This is the inevitable conclusion of the Myth of Cuchulainn as set out by W.B. Yeats.

As the title suggests, "The Death of Cuchulainn" is about as mythic and yet as human as the titular character. A man worn down with time, finally in acceptance of his fate. A fate still worth telling and felt in the Irish people today.

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William Butler Yeats (13 June 1865 – 28 January 1939) was an Irish poet, dramatist and writer, and one of the foremost figures of 20th-century literature. He was a driving force behind the Irish Literary Revival, and along with John Millington Synge and Lady Gregory, he founded the Abbey Theatre, serving as its chief during its early years. He was awarded the 1923 Nobel Prize in Literature, and later served two terms as a Senator of the Irish Free State.

His earliest volume of verse was published in 1889, and its slow-paced, modernist and lyrical poems display debts to Edmund Spenser, Percy Bysshe Shelley and the poets of the Pre-Raphaelite Brotherhood. From 1900 his poetry grew more physical, realistic and politicised. He moved away from the transcendental beliefs of his youth, though he remained preoccupied with some elements including cyclical theories of life. He had become the chief playwright for the Irish Literary Theatre in 1897, and early on promoted younger poets such as Ezra Pound. His major works include The Land of Heart's Desire (1894), Cathleen ni Houlihan (1902), Deirdre (1907), The Wild Swans at Coole (1919), The Tower (1928) and Last Poems and Plays (1940).

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

This is the inevitable conclusion of the Myth of Cuchulainn as set out by W.B. Yeats.

"The Only Jealousy of Emer" is a story of self sacrifice and humility brought about through humiliation and debauchery. And yet, through all of that, each action taken by the characters in done out of love. If the other portions of Yeats' Myth of Cuchulainn were about fealty, this play is about true devotion, even unto giving up that precious item at the bottom of Pandora's box.

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*This Season's Album Art by Illuvisual*

William Butler Yeats (13 June 1865 – 28 January 1939) was an Irish poet, dramatist and writer, and one of the foremost figures of 20th-century literature. He was a driving force behind the Irish Literary Revival, and along with John Millington Synge and Lady Gregory, he founded the Abbey Theatre, serving as its chief during its early years. He was awarded the 1923 Nobel Prize in Literature, and later served two terms as a Senator of the Irish Free State.

His earliest volume of verse was published in 1889, and its slow-paced, modernist and lyrical poems display debts to Edmund Spenser, Percy Bysshe Shelley and the poets of the Pre-Raphaelite Brotherhood. From 1900 his poetry grew more physical, realistic and politicised. He moved away from the transcendental beliefs of his youth, though he remained preoccupied with some elements including cyclical theories of life. He had become the chief playwright for the Irish Literary Theatre in 1897, and early on promoted younger poets such as Ezra Pound. His major works include The Land of Heart's Desire (1894), Cathleen ni Houlihan (1902), Deirdre (1907), The Wild Swans at Coole (1919), The Tower (1928) and Last Poems and Plays (1940).

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

This is the climax of the Myth of Cuchulainn as set out by W.B. Yeats.

This play is juxtaposed between the frivolities and passionate natures of man with the ritual and order of its systems, and how one can not be beholden to both and still treat each side with the same worthiness upon the crossing of that threshold. The ideal of duty can drive a once powerful and spirited fighter to the ruin of himself and, more importantly, his legacy.

"On Baile's Strand," is one of the best testaments to W.B. Yeats' understanding of human nature and larger than life pathos.

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https://www.facebook.com/profile.php?id=100070481824821&locale=hi_IN

https://www.patreon.com/bemuse

Website: https://bemusearts.com

*This Season's Album Art by Illuvisual*

William Butler Yeats (13 June 1865 – 28 January 1939) was an Irish poet, dramatist and writer, and one of the foremost figures of 20th-century literature. He was a driving force behind the Irish Literary Revival, and along with John Millington Synge and Lady Gregory, he founded the Abbey Theatre, serving as its chief during its early years. He was awarded the 1923 Nobel Prize in Literature, and later served two terms as a Senator of the Irish Free State.

