"Grimm Tales Made Gay" is a hilarious reinterpretation of classic Grimm fairy tales infused with humor and irreverence. In this collection, each Brother's Grimm tale is transformed into a witty and whimsical narrative, featuring absurd situations, clever wordplay, and unexpected plot developments. From Cinderella's sassy stepsisters to Little Red Riding Hood's encounter with a cunning wolf, Carryl's reinterpretations offer a fresh and entertaining take on beloved childhood favorites. With its charm, wit, and laugh-out-loud humor, "Grimm Tales Made Gay" is sure to delight readers of all ages!

Follow me on other platforms:

https://bemuse.bandcamp.com

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https://open.spotify.com/artist/0wiNjFbd6rluEHZF4Qffcv

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https://www.patreon.com/bemuse

https://www.youtube.com/channel/UCLZ_sUa8kfdu3qa6GSzbDiw

Website: https://bemusearts.com

*This Season's Album Art by Breanna Rose*

Guy Wetmore Carryl was born in New York City, the first-born of writer Charles Edward Carryl and Mary R. Wetmore.

He had his first article published in The New York Times when he was 20 years old. In 1895, at the age of 22, Carryl graduated from Columbia University. During his college years he had written plays for amateur performances, including the very first Varsity Show. One of his professors was Harry Thurston Peck, who was scandalized by Carryl's famous statement, "It takes two bodies to make one seduction", which was somewhat risqué for those times.

Some of Carryl's better-known works were his humorous poems that were parodies of Aesop's Fables, such as "The Sycophantic Fox and the Gullible Raven" and of Mother Goose nursery rhymes, such as "The Embarrassing Episode of Little Miss Muffet", poems which are still popular today. He also wrote a number of humorous parodies of Grimm's Fairy Tales, such as "How Little Red Riding Hood Came To Be Eaten" and "How Fair Cinderella Disposed of Her Shoe". His humorous poems usually ended with a pun on the words used in the moral of the story.

Guy Carryl died in 1904 at age 31 at Roosevelt Hospital in New York City. His death was thought to be a result of illness contracted from exposure while fighting a fire at his house a month earlier.

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

Support this podcast at — https://redcircle.com/brendan-moirs-playwright-corner/donations

In August Strindberg's "A Dream Play," the surreal landscape of dreams becomes the stage for a journey through the human experience. Set in a world where time and space are fluid, the play follows Agnes, the daughter of the Hindu god Indra, as she descends to Earth to understand the struggles of mortal life.

Come join me where the boundaries between reality and fantasy blur--where the depths of the subconscious mind are just out of reach, and where we question the need for meaning, the nature of suffering, and the possibility of transcendence.

Through poetic language and striking imagery, "A Dream Play" offers a profound meditation on the human condition and invites audiences to embark on their own journey of self-discovery and introspection, where the boundaries between dreams and reality dissolve, and anything is possible.

Follow me on other platforms:

https://bemuse.bandcamp.com

https://www.instagram.com/talentunlimited1/?hl=en

https://open.spotify.com/artist/0wiNjFbd6rluEHZF4Qffcv

https://www.facebook.com/profile.php?id=100070481824821&locale=hi_IN

https://www.patreon.com/bemuse

https://www.youtube.com/channel/UCLZ_sUa8kfdu3qa6GSzbDiw

Website: https://bemusearts.com

*This Season's Album Art by Breanna Rose*

Johan August Strindberg (1849 – 1912) was a Swedish playwright, novelist, poet, essayist and painter. A prolific writer who often drew directly on his personal experience, Strindberg wrote more than sixty plays and more than thirty works of fiction, autobiography, history, cultural analysis, and politics during his career, which spanned four decades.A bold experimenter and iconoclast throughout, he explored a wide range of dramatic methods and purposes, from naturalistic tragedy, monodrama, and history plays, to his anticipations of expressionist and surrealist dramatic techniques. From his earliest work, Strindberg developed innovative forms of dramatic action, language, and visual composition. He is considered the "father" of modern Swedish literature and his The Red Room (1879) has frequently been described as the first modern Swedish novel.In Sweden, Strindberg is known as an essayist, painter, poet, and especially as a novelist and playwright, but in other countries he is known mostly as a playwright.

