If you cast a reasonable doubt in someone, are you responsible for their actions? Especially when that doubt was planted in order to manipulate?

This is one of the central questions posed in August Strindberg's "The Father," a three act play about a power struggle between the over-domineering Adolf and his wife Laura as they discuss the future plans for their child. All doubts come to a head, however, when Laura points out that a child's paternity can never be proven, and thus, under common law, strips Adolf of his power over the child. Through deceit, treachery, and manipulation, the plan to get rid of "The Father" is set in motion, and only time will tell if Adolf is a madman filled to the brim with jealous rage or righteous fury.

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*This Season's Album Art by Breanna Rose*

Johan August Strindberg (1849 – 1912) was a Swedish playwright, novelist, poet, essayist and painter. A prolific writer who often drew directly on his personal experience, Strindberg wrote more than sixty plays and more than thirty works of fiction, autobiography, history, cultural analysis, and politics during his career, which spanned four decades.A bold experimenter and iconoclast throughout, he explored a wide range of dramatic methods and purposes, from naturalistic tragedy, monodrama, and history plays, to his anticipations of expressionist and surrealist dramatic techniques. From his earliest work, Strindberg developed innovative forms of dramatic action, language, and visual composition. He is considered the "father" of modern Swedish literature and his The Red Room (1879) has frequently been described as the first modern Swedish novel.In Sweden, Strindberg is known as an essayist, painter, poet, and especially as a novelist and playwright, but in other countries he is known mostly as a playwright.

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

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