His earliest volume of verse was published in 1889, and its slow-paced, modernist and lyrical poems display debts to Edmund Spenser, Percy Bysshe Shelley and the poets of the Pre-Raphaelite Brotherhood. From 1900 his poetry grew more physical, realistic and politicised. He moved away from the transcendental beliefs of his youth, though he remained preoccupied with some elements including cyclical theories of life. He had become the chief playwright for the Irish Literary Theatre in 1897, and early on promoted younger poets such as Ezra Pound. His major works include The Land of Heart's Desire (1894), Cathleen ni Houlihan (1902), Deirdre (1907), The Wild Swans at Coole (1919), The Tower (1928) and Last Poems and Plays (1940).

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

This is the climax of the Myth of Cuchulainn as set out by W.B. Yeats.

This play is juxtaposed between the frivolities and passionate natures of man with the ritual and order of its systems, and how one can not be beholden to both and still treat each side with the same worthiness upon the crossing of that threshold. The ideal of duty can drive a once powerful and spirited fighter to the ruin of himself and, more importantly, his legacy.

"On Baile's Strand," is one of the best testaments to W.B. Yeats' understanding of human nature and larger than life pathos.

Follow me on other platforms:

https://bemuse.bandcamp.com

https://www.instagram.com/talentunlimited1/?hl=en

https://open.spotify.com/artist/0wiNjFbd6rluEHZF4Qffcv

https://www.facebook.com/profile.php?id=100070481824821&locale=hi_IN

https://www.patreon.com/bemuse

Website: https://bemusearts.com

*This Season's Album Art by Illuvisual*

William Butler Yeats (13 June 1865 – 28 January 1939) was an Irish poet, dramatist and writer, and one of the foremost figures of 20th-century literature. He was a driving force behind the Irish Literary Revival, and along with John Millington Synge and Lady Gregory, he founded the Abbey Theatre, serving as its chief during its early years. He was awarded the 1923 Nobel Prize in Literature, and later served two terms as a Senator of the Irish Free State.

His earliest volume of verse was published in 1889, and its slow-paced, modernist and lyrical poems display debts to Edmund Spenser, Percy Bysshe Shelley and the poets of the Pre-Raphaelite Brotherhood. From 1900 his poetry grew more physical, realistic and politicised. He moved away from the transcendental beliefs of his youth, though he remained preoccupied with some elements including cyclical theories of life. He had become the chief playwright for the Irish Literary Theatre in 1897, and early on promoted younger poets such as Ezra Pound. His major works include The Land of Heart's Desire (1894), Cathleen ni Houlihan (1902), Deirdre (1907), The Wild Swans at Coole (1919), The Tower (1928) and Last Poems and Plays (1940).

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

As a collection of Tennyson's early works, "Juvenilia" finds itself focused on many different aspects of love, desire, and death expressed in over 40 different poems, and includes some of his most notable poems such as "Claribel" and "Marina".

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Website: https://bemusearts.com

*This Season's Album Art by Illuvisual*

Alfred Tennyson, 1st Baron Tennyson FRS (6 August 1809 – 6 October 1892) was an English poet.

He was Poet Laureate of the United Kingdom during much of Queen Victoria's reign. In 1829 he was awarded the Chancellor's Gold Medal at Cambridge for one of his first pieces, "Timbuktu". He published his first solo collection of poems, Poems, Chiefly Lyrical, in 1830. "Claribel" and "Mariana", which remain some of Tennyson's most celebrated poems, were included in this volume. Although described by some critics as overly sentimental, his poems ultimately proved popular and brought Tennyson to the attention of well-known writers of the day, including Samuel Taylor Coleridge. Tennyson's early poetry, with its medievalism and powerful visual imagery, was a major influence on the Pre-Raphaelite Brotherhood.

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

As a collection of Tennyson's early works, "Juvenilia" finds itself focused on many different forms of love, desire, and death expressed in over 40 different poems, and includes some of his most notable poems.

Follow me on other platforms:

https://bemuse.bandcamp.com

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https://www.facebook.com/profile.php?id=100070481824821&locale=hi_IN

https://www.patreon.com/bemuse

Website: https://bemusearts.com

*This Season's Album Art by Illuvisual*

Alfred Tennyson, 1st Baron Tennyson FRS (6 August 1809 – 6 October 1892) was an English poet.

