mid-season Fall sale opening auctions. With $69 million in art sold at an 84.5% sell-through rate, the market remains stronger than many expected though the tug-o-war between sellers and buyers is now at a draw after several seasons where sellers were in the advantaged position. In this podcast, we discuss results for artists like Amy Sillman, Danielle Orchard, Louise Bonnet, Lynne Drexler, Mary Weatherford, Rashid Johnson, Salman Toor, Scott Kahn, Jordy Kerwick Amoako Boafo, Christina Quarles, Robert Colescott and many others.