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

Support this podcast at — https://redcircle.com/brendan-moirs-playwright-corner/donations

In August Strindberg's "A Dream Play," the surreal landscape of dreams becomes the stage for a journey through the human experience. Set in a world where time and space are fluid, the play follows Agnes, the daughter of the Hindu god Indra, as she descends to Earth to understand the struggles of mortal life.

Come join me where the boundaries between reality and fantasy blur--where the depths of the subconscious mind are just out of reach, and where we question the need for meaning, the nature of suffering, and the possibility of transcendence.

Through poetic language and striking imagery, "A Dream Play" offers a profound meditation on the human condition and invites audiences to embark on their own journey of self-discovery and introspection, where the boundaries between dreams and reality dissolve, and anything is possible.

Follow me on other platforms:

https://bemuse.bandcamp.com

https://www.instagram.com/talentunlimited1/?hl=en

https://open.spotify.com/artist/0wiNjFbd6rluEHZF4Qffcv

https://www.facebook.com/profile.php?id=100070481824821&locale=hi_IN

https://www.patreon.com/bemuse

https://www.youtube.com/channel/UCLZ_sUa8kfdu3qa6GSzbDiw

Website: https://bemusearts.com

*This Season's Album Art by Breanna Rose*

Johan August Strindberg (1849 – 1912) was a Swedish playwright, novelist, poet, essayist and painter. A prolific writer who often drew directly on his personal experience, Strindberg wrote more than sixty plays and more than thirty works of fiction, autobiography, history, cultural analysis, and politics during his career, which spanned four decades.A bold experimenter and iconoclast throughout, he explored a wide range of dramatic methods and purposes, from naturalistic tragedy, monodrama, and history plays, to his anticipations of expressionist and surrealist dramatic techniques. From his earliest work, Strindberg developed innovative forms of dramatic action, language, and visual composition. He is considered the "father" of modern Swedish literature and his The Red Room (1879) has frequently been described as the first modern Swedish novel.In Sweden, Strindberg is known as an essayist, painter, poet, and especially as a novelist and playwright, but in other countries he is known mostly as a playwright.

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

Support this podcast at — https://redcircle.com/brendan-moirs-playwright-corner/donations

In August Strindberg's "A Dream Play," the surreal landscape of dreams becomes the stage for a journey through the human experience. Set in a world where time and space are fluid, the play follows Agnes, the daughter of the Hindu god Indra, as she descends to Earth to understand the struggles of mortal life.

Come join me where the boundaries between reality and fantasy blur--where the depths of the subconscious mind are just out of reach, and where we question the need for meaning, the nature of suffering, and the possibility of transcendence.

Through poetic language and striking imagery, "A Dream Play" offers a profound meditation on the human condition and invites audiences to embark on their own journey of self-discovery and introspection, where the boundaries between dreams and reality dissolve, and anything is possible.

Follow me on other platforms:

https://bemuse.bandcamp.com

https://www.instagram.com/talentunlimited1/?hl=en

https://open.spotify.com/artist/0wiNjFbd6rluEHZF4Qffcv

https://www.facebook.com/profile.php?id=100070481824821&locale=hi_IN

https://www.patreon.com/bemuse

https://www.youtube.com/channel/UCLZ_sUa8kfdu3qa6GSzbDiw

Website: https://bemusearts.com

*This Season's Album Art by Breanna Rose*

Johan August Strindberg (1849 – 1912) was a Swedish playwright, novelist, poet, essayist and painter. A prolific writer who often drew directly on his personal experience, Strindberg wrote more than sixty plays and more than thirty works of fiction, autobiography, history, cultural analysis, and politics during his career, which spanned four decades.A bold experimenter and iconoclast throughout, he explored a wide range of dramatic methods and purposes, from naturalistic tragedy, monodrama, and history plays, to his anticipations of expressionist and surrealist dramatic techniques. From his earliest work, Strindberg developed innovative forms of dramatic action, language, and visual composition. He is considered the "father" of modern Swedish literature and his The Red Room (1879) has frequently been described as the first modern Swedish novel.In Sweden, Strindberg is known as an essayist, painter, poet, and especially as a novelist and playwright, but in other countries he is known mostly as a playwright.

