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ARTS & SOCIETY FORUM: Kate Abley’s first novel, Changing the Subject, is an entertaining narrative about ordinary people in an extraordinary situation. She says ‘You don’t have to have read any Salman Rushdie to engage with this talk: I will make it my job to inspire you to try him. Under the feeble cover of having written a novel myself, I would like to make the experimental assertion that it is possible to describe novels in English as Pre-Rushdie and Post-Rushdie. Of course, there were rumblings of change before 1981 and the publication of Midnight’s Children. But it was that book which delivered the fatal blow to literarty-farties grumbling since the 1930s that the “The novel is dead”.’ Kate Abley and Wendy Earle discuss.
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ARTS & SOCIETY FORUM: Kate Abley’s first novel, Changing the Subject, is an entertaining narrative about ordinary people in an extraordinary situation. She says ‘You don’t have to have read any Salman Rushdie to engage with this talk: I will make it my job to inspire you to try him. Under the feeble cover of having written a novel myself, I would like to make the experimental assertion that it is possible to describe novels in English as Pre-Rushdie and Post-Rushdie. Of course, there were rumblings of change before 1981 and the publication of Midnight’s Children. But it was that book which delivered the fatal blow to literarty-farties grumbling since the 1930s that the “The novel is dead”.’ Kate Abley and Wendy Earle discuss.
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