He was Poet Laureate of the United Kingdom during much of Queen Victoria's reign. In 1829 he was awarded the Chancellor's Gold Medal at Cambridge for one of his first pieces, "Timbuktu". He published his first solo collection of poems, Poems, Chiefly Lyrical, in 1830. "Claribel" and "Mariana", which remain some of Tennyson's most celebrated poems, were included in this volume. Although described by some critics as overly sentimental, his poems ultimately proved popular and brought Tennyson to the attention of well-known writers of the day, including Samuel Taylor Coleridge. Tennyson's early poetry, with its medievalism and powerful visual imagery, was a major influence on the Pre-Raphaelite Brotherhood.

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

As a collection of Tennyson's early works, "Juvenilia" finds itself focused on many different forms of love, desire, and death expressed in over 40 different poems, and includes some of his most notable poems.

Follow me on other platforms:

https://bemuse.bandcamp.com

https://www.instagram.com/talentunlimited1/?hl=en

https://open.spotify.com/artist/0wiNjFbd6rluEHZF4Qffcv

https://www.facebook.com/profile.php?id=100070481824821&locale=hi_IN

https://www.patreon.com/bemuse

Website: https://bemusearts.com

*This Season's Album Art by Illuvisual*

Alfred Tennyson, 1st Baron Tennyson FRS (6 August 1809 – 6 October 1892) was an English poet.

He was Poet Laureate of the United Kingdom during much of Queen Victoria's reign. In 1829 he was awarded the Chancellor's Gold Medal at Cambridge for one of his first pieces, "Timbuktu". He published his first solo collection of poems, Poems, Chiefly Lyrical, in 1830. "Claribel" and "Mariana", which remain some of Tennyson's most celebrated poems, were included in this volume. Although described by some critics as overly sentimental, his poems ultimately proved popular and brought Tennyson to the attention of well-known writers of the day, including Samuel Taylor Coleridge. Tennyson's early poetry, with its medievalism and powerful visual imagery, was a major influence on the Pre-Raphaelite Brotherhood.

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

"The Green Helmet," has multiple similarities the "The Green Knight" from the mythology of King Arthur, but set in an almost farcical manner. When Cuchulainn returns from Scotland, he finds his allies have played a game of whipping off a man's head... only to find out that he is coming back to claim theirs. The mysterious man leaves them with his helmet, which seems to magically induce jealousy between everyone around Cuchulainn, including his friends, their servants, and eventually all of their wives, all fighting about who is the best among them so as to not be the one to forfeit their life. The debt must be paid... but the question is, by whom?

This is the beginning of the Myth of Cuchulainn as set out by W.B. Yeats.

There exists a fountain in Scotland that is said to give a person eternal life, but only bubbles up once every few years. However, it is watched over by the Guardian who resembles a Grey Hawk, which in Irish Tradition is a symbol for death. In this play, we witness an old man who has waited to drink from it, but has always been distracted by the stone guardian in one way or another. Will this new man, Cuchulainn, who comes for the same be able to withstand her distractions and be able to share the fountain of life between him and the old man?

Can man be satisfied in Heaven? If Heaven is brought down to earth so freely, will man reject it for want of freedom? These are the themes put forward in "Calvary" through the mouths of Lazarus and Judas, the man who could not be beholden to death, and the man who would not be beholden to God. ... And yet, their desires laid upon cross are all too human... all too understandable.

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https://www.patreon.com/bemuse

Website: https://bemusearts.com

*This Season's Album Art by Illuvisual*

William Butler Yeats (13 June 1865 – 28 January 1939) was an Irish poet, dramatist and writer, and one of the foremost figures of 20th-century literature. He was a driving force behind the Irish Literary Revival, and along with John Millington Synge and Lady Gregory, he founded the Abbey Theatre, serving as its chief during its early years. He was awarded the 1923 Nobel Prize in Literature, and later served two terms as a Senator of the Irish Free State.

His earliest volume of verse was published in 1889, and its slow-paced, modernist and lyrical poems display debts to Edmund Spenser, Percy Bysshe Shelley and the poets of the Pre-Raphaelite Brotherhood. From 1900 his poetry grew more physical, realistic and politicised. He moved away from the transcendental beliefs of his youth, though he remained preoccupied with some elements including cyclical theories of life. He had become the chief playwright for the Irish Literary Theatre in 1897, and early on promoted younger poets such as Ezra Pound. His major works include The Land of Heart's Desire (1894), Cathleen ni Houlihan (1902), Deirdre (1907), The Wild Swans at Coole (1919), The Tower (1928) and Last Poems and Plays (1940).

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*