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

Support this podcast at — https://redcircle.com/brendan-moirs-playwright-corner/donations

In August Strindberg's "A Dream Play," the surreal landscape of dreams becomes the stage for a journey through the human experience. Set in a world where time and space are fluid, the play follows Agnes, the daughter of the Hindu god Indra, as she descends to Earth to understand the struggles of mortal life.

Come join me where the boundaries between reality and fantasy blur--where the depths of the subconscious mind are just out of reach, and where we question the need for meaning, the nature of suffering, and the possibility of transcendence.

Through poetic language and striking imagery, "A Dream Play" offers a profound meditation on the human condition and invites audiences to embark on their own journey of self-discovery and introspection, where the boundaries between dreams and reality dissolve, and anything is possible.

Follow me on other platforms:

https://bemuse.bandcamp.com

https://www.instagram.com/talentunlimited1/?hl=en

https://open.spotify.com/artist/0wiNjFbd6rluEHZF4Qffcv

https://www.facebook.com/profile.php?id=100070481824821&locale=hi_IN

https://www.patreon.com/bemuse

https://www.youtube.com/channel/UCLZ_sUa8kfdu3qa6GSzbDiw

Website: https://bemusearts.com

*This Season's Album Art by Breanna Rose*

Johan August Strindberg (1849 – 1912) was a Swedish playwright, novelist, poet, essayist and painter. A prolific writer who often drew directly on his personal experience, Strindberg wrote more than sixty plays and more than thirty works of fiction, autobiography, history, cultural analysis, and politics during his career, which spanned four decades.A bold experimenter and iconoclast throughout, he explored a wide range of dramatic methods and purposes, from naturalistic tragedy, monodrama, and history plays, to his anticipations of expressionist and surrealist dramatic techniques. From his earliest work, Strindberg developed innovative forms of dramatic action, language, and visual composition. He is considered the "father" of modern Swedish literature and his The Red Room (1879) has frequently been described as the first modern Swedish novel.In Sweden, Strindberg is known as an essayist, painter, poet, and especially as a novelist and playwright, but in other countries he is known mostly as a playwright.

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

Support this podcast at — https://redcircle.com/brendan-moirs-playwright-corner/donations

In August Strindberg's "A Dream Play," the surreal landscape of dreams becomes the stage for a journey through the human experience. Set in a world where time and space are fluid, the play follows Agnes, the daughter of the Hindu god Indra, as she descends to Earth to understand the struggles of mortal life.

Come join me where the boundaries between reality and fantasy blur--where the depths of the subconscious mind are just out of reach, and where we question the need for meaning, the nature of suffering, and the possibility of transcendence.

Through poetic language and striking imagery, "A Dream Play" offers a profound meditation on the human condition and invites audiences to embark on their own journey of self-discovery and introspection, where the boundaries between dreams and reality dissolve, and anything is possible.

Follow me on other platforms:

https://bemuse.bandcamp.com

https://www.instagram.com/talentunlimited1/?hl=en

https://open.spotify.com/artist/0wiNjFbd6rluEHZF4Qffcv

https://www.facebook.com/profile.php?id=100070481824821&locale=hi_IN

https://www.patreon.com/bemuse

https://www.youtube.com/channel/UCLZ_sUa8kfdu3qa6GSzbDiw

Website: https://bemusearts.com

*This Season's Album Art by Breanna Rose*

Johan August Strindberg (1849 – 1912) was a Swedish playwright, novelist, poet, essayist and painter. A prolific writer who often drew directly on his personal experience, Strindberg wrote more than sixty plays and more than thirty works of fiction, autobiography, history, cultural analysis, and politics during his career, which spanned four decades.A bold experimenter and iconoclast throughout, he explored a wide range of dramatic methods and purposes, from naturalistic tragedy, monodrama, and history plays, to his anticipations of expressionist and surrealist dramatic techniques. From his earliest work, Strindberg developed innovative forms of dramatic action, language, and visual composition. He is considered the "father" of modern Swedish literature and his The Red Room (1879) has frequently been described as the first modern Swedish novel.In Sweden, Strindberg is known as an essayist, painter, poet, and especially as a novelist and playwright, but in other countries he is known mostly as a playwright.

