Actress Liv Ullmann who starred in Eugene O'Neill's "Anna Christie" talks about the different techniques required for stage acting versus film acting, particularly with respect to the eyes and body movement.

Composer Stephen Schwartz talks about bringing "Pippin" to New York after a school production at Carnegie Tech, writing songs for "Godspell" off-Broadway after runs at Carnegie Tech and Cafe La Mama, and working with the same producers on "The Magic Show".

Veteran Broadway actor Jack Gilford, while appearing in "Sly Fox", talks about how important Broadway is to the city of New York and how the 1961 Actors Equity strike impacted the city.

"I Love My Wife" star Lenny Baker talks about the difference between playing large and intimate theatres, and the reactions of matinee audiences.

Top New York press agent Harvey Sabinson talks about his memoir "Darling, You Were Wonderful", the origin of the book title, and the behind-the-scenes content including notable flops.

"Sweet Charity" composer Cy Coleman discusses his 1977 musical "I Love My Wife" comprised of 4 characters and 4 musicians performing a "contemporary, eclectic score."

Tony nominated actor Robert LuPone talks about the Backstage On Broadway educational program, and the time when former first lady Betty Ford attended "A Chorus Line" and the Secret Service's wireless communication system interfered with the show's computerized lighting.

Actor Yul Brynner talks about returning to his Academy and Tony Award winning role in the Broadway revival of "The King and I" 25 years later, how his life experience has changed his performance, and what it was like playing to 13,000 people at a time on tour.

Jerry Orbach, star of "Chicago", talks about his continuing loyalty to the stage compared to Hollywood, and how his Broadway schedule works well with being a family man.

Three-time Tony Award winning costume designer Florence Klotz for "Follies", "A Little Night Music", and "Pacific Overtures" talks about costuming the musical comedy "On The 20th Century" set in the 1930s on a train.