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

Support this podcast at — https://redcircle.com/brendan-moirs-playwright-corner/donations

Step into the enchanting world of August Strindberg's "Swanwhite," a captivating fairy tale filled with magic, romance, and happy endings (who knew Strindberg was capable of that!). Swanwhite (a spirited young princess with a heart as pure as gold), at the behest of her father, begrudgingly obliges to marry a visiting King while he is away on campaign. But, when the young, handsome prince comes to her as a messenger for the King (a young prince who was spoken of in prophecy), Swanwhite finds herself torn between duty and love. How will she choose?

Come see all of the enduring hallmarks of the fairy tale genre in this gloriously fashioned fairy play for the stage; safe for all ages, and enjoyable for those who are still kids at heart.

Follow me on other platforms:

https://bemuse.bandcamp.com

https://www.instagram.com/talentunlimited1/?hl=en

https://open.spotify.com/artist/0wiNjFbd6rluEHZF4Qffcv

https://www.facebook.com/profile.php?id=100070481824821&locale=hi_IN

https://www.patreon.com/bemuse

https://www.youtube.com/channel/UCLZ_sUa8kfdu3qa6GSzbDiw

Website: https://bemusearts.com

*This Season's Album Art by Breanna Rose*

Johan August Strindberg (1849 – 1912) was a Swedish playwright, novelist, poet, essayist and painter. A prolific writer who often drew directly on his personal experience, Strindberg wrote more than sixty plays and more than thirty works of fiction, autobiography, history, cultural analysis, and politics during his career, which spanned four decades.A bold experimenter and iconoclast throughout, he explored a wide range of dramatic methods and purposes, from naturalistic tragedy, monodrama, and history plays, to his anticipations of expressionist and surrealist dramatic techniques. From his earliest work, Strindberg developed innovative forms of dramatic action, language, and visual composition. He is considered the "father" of modern Swedish literature and his The Red Room (1879) has frequently been described as the first modern Swedish novel.In Sweden, Strindberg is known as an essayist, painter, poet, and especially as a novelist and playwright, but in other countries he is known mostly as a playwright.

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

Support this podcast at — https://redcircle.com/brendan-moirs-playwright-corner/donations

Step into the enchanting world of August Strindberg's "Swanwhite," a captivating fairy tale filled with magic, romance, and happy endings (who knew Strindberg was capable of that!). Swanwhite (a spirited young princess with a heart as pure as gold), at the behest of her father, begrudgingly obliges to marry a visiting King while he is away on campaign. But, when the young, handsome prince comes to her as a messenger for the King (a young prince who was spoken of in prophecy), Swanwhite finds herself torn between duty and love. How will she choose?

Come see all of the enduring hallmarks of the fairy tale genre in this gloriously fashioned fairy play for the stage; safe for all ages, and enjoyable for those who are still kids at heart.

Follow me on other platforms:

https://bemuse.bandcamp.com

https://www.instagram.com/talentunlimited1/?hl=en

https://open.spotify.com/artist/0wiNjFbd6rluEHZF4Qffcv

https://www.facebook.com/profile.php?id=100070481824821&locale=hi_IN

https://www.patreon.com/bemuse

https://www.youtube.com/channel/UCLZ_sUa8kfdu3qa6GSzbDiw

Website: https://bemusearts.com

*This Season's Album Art by Breanna Rose*

Johan August Strindberg (1849 – 1912) was a Swedish playwright, novelist, poet, essayist and painter. A prolific writer who often drew directly on his personal experience, Strindberg wrote more than sixty plays and more than thirty works of fiction, autobiography, history, cultural analysis, and politics during his career, which spanned four decades.A bold experimenter and iconoclast throughout, he explored a wide range of dramatic methods and purposes, from naturalistic tragedy, monodrama, and history plays, to his anticipations of expressionist and surrealist dramatic techniques. From his earliest work, Strindberg developed innovative forms of dramatic action, language, and visual composition. He is considered the "father" of modern Swedish literature and his The Red Room (1879) has frequently been described as the first modern Swedish novel.In Sweden, Strindberg is known as an essayist, painter, poet, and especially as a novelist and playwright, but in other countries he is known mostly as a playwright.

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

Support this podcast at — https://redcircle.com/brendan-moirs-playwright-corner/donations

Step into the enchanting world of August Strindberg's "Swanwhite," a captivating fairy tale filled with magic, romance, and happy endings (who knew Strindberg was capable of that!). Swanwhite (a spirited young princess with a heart as pure as gold), at the behest of her father, begrudgingly obliges to marry a visiting King while he is away on campaign. But, when the young, handsome prince comes to her as a messenger for the King (a young prince who was spoken of in prophecy), Swanwhite finds herself torn between duty and love. How will she choose?

Come see all of the enduring hallmarks of the fairy tale genre in this gloriously fashioned fairy play for the stage; safe for all ages, and enjoyable for those who are still kids at heart.

Follow me on other platforms:

https://bemuse.bandcamp.com

https://www.instagram.com/talentunlimited1/?hl=en

https://open.spotify.com/artist/0wiNjFbd6rluEHZF4Qffcv

https://www.facebook.com/profile.php?id=100070481824821&locale=hi_IN

https://www.patreon.com/bemuse

https://www.youtube.com/channel/UCLZ_sUa8kfdu3qa6GSzbDiw

Website: https://bemusearts.com

*This Season's Album Art by Breanna Rose*

Johan August Strindberg (1849 – 1912) was a Swedish playwright, novelist, poet, essayist and painter. A prolific writer who often drew directly on his personal experience, Strindberg wrote more than sixty plays and more than thirty works of fiction, autobiography, history, cultural analysis, and politics during his career, which spanned four decades.A bold experimenter and iconoclast throughout, he explored a wide range of dramatic methods and purposes, from naturalistic tragedy, monodrama, and history plays, to his anticipations of expressionist and surrealist dramatic techniques. From his earliest work, Strindberg developed innovative forms of dramatic action, language, and visual composition. He is considered the "father" of modern Swedish literature and his The Red Room (1879) has frequently been described as the first modern Swedish novel.In Sweden, Strindberg is known as an essayist, painter, poet, and especially as a novelist and playwright, but in other countries he is known mostly as a playwright.

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

Support this podcast at — https://redcircle.com/brendan-moirs-playwright-corner/donations

Come and experience this delightfully humorous collection of satirical fables that playfully subvert traditional moral lessons, entitled "Fables for the Frivolous" by Guy Wetmore Carryl. Each fable presents a witty and whimsical tale featuring talking animals, mythical creatures, and foolish humans, all navigating absurd situations with clever wordplay and unexpected twists. If you or your child (but especially you) need a collection of stories that poke fun at human foibles and societal conventions while offering a lighthearted perspective on life's absurdities, then this is the book for you!

Follow me on other platforms:

https://bemuse.bandcamp.com

https://www.instagram.com/talentunlimited1/?hl=en

https://open.spotify.com/artist/0wiNjFbd6rluEHZF4Qffcv

https://www.facebook.com/profile.php?id=100070481824821&locale=hi_IN

https://www.patreon.com/bemuse

https://www.youtube.com/channel/UCLZ_sUa8kfdu3qa6GSzbDiw

Website: https://bemusearts.com

*This Season's Album Art by Breanna Rose*

Guy Wetmore Carryl was born in New York City, the first-born of writer Charles Edward Carryl and Mary R. Wetmore.

He had his first article published in The New York Times when he was 20 years old. In 1895, at the age of 22, Carryl graduated from Columbia University. During his college years he had written plays for amateur performances, including the very first Varsity Show. One of his professors was Harry Thurston Peck, who was scandalized by Carryl's famous statement, "It takes two bodies to make one seduction", which was somewhat risqué for those times.

Some of Carryl's better-known works were his humorous poems that were parodies of Aesop's Fables, such as "The Sycophantic Fox and the Gullible Raven" and of Mother Goose nursery rhymes, such as "The Embarrassing Episode of Little Miss Muffet", poems which are still popular today. He also wrote a number of humorous parodies of Grimm's Fairy Tales, such as "How Little Red Riding Hood Came To Be Eaten" and "How Fair Cinderella Disposed of Her Shoe". His humorous poems usually ended with a pun on the words used in the moral of the story.

Guy Carryl died in 1904 at age 31 at Roosevelt Hospital in New York City. His death was thought to be a result of illness contracted from exposure while fighting a fire at his house a month earlier.

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

Support this podcast at — https://redcircle.com/brendan-moirs-playwright-corner/donations